For those of you may not know, we recently created a 20 hour photography tutorial with the incredible Joey Wright on all things swimsuit photography and retouching. We've been posting a weekly behind the scenes series of the creation of this tutorial. This is Episode 4.
Today, more and more cameras have wireless technologies built into the body. So far, the concentration on development for the use of these antennas has centered around image transfer and social media connectivity, posting directly to other services, etc. But that’s far from all that can be accomplished when cameras start being able to communicate with one another.
The world of photography and imagery is a rapidly evolving field. As stills and video have been exponentially improving over the last two decades, a more advanced kind of imaging is making it's way onto the scene. Virtual reality is actually becoming a reality, and Fstoppers writer Douglas Sonders is one of the individuals leading the industry. Tomorrow at 2 PM EST, join Douglas Sonders, Alex Chechelnitsky, Ben Nunez, and PJ Morreale for a B&H hosted live discussion as an intro to VR as a medium and a progressive methodology for content creation.
This is a pet peeve of mine, so I am going to thank you in advance for indulging me. There seems to be a rampant misunderstanding in certain levels of the photo community as to what editing presets are, and what they actually accomplish. I (like many of you I would assume) am a member of various photo-centric groups on Facebook. In particular, I am a member of groups for people who have purchased Lightroom and ACR preset packs from a variety of creators. Almost daily I see posts in these groups that go something like this: "I thought my photos were beyond hope, but then I applied "WHIMSICAL PRESET NAME" and they were saved! These presets are amazing!!!1!111!!!" Sound familiar?
If there’s one thing you can rely on us photographers for, it’s bleeding every last drop of quality out of our work. We feverishly pursue clarity like a commission-only ophthalmologist and over the last couple of years, time-lapse photography has been the most blatant exhibition of this.
I fell into a canal in Venice with the ThinkTank StreetWalker HardDrive Bag on my back. I was walking too close to the edge while looking at the bridges and architecture, and how the water brushes up against them, when I stepped on a moss-covered section of the canal ledge. I slipped, hit my bum on the ledge, and gently slid into the canal. There was no splash, and my head didn't go below water, but the ledge was so slippery that I couldn’t get out by myself. I was floating in the canal for what was the longest 30 seconds of my life.
People who are new to photography or videography often have huge levels of enthusiasm. The learning curve, however, is a steep one, and it can take many years to get to a point at which you're happy with the quality of your work. How then do you ensure that you remain enthusiastic about your craft amidst the disappointment of a mediocre standard of work?
With little exception, every time you agree to provide raw images to your client, you are hurting your own brand and doing that client a disservice. Although it might be easy to feel, it may be hard to understand exactly why this is. Even more difficult is how to then explain your decision to your clients in a way that also makes them feel good about receiving 'less.' Thankfully, Austin-based commercial photographer Caleb Kerr has all of these answers.
GoPro released a new pro virtual reality camera rig called Omni, which is a cube-shaped system allowing the user to record in 360 degrees. This new frame, made from aluminum, sports a very compact look, and because of the metal used, it promises to be light and flexible under different circumstances. The proof lies in the new trailer released by GoPro. The 360-degree clip showcasing the skills of freestyle skiers and snowboarders in the Tyrolean Alps of Austria was shot with the new camera rig. You can navigate around the video using YouTube's built-in arrow tool or a special virtual reality headset for a total experience.
In the comments section of my last article, I remarked that "I always liked the rendering of X-Trans files on C1 more than Lightroom anyway, so maybe this is just the reason I need to make the switch back." A longtime contributor to the comments, Pete Miller, asked if that was indeed the case. Good question! Let's find out if the reputation Lightroom has gained for inferior Fuji X-Trans processing is still warranted.
In this recent video from The Slanted Lens, host and photographer Jay P. Morgan explains the benefits of having a mentor during the early stages of your photographic career. He then goes on to provide usable examples of how just about anyone can go about making a connection with professional who could fill that role.
The ideal travel tripod should be sturdy and super lightweight with high loading capacity. In addition, it should be compact when folded and long enough when extended. There are lots of compact tripods in the market, but how many of them truly provide these features? Well, I've spent enough time to figure it out and decided to buy a brand that I've never used before.