With the recent trends in mirrorless cameras, and the price of medium format coming down to a point where they are actually financially viable for most of us, does the 35mm camera still reign over digital cameras for the best bang for the buck, and if so, which one wins the race?

This week, Twitter finally decided to stop cropping image thumbnails on mobile feeds. While many will welcome this news, Twitter still has a lot of work to do if it wants to become a platform that appeals to photographers.

Tamron has become well known for their ability to create lenses that strike intelligent balances between portability, image quality, performance, capabilities, and most importantly, price. The 28-200mm f/2.8-5.6 Di III RXD offers an all-in-one solution that covers almost every focal length most photographers need in an impressively small and affordable package. How does it perform in the real world? This excellent video review takes a look.

There is no arguing that the camera industry is quickly transitioning to mirrorless, but that does not mean every photographer has to immediately jettison all their DSLR gear. In fact, many genres really do not need all the benefits of mirrorless cameras. This excellent video essay features a landscape photographer discussing five reasons why a switch to mirrorless would benefit him and five why he might just hang on to his DSLR a little longer.

TFP, Time For Print, Time For Photos; All these terms and initialisms can become a bit daunting and overwhelming. What do they all mean? I definitely can’t pay rent with exposure dollars. So why is everyone always offering exposure for compensation?

The HSL panel is a tremendously useful tool for taking finer control over the post-processing your images, both from a technical and a creative standpoint. This excellent video tutorial will show you why the panel is so useful and how to incorporate it into your photo edits.

The first time you photograph a model can be extremely daunting. Here are five tips to help you make sure that the first shoot is a success and you and the model get the most out of it.

We live in a world where if you have a need for something, almost without fail, there's an app for that. The trick is to find one that's useful now but that can also adapt to your needs over time. It'd be nice if it was free as well.

Mastering light can mean many things, from the manipulation of natural light through to how to setup multiple strobes for a specific look. However, there are a few more niche techniques that are both incredibly fun and rewarding. One of these is light painting.

If you're in the market for a new mirrorless camera, there are a plethora of options, and most of those options are broken down right here in this handy video from Engadget.

If amidst all the challenges of the changing times and around the craft itself, you’re still really passionate about photography, it probably brings you significant joy. But why?

Adobe Lightroom has become more and more powerful over the years, devouring some of its sister software's territory, Photoshop, in the process. This landscape photographer still has to use Photoshop for these six adjustments, however.

Having a strong enough grasp on lighting to control your surroundings — no matter what they may be — can be a powerful tool. Here is a brief tutorial on how to make your indoor portraits look like they were taking outdoors.

Chi Lau is a London-based photographer who has been experimenting with digital infrared photography since 2011. I was able to chat with him to learn more about the infrared process and learn what tips he has for others wanting to try it for themselves.

When working with lights, be they artificial or natural, the tendency when starting out is to light from the front, or at least at 45 degrees. But if you want to create something moodier, using your main light source as a backlight is possibly the quickest way to get something interesting.

Zoom lenses are very versatile. In a way, these lenses offer an infinitely variable focal length adjustment. If you could have only one zoom lens, which focal range would you choose?

Composition is one of the subtlest and trickiest aspects of landscape photography, and it is something we all struggle with at one time or another. If that is something you have trouble with, be sure to watch this great video that follows an experienced photographer as he works through a difficult composition of his own.

Being a creative professional, in my experience, is about harnessing this constant need to create. It’s almost as if there’s a little creature inside which comes up with little ideas and if I don’t act on at least some of them, they’ll bubble over and die — leaving behind awful regret and emptiness.

Being a Nikon DSLR landscape photographer who is anticipating the foreseeable demise of said cameras, I have been curious about the Nikon Z 7II. I wanted to see how one of these lighter, smaller mirrorless cameras functioned not only for landscapes but as a travel setup. Here are my initial thoughts.

Medium format lenses generally have narrower apertures than their full frame counterparts, and it is very rare to see one that opens wider than f/2, which is what makes the Fujifilm GF 80mm f/1.7 R WR so intriguing. This excellent video review takes a look at the lens, including its performance and image quality, and also offers some helpful portrait posing tips in the process.

Sigma's new 35mm f/1.4 DG DN Art lens is here, and true to Sigma fashion, it is significantly cheaper than first-party options. Does it still offer the same performance and image quality of those first-party options? This excellent video compares the lens to Sony's 35mm f/1.4 G Master to find out.

Leica has unveiled a new L mount zoom lens: the Leica Vario-Elmarit-SL 24-70mm f/2.8 ASPH.

The cinemagraph was introduced over 10 years ago when I was in college. It offered an amazing new set of creative possibilities, and world-class artists were creating mind-blowing moving still images. Where did they go?

Rumors of a high-resolution full frame camera from Canon have been circulating ever since the arrival of the EOS R back in 2018. New rumors have emerged, along with news of some potential tilt-shift lenses.

