An LED light kit for video is something I've always wanted to own. After years of using hot ARRI and Lowel lights, and renting LitePanels when the budget allowed, I discovered a company called Zabolight that was making LED panels and other fixtures at a much cheaper price. I purchased a kit of these, and did some testing to see how they compared to other more expensive brands.
LEDs have been around for a number of years now, and the quality has gone up while the cost has slowly come down. The combination of low power consumption paired with low heat emission, quickly made these a favorite among shooters who wanted to work fast and in tight places. The Zabolights I'm going to tell you about certainly fit this description.
For the record, this is an independent review. Zabolight is not paying or sponsoring myself or fstoppers in any way for my opinion on their products.
According to their website, Zabolights are the creation of Greg Sabo, who is a working DP that also does a lot of lighting installations. Zabolights have a handful of videos on YouTube that show various tests and product demos, and if you're near Ohio, you can even rent some of their light kits.
The Zabolight LEDs are primarily for video production, and they have several kits to choose from depending on your needs and budget. I don't see any reason why you couldn't use these for photography as well, but you likely wouldn't buy these for that reason alone. I purchased their Location Kit for shooting interviews, and added a battery package so I could light subjects in the field when I wouldn’t have any access to power.
The Z1 Bi-Colors have a sturdy build, housed in what appears to be an aluminum casing. The knobs feel especially nice, and move fluidly. The battery and power attachments feel just as solid.
The Zabolight Mini Fresnels on the other hand, seem to be made of a hard plastic. They are light too, but the mounting attachment has already given me some headaches. It's a good combo joint similar to this, with a 1/4-20 thread adapter that screws into the bottom of the light itself. It's a good attachment, I just find it tricky to tighten and align correctly. The built in barn doors are also fixed in a single direction, which is a bit of a bummer. I wish these were able to rotate so that I could craft the light better.
The stands that came with the kit aren’t going to win any awards, as they are basic stands. They do their job well enough, but to be a bit nitpicky, I like ARRI stands a bit better when it comes to locking and extending. Maybe these ones just need to be broken in? It's amazing how something as insignificant as how a light stand locks can be noticeably different from one brand to the next.
The case it came in is rock solid, and I talk about the kit contents in this short clip below:
The controls on the Z1 are placed just where they need to be, and the power attachment smartly fits into the battery bracket, rather than dangling around the light stand. When dimming the light, power does seem to jump from 0% to something like 20%, as the individual LEDs turn on sharply at first, and then gradually increase to full power. Not a big deal for me, but it would be nice if it smoothly dimmed all the way down.
The Chimera Softbox attachment for the Z1 works well, once it’s set up. Getting it set up was a bit more cumbersome than it needed to be, but my other Chimera is annoying too, I shouldn't have been surprised.
The mini fresnels have a dimmer, which works fine, but I did notice some flickering one time when I was dimmed at around 50%. I nudged the dimmer ever so slightly and the flicker disappeared, and did not return. The minis also have a color dial, making them usefulfor 3200-5600K setups.
Aesthetically, the kit looks great. The Z1 LEDs are slim, and are a joy to work with on set. The mini fresnels are like little pepper lights, and besides being plasticy, look fine on a set. The case is solid, and I’d show up to any shoot toting this thing around.
We shot a two-person “talking head” segment for this Kickstarter Video, using a single Z1 with the Chimera as our primary source, with another Z1 turned away and dimmed down for a nice fill.
For the trailer below, we used a single Z1 with the Chimera attachment as our key source, a reflector for fill, and a mini fresnel as a rim light. Look for the interview segments scattered throughout the video. Additionally, the interview with Miguel Ventura at about 2:42 is lit with a single Z1 bounced off of a wall.
