Moment has made a name for itself with its beautifully crafted lenses for smartphones. More recently they also teamed up with Freefly to create the Movi, a stabilizer and cinema robot for your iPhone. Today, they announced a new product that follows the trend of shooting professional quality videos and photos with a phone. It’s a 62mm filter mount for their lenses.
Seeing colors and luminosity correctly is not always easy. You could calibrate your screen and be stuck working at the same place every day, but some people just can’t have a fixed office or studio. And even with a calibrated monitor, adjusting luminosity to your creative vision can get tricky. This is where visual help layers come in, especially one called the five-tone heat map. Blake Rudis from f64 Academy shows you how to use and why it’s so useful.
While shooting with an iPhone is great because you always have it with you, DSLRs still offer much better ergonomics. But what if there was a grip designed to pimp your smartphone and get more buttons and wheels?
Ever wondered how to create your very own LUTs using only Photoshop? Look no further, Unmesh Dinda at PiXimperfect just released the perfect short and easy to follow tutorial for you.
As photographers, we tend to care more about our cameras and lenses than the gear we use to process our images, such as monitors. It’s a shame, because it’s crucial too. Let’s find out in this review if the ViewSonic VP2785-4K could make your workflow better and easier.
Tether Tools is well known for making tools that make photographer’s life more comfortable and better. You’ve probably seen their orange USB cables at least once in your life. Today, they’re introducing a new range of power solutions, ONsite Power.
It still boggles my mind that Adobe hasn't added color wheels to Photoshop in 2019. It's a tool loved by colorists and video editors, yet photographers are forced to rely solely on curves and sliders instead. Fortunately, the guys at Retouching Toolkit fixed Photoshop once again.
You have probably heard it a few times: photographers raving about how Capture One is awesome for developing portraits from raw files. However, just like when I first installed it, you might not see any advantage over the current raw processor you are using. Then I found a few functionalities that made my workflow that much quicker and my images look a tad better before even retouching them in Photoshop.
When using Photoshop, I find myself zooming in and out very often. While this might not be a massive loss of time, it still is one, especially when doing some local dodge & burn. I recently found a technique that doesn't require me to zoom anymore. I can now work on my file with multiple views at once in Photoshop. How is this possible? It is only a very simple option in Photoshop, nothing as crazy as Inception.
Priolite just announced the addition of a new flash unit to their HotSync lineup, the MBX300HS. This slightly smaller and lighter, but much cheaper, unit is a welcome addition to their current line of products. Alongside the already available 500Ws and 1000Ws strobes, this new compact unit looks like a solid alternative to more well-established brand's battery powered system.
Lighting action and sports photography can often be complex. The flash cannot always be placed where it should and with the x-sync limitation of our cameras, it can be difficult to have the required settings. But some photographers, like Tristan Shu, master their craft and can push the boundaries of flash photography.
Anamorphic lenses are mostly used by cinematographers to get a ratio of 2.40:1. The cinematic look these lenses offer has become popular amongst photographers lately. While such a wide ratio is not very practical for most genres, the squeezed bokeh and the unique flare these optics create is a way to stand out amongst the competition.
Capture One doesn’t need to be introduced anymore. It’s Phase One's professional raw converter, and it has grown into a very compelling Lightroom alternative over the past few years. The software is meant to develop raw files, but it can do much more. Its usage doesn’t have to stop at simple exposure and contrast tweaks. Let’s see how we can unleash its full potential and, as Phase One likes to phrase it, experience the ultimate image quality.
Just earlier this week, I was writing about going over x-sync speed with your flashes. This ability is a true game changer for any photographer who relies on artificial lighting. Between February 1st and April 30th, Profoto is running a sale that can make that step up a bit lighter on your wallet.
Cold and moody processing is quite trendy lately. As I’ve been watching a lot of movies and cinematography tutorials, I began mimicking that cinematic feel in spite of myself. While lighting and makeup both play a big part in the final look, the post processing is critical as well. Here’s how to achieve it using Capture One!
