I created a photobook with captions, for my sister, featuring her two daughters. I had never created an album or photobook before, so I wasn’t sure how to organize the shots. Added to that, the photos were taken over a four week period. So, how did I combine all these to make a cohesive narrative? I wrote a bedtime story.
With the advent of digital photography, more shutterbugs than ever have taken to calling themselves photographers and many have even gone into business for themselves. Now, with those same digital camera manufacturers offering better and better video options embedded into each iteration of their flagship still cameras, more and more photographers have added the word “filmmaker” to our business cards and taken aim at everything from short films to features. But being a real filmmaker requires more than the ability to just produce stunning images.
Airport authorities officially say that film at or above ISO 800 may be damaged by X-ray scanning. But they really should tell you that ISO 800 film will be damaged and that less sensitive film still could be affected. I found this out the hard way. Here's how I learned an important lesson along with a few other tips for avoiding issues while traveling with film.
Having a flawed mindset about yourself or your photography is often the biggest hindrance to your creative work. From each of our unique life experiences, we have all developed ways of thinking that can either allow us to move forward or could greatly hold us back. Here are four mindsets that, over time, I have seen negatively effect creative people, including myself. I encourage you to read through each one and see if any of these have hindered you as well.
There are many methods and reasons behind dodging and burning method for photography. Some use it for retouching and some for adding a more punchy and contrasty look. While those are the only reasons to use dodging and burning, those seem to be the more popular uses out of the many. Interested in seeing a quick and easy way of dodging and burning to add some stronger contrast to your work?
Shooting film is a lot of fun, but part of what pushes photographers away from it is the cost, a lot of which is tied up in developing. This awesome video will show you how to develop your own black and white film in your bathroom with a minimal kit and much lower costs than sending it out.
World-renowned photographer Peter Lindbergh has given a candid interview on his thoughts about the use of airbrushing, ahead of the release of his new book.
Even with all the notes and advice, it’s typically a tough job to find a quality monitor in any price range. This is why I’ve decided to hand you my top recommendations as of November 2017. After sifting through literally hundreds of monitors, I’ve distilled five classes of monitors, among which are Fstoppers top recommendations in either class.
If you shoot a lot portraits or beauty work, you likely spend a lot of your time thinking about lighting, including what the right modifier for the look you're going for is. This very comprehensive and well-explained video will walk you through the standard octabox and beauty dish, as well as the more exotic adjustable parabolic reflector and Satellite Staro.
The fashion industry is home to some of the most dynamic and fluid trends that the world has ever seen. No doubt, the existence of this ever-changing and highly creative environment is mainly as a result of the diversity and creative uniqueness of the individuals that constitute it. However, even with this seemingly all-inclusive and globally encompassing genre, there is a prominent neglect that seems to be growing even further: the underrepresentation of black female photographers.
There are somewhere in the neighborhood of 20,000 ways to convert an image to black and white, each with its own advantages and disadvantages. This method shows why just pulling the saturation out of a photo probably won't give you a satisfactory result and how you can take more control of the final product.
Photoshop is a tremendously intricate and nuanced program, and you can never have enough tips and tricks to navigate all its features and options and make your workflow both more powerful and more efficient. This helpful video will show you 20 more tips and tricks you might not have seen before.
It's easy to get caught up in thinking of only photographically intended accessories when trying to expand your creativity and as a byproduct, getting locked into paying photography accessory prices. However, with a little imagination, some very cheap items can make for inspiring and fun portraits.
Last Tuesday, Adobe hosted an event in London, which was headlined by a keynote speech from Nick Knight OBE, the world-renowned fashion photography visionary. He spoke about his views on the world of photography and innovation in his field, whilst offering some fascinating takeaways for his audience, not least the blending of formats and mediums that has lead to himself retiring the term “photographer” from his CV.
There are many different ways to sync social profiles, and most have some form of interaction with one another via API calls. An example would be Instagram posting to Twitter automatically, but there are sometimes issues such as when the photo gets pushed to Twitter the image is not shown, rather a link to the image is provided. Without that thumbnail, it's likely to lose 80-plus percent of possible views because people aren't going to click an image when they don't know what it is. I am now using an app called IFTTT which stands for "If This Then That" and it's essentially a mobile version of Mac's Automator app that I love so much.
Antti Karppinen is a digital artist, photographer, retoucher, and instructor from Finland with a unique eye for visual storytelling through photography. His work relies on traditional photography skills combined with an active imagination and complex Photoshop editing work to create fantastical images. He spoke with me about his work, process, and the inspiration behind a couple of his most popular composites.
"Hell Is Here" is the title of Biplab Hazra's photograph of a burning elephant calf that got him this year's Wildlife Photographer Of The Year Award from Sanctuaryasia.com, which describes itself as India's leading nature and wildlife conservation portal.
Whether you are a full-time video editor or just occasionally edit some of your own projects like me, you have probably found yourself on Youtube at some point trying to learn. Tutorials are an amazing tool at our disposal and we share and create some great tutorials here on Fstoppers all the time. However, sometimes I just want to see how someone does what they do from start to finish. That's where Taran Van Hemert comes in with his newest editing video. It's not a tutorial at all. It is 4 hours and 20 minutes of a standard video editing job for the Youtube channel Linus Tech Tips from start to finish.
