Photographers who are active on social media often get a lot of questions about the technicalities of photography. Especially about nightscape photography – the subgenre of landscape imaging where you basically have a dark landscape set to some celestial backdrop featuring twinkly stars. Either through commenting on a shared image, a direct message, or an email, people ask about the type of gear that was used to capture a specific shot or any of the numerous variables that make up a given photo. Variables that range from the time of day to how many degrees of rotation on the polarizing filter. But this time I got an email that announced the inevitable demise of the subgenre of nightscape photography. But there’s a strong, intrinsic motivation for nightscape photography that I want to share with you here.
One of the reasons I love art is that is it the most effective way not only to entertain us, but to help us reflect on life itself. A well-placed verse or a well-timed press of the shutter can connect the world in ways that a thousand politicians simply can’t.
If you record audio separately from your video, which most likely you do, then part of your postproduction process will include synchronizing. This process doesn’t have to take a lot of time or require plugins or software. Premiere Pro has built-in tools that allow you to quickly and easily get your video and audio in sync. Let’s have a closer look at how to accomplish this.
There's probably no other genre in which long exposures are so heavily used than landscape photography. The convenience of mostly static subjects combined with the necessity of low ISOs means landscape shooters are often pushing their exposures well past the one-minute mark. This interesting video examines three variations on long exposures of similar subjects and how they produce different results.
You’ve just finished shooting a beautiful wedding video and your edits are being finalized. But wait — you still need to find the music to go behind each scene. Use these five insightful tips to find the perfect music that will enhance your next wedding video.
To capture those memorable moments at wedding parties and other events where lighting isn’t always optimal, many of us bring off-camera lights to help light up the scene. In the past, popular choices have been speedlights due to size, portability, and being able to run off batteries. The game has changed in the off-camera flash market with studio strobes and other flashes increasingly getting better across those three concerns.
Inspired by a recent photo book I purchased, "Creative Flash Photography" by Tilo Gockel, I set out to create a series of food photos this week as part of a Thai dinner theme my wife and I decided on. The principle here was simple: create a great image using a single speedlight and a bounce card. That’s it.
As slick as we may think we look, the truth is there are times when we simply fail as photographers. Thankfully, another photographer is typically nearby to capture your failure in all of its glory.
All of the improved features of the Nikon D850 have prompted many photographers to sell their entire kit in order to completely switch camera brands. Do such modest advances in technology really merit a complete overhaul of your gear?
There aren’t many photographers whose work I keep tabs on consistently. I barely have time to keep up with all of my own work, so while I may follow some photographers on Instagram, that’s about it. One of those select few that I check in on is Benjamin Von Wong, and once I heard about his latest project for Nike, I was excited to check it out.
Today ON1 Software announced the 2018 version of their flagship editing software, Photo RAW. With the addition of a variety of new features, Photo RAW 2018 promises to be the most compelling version yet. Among others, ON1 has added support for HDR, panoramic stitching, and more powerful masking to Photo RAW. A free public beta of Photo RAW 2018 will be available Friday, October 6.
As a photographer, at some point a friend, relative, co-worker, or a follower will ask you to photograph their wedding. Regardless of whether you are a product photographer, pet photographer, or any other kind of photographer that has nothing to do with weddings, they will ask you. And at some point, you will say yes, which is probably how you have found this article.
There are many debates over gear in the photography world, one of them coming down to the size of the sensor in your camera. Does it make a real difference? Are you thinking of upgrading your crop sensor camera to a full frame beast? You might want to check this out before doing so.
If you are interested in the commercial side of the photography industry, working with models and agencies is a must. Approaching a modeling agency and asking to work with models can be intimidating, particularly when you aren't sure how to get started. Fortunately, Dublin based fashion photographer Anita Sadowska recently shared a video on her Youtube channel that provides helpful hints any photographer can use to get their foot in the door.
The Clone Stamp is the bread and butter tool for a lot of photographers, and rightfully so: it's a tremendously flexible and powerful feature that's strikingly simple in its operation, particularly compared to many other tools. This helpful video shows you a couple of quick shortcuts to get even more versatility out of the Clone Stamp.
Be honest. When was the last time you saw someone's followers count on Instagram and got jealous? Or maybe you felt they didn't deserve that nice camera because their work was subpar in your eyes. Jealousy is a poisonous and yet far too common emotion among creatives, and this great video essay gets really honest about why we feel it and how to handle it.
