Instagram is a fantastic tool for photographers to promote their work. It’s not incredibly complicated to get the hang of it: post your pictures, add a description along with a couple of hashtags, and people can find your images. However, if you’ve been using it long enough, you may have noticed that your stream quickly looks like a mass of pictures with no continuity. Since the app doesn’t allow for pre-planned posts, it’s difficult to keep a visually appealing account. That is unless you use an app such as UNUM to help you out.
The raw processing world often seems restricted to Capture One, Lightroom, and Camera Raw. However, these three are far from being alone. One alternative is called Alien Skin Exposure X2, and while you may have heard of it as a Photoshop plugin, it’s also a standalone app able to edit your raw files. Despite being younger than the other options, it offers a broad palette of features, and I would almost dare say it took most of the best functionalities found on the market to bring to life a very appealing photo editing software. After a few weeks working with it, here’s my review and why you should perhaps give it a try too!
Instagram Stories have become more and more attractive with the latest features such as the tag- and location-based stories. People seem to enjoy these features, and they can drive more potential followers to your account. However, quality content, even in Stories, remains king; and posting a video or a photo that stands out can really make a difference in bringing more followers to your page. As photographers or videographers, we truly have a massive advantage in producing great content that people want to see. So in this article, I’ll show you how to post your amazing work to your Story even if said content is older than 24 hours.
Amongst the drones available on the market in 2017, the DJI Spark is surely not amongst the top ones in terms of files quality. The sequences it creates are quite difficult to color grade in postproduction and thus it makes it hard for videographers to mix the clips with footage from another camera. However, there are ways to improve what you can get out of Spark’s videos. Casey Faris gives us one of the tricks he uses to maximize the dynamic range of the images.
Artificial lighting is one of the best tools a photographer can learn to implement in his work. It’s not something we have to use and rely on all the time, but knowing it’s there and not being afraid of it is always best. When working in a studio for portrait and beauty photography, it can become a necessity depending on the natural light you have and the looks you shoot. In this short behind the scenes, Rossella Vanon shows how she created six different lighting setups that keep a consistent feeling. Take this opportunity to learn new lighting setups and understand her thought process when building a set.
When you get in the video world, you soon realize that editing can go pretty far, but it’s not as easy as Photoshop. It tends to take more time to get to a decent result, and a tremendous patience to achieve perfection. In this short tutorial, Steve from MiesnerMedia shows us how to smooth out skin in our videos using DaVinci Resolve 14.
When trying to get creative, we often get discouraged thinking everything has been done, and no matter how hard we try, our work is going to be inspired or a remote copy of someone else’s idea. However, there are still some exceptionally brilliant minds that find ways to innovate and make the impossible possible. Valentin Delluc, a French speed rider, and Dino Raffault managed to create a unique video that will make your eyes light up even if you don’t know what speed riding is.
What’s great about photography and videography is that in most cases you can work wherever you are and thus move freely around the globe. Chris Hau understood that and managed to travel for free using his photography. In this video, he shares his experience and story with you to try giving you tips and inspiration to do the same in 2018.
The Internet is full of articles and videos telling you what technique will revolutionize the way you add sharpness to your images, but almost none of them tell you the most crucial step to take before sharpening, no matter the technique. In this article, I’ll show you this simple yet essential action to make your sharpening genuinely efficient.
When shooting tethered, it’s easy to get lost in files and make things more complicated than they should. However, with Capture One there is an easy way to stay on top of things and cut your image selection time drastically.
If you want to learn to edit beauty, editorial, or fashion images like a pro, be sure to watch this video featuring Tina Eisen on how to such pictures with Capture One.
Capture One has evolved over the past few years to become the powerhouse it is now. With its newest release, it turns into even more efficient software, thanks to the addition of Capture One Studio.
Getting perfect skin tones can be quite time consuming and difficult. Because everyone's skin complexion is different, the corrections needed will be different every time. Even so, there are some recurring problems such as over-saturated reds in darker tones. A great makeup goes a long way in helping with redness, but sometimes it is not enough. The best example is the red seen in the ears when the model is backlit. Because of the nature of skin and the human body, the ears are going to turn red and no makeup will totally solve that. So let’s see how we can correct that very effectively and quickly using Photoshop.
Dodge and burn, frequency separation, and other techniques used by high-end retouchers are great but time-consuming. Shooting and retouching weddings, as well as fashion and beauty, I sometimes find myself spending way too much time on wedding retouching. Being used to cleaning skin with dodge and burn for beauty, I tend to do the same with weddings. Which, as you can guess, is not very profitable. The same thing goes for proofing portrait sessions. I like to give lightly retouched proof images instead of pure raw files. So for weddings and portraits proofs I had to come up with a quick way to clean skin without making my images look too bad. Here is how I do it.