There's a certain mysticality that often gets assigned to work as a creative — the gifted artist that somehow conjures genius from thin air. This image is inaccurate at best, and it's downright poisonous for the artist themselves to subscribe to it. Here's how a professional really thinks and works.
Whether you're shooting a high-fashion model, a mom to be, or a high school senior, the clothes always matter. I'm a sucker for over-the-top drama in my own work but am not always able to find a stylist to help me out with these shoots. Even if you don't have a need to do this yourself, give it a go from time to time. It will improve your work from behind the camera too, as photographing people is usually involving fashion in one way or another. In addition to keeping up with the latest trends, you might even start to confidently help your clients out when they ask for your opinion about what they're nervously wearing.
Whether it's because you're shooting in the dead of winter or just because your model is naturally pale, sometimes, you'll want to add slightly more vibrant tones that give your subject richer skin. This helpful tutorial will show you how to do just that quickly and effectively.
"Oh no, it’s the same location, yet again!" That’s a statement you’ll hear frequently from wedding photographers when they are assigned to shoot in a location they’ve visited frequently. I agree that shooting at the same location over and over can be testing. It might look like reinventing the wheel with very little space to innovate. This post is about how you can win over such a tricky situation of a repeated location on cards for your next outdoor shoot.
One of the most common retouching catastrophes I see on a day to day basis is an overzealous attack on eyes. Like over-baked HDR, obnoxiously over-retouched eyes have become almost ubiquitous among less experienced retouchers. Awareness is the first step to recovery, so in the spirit of painting a big obvious flag in front of all of you eye ruiners out there, take note. Your models will love you if you learn how to make their eyes look amazing without making them look like they belong in an episode of "Stranger Things."
There are somewhere in the neighborhood of 8,000 ways to convert an image to black and white, but of course, not all methods are equally effective or offer the same level of control over the final product. This method takes a bit more time than most, but will give you the exact results you desire.
What is it about landscape photography that draws us back into nature? Is it waiting for the perfect light to hit the mountains overlooking a vast, green valley? Is it sitting on a rocky shore, listening to and witnessing the sheer power of Mother Nature's waves crash against the rocky shore? Is it the calmness of a misty pine forest at dawn, waiting for the sunrise and hearing the gentle crack of the trees, as a gentle breeze sweeps through the branches? Or is it the thrill of chasing a storm, down a highway in the countryside, while being pelted with hail the size of golf balls?
When we think of landscape photography, the default image our mind imagines is probably some sweeping view with gorgeous golden light and epic scenery. Nonetheless, that's not the only look you can get in landscape work, and as this helpful video shows, you can pull impressive images even out of the worst conditions.
As a wedding photographer, outdoor couple shoots are undoubtedly my favorites. On the big day, it gets overwhelming with little scope to get planned shots. We tend to go with the flow. For this reason, outdoor couple shoots are a treat to any photographer as it offers a lot of time and space. Here are my two cents on how to make your outdoor couple shoot an enjoyable and a memorable one.
As wedding photographers, we always find ourselves walking the high wire between art and popular demand. But then, is the balance hard to achieve? In my opinion, I’d say it is wise to just put the thought, sincere effort, and presence of mind into your photos. What you capture will be loved equally by the artist in you as well as the couple you shoot - who seek nothing less than spectacular. The picture we are going to dissect is a product of this belief.
Art is about storytelling. It’s about using all the tools at one’s disposal to convey and idea or an emotion. To connect an audience to a brand, or a personality, or a moment in a way the no other medium can. Along with my own technique, the ingenuity of the on-camera talent and the creative team behind it, plus the tools necessary to complete the job, the location you select for your shoot is one of the many raw materials that will have an effect on the eventual alchemy you bring forth to produce a great image.
Michael Shainblum, Fstoppers' Photographer of the Month for August, has been creating epic time-lapses for years now and he’s just released a new YouTube video tutorial. In this new video, Shainblum goes through his editing process detailing an Adobe-centric workflow for time-lapses.
Whether you’re about to head out for a day of shooting some corporate videos, producing a multiday lifestyle photoshoot, or even traveling abroad for a project, as a filmmaker or photographer you’ll likely have to do a fair amount of prep, called preproduction. This article will summarize a number of things that you should think about and probably not forget to do before leaving for your next job.
This may be appalling to some, or realistic to others, but I think if we don't discuss the state of the profession of photography we will eventually regret it. When it is more than a hobby, how has the industry changed? Is it a good change? Has technology helped or hurt the professional?
There are tonnes of tips and hacks you can use to get new and creative shots for your portfolio. How many tips are you aware of where you are using simple objects most people probably have just lying around? If you are like me and shop online, you probably have a few cardboard boxes lying around right now which could be perfect for some photo hacks for creative work.