I found Irene Rudnyk a few months back when I was looking more into portrait photography. I found that her work stood out amongst a lot of other work because of how clean and straightforward her style was. In this video, Rudnyk goes over how she shoots in a small bedroom inside her house using only natural light and a reflector. This video goes to show that a good photo really can be created anywhere if you know exactly what you want and how to do it.
Apple have enabled the playback of HEVC videos and HEIF images on MacOS High Sierra and iOS 11. Unfortunately not every device is able to support it, and others have limited support. Which ones made the cut?
The Clone Stamp tool is without the shadow of a doubt one tool that everyone who works with Photoshop uses on a regular basis. It’s quite an incredible tool, and it can help save some tiny mistakes without too much work. Despite being easy to use, there are times where it doesn’t do exactly what we’d like it to. For example, in the case of recreating a pattern or texture that needs perspective correction, the tool won’t match your image vanishing point to the T. At least that’s what we are usually taught when learning Photoshop. However, there is a way to make the clone stamp tool smarter and correct the perspective for us.
It doesn't matter what kind of photography you do, shooting photo backplates each and every time you go out and take pictures is one of the best habits you can get yourself into. Not only does it save many hours in postproduction, it will also help open up a world of creative possibilities to you as a photographer.
As previously reported on Fstoppers, Capture One's new "Spectrum" Styles Pack is designed as a finishing tool for cinematic color grading applied to your photographs, providing a wide range of toning options for stunning yet subtle results that make no impact on exposure or contrast to keep the dynamic range in tact. Phase One offers a number of Styles as workflow-enhancing enhancements and time savers; Spectrum is the latest and at $49, the least expensive in their lineup. Here's what I found after putting the new style to the test.
If you're an aspiring nature or macro photographer, this video from Micael Widell will be full of informative tips to help you get the most out of your efforts to improve your image captures. Gear, shooting techniques, lighting considerations, and dealing with lens magnification are just some of the topics covered.
Motherboard obtained nearly a hundred pages of emails between the Federal Aviation Administration and federal, state, and local agencies through a Freedom of Information Act. This correspondence describes the exchange between the law enforcement officials and the FAA regarding the establishment of a no-fly zone over the protest area. This is a critical issue because the temporary flight restriction required by the police to counter the use of drones in Standing Rock collide directly with the news gathering rights protected by the first amendment.
Autumn is upon us and the great migration is in full swing with hordes of photographers descending upon small towns all across the northeastern United States to capture the changing colors of the leaves. Leaf peeping (and photographing) is hard work. It requires patience, solitude, and the ability to put up with the constant aroma of pumpkin spice latte in the air. For those of you heading out to photograph fall colors this year, here a few tips that I hope will help you get the most out of your experience.
Have you ever color graded your videos in Photoshop? Although Adobe’s video editing software or Final Cut X is mostly preferred by video editors, some good results can still be achieved by using Photoshop’s video editing feature. Aaron Nace of Phlearn explains these techniques in this 14-minute video.
Thomas Heaton put out a new YouTube video a few days ago that many photographers, especially those who hike out to destinations, will have a lot of interest in. Heaton is downsizing not only the amount of equipment for his next landscape photography adventure, but he’s also trying out Canon’s APS-C mirrorless system that’s on loan from Canon. As we see in the video, he does have some reservations about using the M5 system over the 5D Mark IV and specifically going from the L-series glass to the less robust lenses with the Canon M5.
Today's tip is a more basic tip aimed at newer retouchers, and is a common quick fix that I feel is necessary when your subject has red in their eyes. This is a 20-second fix which can be made even faster by turning it into an action and assigning a hot key shortcut.
Colors casts can happen for a wide variety of reasons ranging from white balance issues to weird venue lighting or poor filter design. And just like the multitude of reasons for their presence, there are numerous ways to fix them. This technique allows you to quickly and precisely zero in on the corrective color you need without needing to eyeball it, making it one you'll definitely want to know.
Canon's C200 has been on the radar for quite some time as an affordable cinema camera. This review shows if it's really worth buying it because of its advertised key features such as ability to shoot raw footage, dynamic range, build improvements from previous models, and others. The test has been performed by the guys from The Slanted Lens on a sunny day outside in the city. The reviewers mostly shot in Raw Light format although they've got some files in AVCHD, so they could compare the results later.
Learning to make selections both precisely and efficiently is a skill all its own, and no method is perfect for every situation. This technique is a great alternative for extremely intricate selections and is both precise and quick in the right situations. Check it out!