Landscape Photography Design Part 2: Advanced Composition

Landscape Photography Design Part 2: Advanced Composition

Without composition there is just visual chaos with no beginning or end, no direction or cycle, no shape or difference between dark and light. This series is the go-to resource for compelling visual storytelling in landscape photography as it provides a condensed overview of all the elements that make up a stunning image. This week: Advanced tools that will nick the attention of the viewer and guide them carefully through your photograph.

Don't Get Stuck on the Rule of Thirds - Lightroom Has a Lot More to Offer

Don't Get Stuck on the Rule of Thirds - Lightroom Has a Lot More to Offer

When starting out in photography, one of the first things we hear about is the rule of thirds. We then venture out into the world, lining up our subjects onto imaginary intersecting lines. When we get home, we open our images into Lightroom and find that the crop tool is already set up to help us maintain this rule. But as we advance in our photography careers, we start to find that there are a lot more ways to compose an image. Luckily for us, there is a somewhat hidden option to change the overlay of the crop tool within Lightroom.

A Portrait Photographer Is Only as Good as the People They Work With

A Portrait Photographer Is Only as Good as the People They Work With

As a group, we photographers tend to like to do everything ourselves. I think it is something about depending on someone else that pushes against our most basic instincts. However, great portrait photography is always a team activity. This team can range from just you and your model all the way up to a full production, but one thing remains consistent: without a team, there is no photo.

Studio Photography Lighting Essentials: Size and Position Matter

Studio Photography Lighting Essentials: Size and Position Matter

Understanding the basic concepts of studio lighting is equally important to the seasoned professional as it is to the aspiring new photographer. In this episode of a series on lighting, photographer Mark Wallace explains how the size and position of your light can change the quality of light. What's nice about this video and others from Mark is that it is easy to follow as he illustrates exactly what he's talking about.

Commercial Photographer Balances Hectic Shooting Lifestyle With Landscape Photography Expedition

Commercial Photographer Balances Hectic Shooting Lifestyle With Landscape Photography Expedition

Earlier this year, commercial photographer Lars Schneider was followed by a camera on a trip to the Faroe Islands to document his “other life” as a landscape photographer. The resulting video gives us insight into what his professional lifestyle entails and the change of pace enjoyed when shooting landscapes for personal fulfillment rather than clientele.

One Portrait Background to Rule Them All

One Portrait Background to Rule Them All

Where studio portraiture often lacks in external interest and bokeh, it makes up for in image quality, clarity, and full light control. However, always shooting on a black or white backdrop is wildly limiting but having a whole host of different backdrops and changing them can be a pain in the proverbial. There is a much easier way to change your background completely in camera using only light and the right shade of gray.

Peter Hurley Returns to His Roots With Oracle Team USA Sailing Portraits

Peter Hurley Returns to His Roots With Oracle Team USA Sailing Portraits

We're big fans of Peter Hurley here at Fstoppers. We've collaborated with him twice on Peter Hurley: The Art Behind The Headshot and Peter Hurley: Illuminating The Face. His signature headshots are well known throughout the industry. What you may not know is that Peter was a world-class sailor in his day. Recently, he returned to his roots to combine sailing and photography, and the results are awesome.

How You Can Save Locations to Photograph Later

How You Can Save Locations to Photograph Later

When you get to a new place you haven’t been to before, or, even if you have been there in the past, you often see something new. It’s what travel does, it lets you see new things in new ways you haven’t seen before. So when you’re walking down the street with phone in hand but you've left the camera at your hotel or apartment and you see something you’d like to shoot, how do you save the location so you can get back to it again?

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