Photography, as with any creative pursuit, requires the creator to have their hand in the process for the results to shine. Countless Facebook ads, online workshops, and even our camera companies would have you believe that they if you just buy that next magic bullet, everything will change for you. If they are to be believed, swiping your credit card just one more time is the key to making great images. Rubbish. It’s time to break away from that thought.
You might have noticed a common theme in my articles: "the gear doesn’t matter". A lot of people have called me out on this, especially as in my profile picture I’m shooting on a Phase One with Broncolor lights. And yes, you are right, the kit does matter in my line of work, just not always. Sitting on the fence? Maybe. Here’s my explanation:
Lighting: it's the beginning and end of photography. The way we think about light shapes our style, our techniques, and the way we feel about our art. Unfortunately, lighting, whether by natural or artificial means, can be intimidating. When we're learning about lighting, all too often we get so wrapped up in technique that we don't think about what we are doing before we execute. However, sometimes the best tips we can get have more to do with mentality than technique.
What do you do if that one location you want to photograph on your trip just happens to be one that hundreds if not thousands of other people also want to photograph? It can be a tricky situation to navigate. Sometimes it can be straight up frustrating. After too many instances where I found myself just being irritated, I found a few different ways to approach my shots of popular destinations that allowed me to capture what I wanted without having to feel like I was fighting crowds just for my shot.
Love them or hate them, Lightroom presets have become a staple in the world of editing. A lot of users use them to emulate their favorite photographers or in an effort to recreate certain film looks. The problem with these presets is that everyone that uses them ends up releasing work that looks the same as everyone else who has the same preset. This was apparent with the very popular VSCO presets. What DVLOP aims to do is give you the ability to not only emulate your favorite photographers, but also the tools to create your own style.
Capture One has recently published an article on The Image Quality Professor's Blog on how to create your own Styles and Presets written by Alexander Flemming. Styles are a great timesaver and can help accelerate your postproduction workflow with beautiful color corrections.
Photographers and digital artists alike have been using image editing software like Photoshop to enhance their work for years. There are several ways to add creative enhancements and filters to your work within Photoshop, but there are ways to add them without using the program or even in conjunction via other software and plugins. Auto FX Software has been around for more than 20 years with their customized creative photo software solutions which work as a stand-alone program or as a plugin for Photoshop or Lightroom. Right now you can get two of their modules for FREE along with support from Auto FX Software.
In a lot of genres, particularly landscape photography, luminosity masks are some of the most useful tools you can employ to make selective edits. This helpful video will show you a quick and effective shortcut for creating your own customized luminosity masks.
Normally, you get what you pay for. If you try to buy something that is less than half the price of its competitors, it's going to be bad. This is certainly what we expected when we compared four of the most popular carbon fiber tripods, but I'm shocked and excited to tell you we actually liked the most affordable model we tried the best.
An image can have a global color cast for a wide variety of reasons, and there are a multitude of techniques for correcting such issues. This clever technique can resolve a color cast with one click and also provides a way to do so for more difficult images.
Color has always been an Achilles' heel for me. When I first started in this industry, I was always looking for the magic answer: a specific Photoshop action, or a Lightroom preset, or a plug-in that did some kind of magic that created the color that I had wanted. Boy was I barking up the wrong tree.
There is a good reason that Ansel Adams' name has stood the test of time through the years. As one of the photographers in history who gets studied the most, Adams' work continues to be used as an example to photography classes and studies around the world. One of the reasons why he is still revered around the world is because of how carefully his images were crafted and how difficult they are to recreate. Digital and printed recreations of his images just don't quite have quite the depth and quality that his original prints do.
What's the first rule of any working professional photographer? Backups. What's the second rule of any working professional photographer? Backups for the backups.
How many of you have old memory cards, USB sticks, or even hard drives lay around doing nothing? Of those that answered yes, how many of you still haven't worked out a decent backup strategy for your images? Here's a quick and free solution to securely encrypt that unused storage so when a disaster strikes your most important work isn't lost forever.
Photographers who are active on social media often get a lot of questions about the technicalities of photography. Especially about nightscape photography – the subgenre of landscape imaging where you basically have a dark landscape set to some celestial backdrop featuring twinkly stars. Either through commenting on a shared image, a direct message, or an email, people ask about the type of gear that was used to capture a specific shot or any of the numerous variables that make up a given photo. Variables that range from the time of day to how many degrees of rotation on the polarizing filter. But this time I got an email that announced the inevitable demise of the subgenre of nightscape photography. But there’s a strong, intrinsic motivation for nightscape photography that I want to share with you here.
The Clone Stamp is the bread and butter tool for a lot of photographers, and rightfully so: it's a tremendously flexible and powerful feature that's strikingly simple in its operation, particularly compared to many other tools. This helpful video shows you a couple of quick shortcuts to get even more versatility out of the Clone Stamp.
If you are interested in the commercial side of the photography industry, working with models and agencies is a must. Approaching a modeling agency and asking to work with models can be intimidating, particularly when you aren't sure how to get started. Fortunately, Dublin based fashion photographer Anita Sadowska recently shared a video on her Youtube channel that provides helpful hints any photographer can use to get their foot in the door.