Landscape photography is a fairly unique genre, requiring loads of patience and often, a bit of luck. Whether you are new to the genre or a seasoned pro, there are some hard truths we all have to hear from time to time, and this excellent video essay discusses them.

The last year has been pretty dire for the camera industry, as the impact of COVID forced a general shutdown of manufacturing and sales outlets. As parts of the global economy have reopened, we have seen the shoots of revival start to spring up. Will the camera industry return to its 2019 pre-COVID levels?

Let's be honest, surviving the dumpster fire of 2020 is a serious badge of honor. Regardless of where you are or what you had to do, you're here. A large part of that is due to a combination of passion and perseverance. There's a word for that.

Few cameras have been able to reach the same level of cult following that the Olympus XA has built up in recent years. Does the camera deserve the hype?

Laowa is a company that never stops amazing me with their creative approach to lens design and cornering of a market sector that appreciates their unique designs. Today, we’ll be taking a look at their latest offering for APS-C cameras, the ultra-fast Laowa Argus CF 33mm f/0.95 APO.

On1 Photo Raw 2021 has come a long way over the last few years. Is it now a viable alternative to both Lightroom Classic and Photoshop?

Some of the most meaningful photographers most of us will ever take are of families and babies, both our own and those around us. But it's far from an easy niche, so here is a behind-the-scenes demonstration and tutorial.

Atmosphere in images is both important and difficult to attain, particularly when the weather isn't obeying your desires for interesting conditions. Here is a tutorial on how to create your own fog brush for Photoshop and turn a bland image into something more moody.

I use Lightroom, in some capacity, for everything I shoot. Without it, my workflow would be entirely different, and probably not for the better. While some of the recent feature updates have been fine, I still can’t believe these three features haven’t made it into the software after all this time.

It seems like the mirrorless/DSLR realm operates in a different dimension to phone cameras. Sony’s new a1 body boasts a 50-megapixel full-frame sensor and is cutting edge, yet Samsung’s Galaxy S20 Ultra claims to have a 108 MP sensor — and now there are some wild rumors about upcoming 200 MP phone sensors.

Fuji's medium format mirrorless line has rewritten the market, bringing its price range to the point that it competes with upper-end full frame options and offering photographers an entirely new format to choose without breaking the bank. The latest in the series is the GFX 100S, and this great video review discusses the camera and the sort of image quality you can expect from it.

Landscape photography is hardly of any benefit to society, nature, or the world in general. For most people, the commercial value is quite low as well. So why would you do it?

The Canon EOS R5 has been in the hands of photographers for several months now, allowing them to get a real feel for how it holds up in long-term usage. This excellent video review takes a look at the EOS R5 after six months of usage and how it performs in a variety of genres.

Good photography is much less about the gear you don’t have and much more about using the gear you do have.

“I only shoot natural light. I’m a natural light photographer.” I can’t even begin to count how many times I’ve heard some variation of this statement. It doesn’t get any less silly each time I hear it, though. Why would anyone want to box themselves into doing only one thing?

The Samyang 24mm f/1.8 AF is a remarkably compact lens at a very reasonable price that still offers impressive image quality for Sony E mount shooters. This excellent video review takes a look at the lens and the kind of performance you can expect from it in practice.

The inverse square law is one of the most fundamental and important concepts in lighting, and as such, any photographer working with artificial light should have a good understanding of it. If you are new to it, this helpful video tutorial will show you everything you need to know, from the way the law works to the practical consequences it has on your photos.

Being a successful artist can sometimes mean being both determined and flexible at the same time. But how can such a duality exist over the course of a career?

Events like concerts and professional sports are some of the most exciting and desirable things to photograph, but they almost always require a specialized pass for access. If you are wondering how to get one, this excellent video essay discusses when you will need one and how to go about obtaining it.

While things like choosing camera settings are fairly objective, composition is a bit more nebulous and is often something that gives photographers a bit of trouble. If you have been struggling with your portrait compositions, this excellent video will give you six helpful tips that will improve your photos.

Modern cameras are highly advanced machines, often with dozens of features and customization options to help you get the shot. With so many features, it is easy to overlook some of what you can do. Here are five camera features you might not know about that can help you take better photos.

Fujifilm's GFX series brought medium format to the masses, with prices that competed with the upper end of full frame cameras. The GFX 100 took things further, pairing a 102-megapixel medium format sensor with modern features for under $10,000. Now, there is the GFX 100S, which keeps almost all of the GFX 100's features but costs about half as much, and this great video review takes a look at how it performs in the real world.

Lenses are getting faster and cheaper, and Laowa's newest prime is really pushing that to the limit! Check out this hands-on review with example images.

Over the history of mankind, the best way found to archive data was to carve it into stone, then bury it in the sand. Photographically, the most stable form of archiving is probably a black-and-white silver-based image on a glass plate. For digital data storage, there is no perfect permanent storage option. Most digital storage media can’t be confidently recommended to be dependable beyond 5-10 years.