I really feel that having the Z1 kit made setup and production much easier than if I was dealing with a something like an ARRI or Lowel kit with hot lights. Setting up a 3 point lighting look for sit down interviews was no problem, and being in a small room for 10 hours was possible due to the low heat emission. The quality of light was fantastic, and I quite like how the open-face LED looks on someones face. Throw the Chimera on and the rolloff smooths out real nice. I don't know about you, but I like to make my interviews a bit on the warm side. Once I was white balanced, I could adjust the key source color ever so slighty to get that extra touch of warmth.
When it came time to get interviews on the road, it was super easy to slap a battery on a single Z1 an throw it into a large gear bag. Someone can easily hold it for an extended period of time and not get tired.
If we were indoors, a turn of knob let us match closer to the artificial lighting. When we went outside, another quick turn of the color dial and we were closely matched.
Here’s another example of a shot where we used the Z1 to add a rim light to a campfire scene we shot.
We never had any issues using the Z1 either in a controlled setting, or in a run and gun situation. I've only used the mini fresnels in sit down interview shoots, and they have performed just fine 98% percent of the time. One time we noticed a slight flicker when partially dimmed. Once fixed, we could not re-create the issue.
As far as output is concerned, you can see in the video we metered the light to compare it to the Litepanels. In my opinion, these pump out plenty of light when at 100%. I'll post the footcandles readings I measured in case you want to compare them to your own lights.
Z1 @ 3200 - 160fc
Z1 @ 5600 - 180fc
What Could Be Improved
The battery kit came with a charger for the gold mount batteries, and apparently the batteries were shipped fully charged. That's great, but I had no idea. There were no instructions, and they displayed a red light instead of green, so I found that to be counter-intuitive. I called their customer support and was able to figure out what the deal was without too much headache.
The fresnels are lacking a bit in terms of the build quality, and the stand adapter came loose pretty easily. The brief flickering I noticed seemed to be a fluke, but it was cause for minor concern.
As I noted in the video, the price is what makes this kit a tremendous value. A single Z1 costs just $1,295. Compare that to a LitePanels 1x1 Bi-Color, which is $2,695. The mini fresnels sell for about $500, so at that point I’d suggest going with the Zabolight Z4 fresnel, which was just recently released and is only $100 more. If you don't need a fresnel, have a look at the Ikan IB500. If you do need a focusable light for your kit, a hot ARRI 150W mini fresnel runs for about $350. My personal favorite lights of this style are the Dedolight 150W DLHM series, but those are more expensive, at $650 each.
The kit I purchased was called the location kit, so I got 2x Z1, 2x mini fresnels, a big case, and I added a battery kit and Chimera softbox. All this cost me just less than $5,000 for the whole thing. Comparing this to the cost of a standard video production lighting kit, like the ARRI Softbank II Kit, which ran almost $3,000 when it was purchased, I think this LED kit was a good value. It’s more than a replacement, it’s an upgrade. You’re getting a lighter kit, that can be battery-powered, emits less heat, uses less power, and can roll the color from a dial rather than needing a book of gels.
What I liked:
Low cost compared to other brands
LED panels have high output compared to other brands
Batteries allow for very portable lights in run and gun situations
3200-5600 color control means no correction gels needed
The hard case has wheels and a handle, plus room for extras
What I didn't dig:
The Z1 dimmer jumps from 0-20%ish
The mini fresnel barn doors don't rotate
The mini fresnel stand adapter can be problematic
At $500, the mini fresnels are a bit expensive when the Z4 is only $100 more
A more intuitive battery charger
The Bottom Line
I’ve rented LED lights made by ARRI and LitePanels for more than a few shoots, and I’ve been very happy with their performance. I’ve always wanted to own a kit, but their high cost made it prohibitive. With this Zabolight kit, the cost was finally affordable, and I’m very happy with the results I’ve been getting so far. The Z1 panels are awesome. I don't love the mini fresnels, but they do their job– small, focusable lights are a must-have for an interview kit. I'm looking forward to using them on a lot more shoots, and not having to deal with the problems that are common to hot, tungsten lights.
**Again, this was an independent review, and Zabolight is not paying or sponsoring myself or fstoppers in any way.**