After a recent trip abroad, I was excited to go through and process my images. I came across an image that I felt looked great in both color and black and white. Unsure of what to do, I started questioning the criteria that I use to determine if a photo should be left in color or converted to black and white. In the process, I decided to ask my colleagues and came up with a guide.

Lightroom is undoubtedly a great tool for Digital Asset Management (DAM). Some people use it for Digital Asset Management and Editing while others use it just for Digital Asset Management and do all of their editing in Photoshop or some other external application.

A user on the popular social website Reddit was the first to bring our attention to this enormous Photoshop fail. A recent Target advertisement left one of the models sporting a little something extra. You won't believe your eyes when you see this, nor will you believe that somehow, nobody caught the mistake.

Isn’t Facebook time hop great?! Every day I get to see the last seven to eight years of my photography. Like almost every photographer, I sucked when I started out. My actual composition and use of the camera weren't too bad, but my post-production was horrendous. The best way to describe the post processing is “heavy-handed.”

Getting familiar with Photoshop is a long process, and who better to reveal some little-known features than someone with more than 20 years of experience? This excellent video from Jamie Windsor will speed up your workflow and uncover some powerful features that you might not have known exist.

If it’s not on paper, it’s not a real photograph. You must’ve heard this sentence at least once in your photographic journey. For many, it rings true. The best way to appreciate our captures is to hold them on a physical paper. But how to best print at home? Which printer to get? How to use it?

Masking plays a crucial role in the quality of your retouching. There are so many tools available to create and refine masks, that’s often times we forget the most basics and useful ones. One of them is a bit hidden and it seems like many don’t even know it exists! However, it’s probably amongst the most useful options to refine a mask and make your adjustment shine through in a more natural and convincing way. It’s the feather option and I’m going to show you how you can use it with a real-world example.

Whether you’re a photographer or you focus on video, this article highlights the high octane visual set piece created by Slaughterhouse Pictures, who successfully combined principles of both stills and motion work to create high impact visual media with zero budget and very limited resources. Read the exclusive FStoppers article and watch the BTS video to get some simple and highly effective little tips that you will be able to apply to all aspects of your own work.

The advancement of AI in photography and videography spheres has come more rapidly than many people are comfortable with. But there's one issue that hasn't been discussed that could have major repercussions for the industry.

Even with all the notes and advice, it’s typically a tough job to find a quality monitor in any price range. This is why I’ve decided to hand you my top recommendations as of November 2017. After sifting through literally hundreds of monitors, I’ve distilled five classes of monitors, among which are Fstoppers top recommendations in either class.

The Canon EOS R5 is a landmark camera from Canon. It's the first full frame mirrorless camera to shoot 8K raw video along with 4K at an impressive 120 frames per second. What we're really impressed with is how well this camera produces color. This is why in our latest video, we show you how to get the best color and image quality out of the Canon EOS R5.

Expert night sky photographer Ian Norman has created an easy-to-follow video guide on how to photograph and process images of the beautiful constellation Orion. Starting tonight using any camera and a standard prime lens, you too can get amazing results by following this tutorial.

I reviewed the newly revived Nik Collection in June. It was nice to have the collection back, after Google bought it and then let it sit idle. Now it's been sold to DXO, and it's compatible with the latest PC and Mac operating systems.

I've been using Wacom tablets for almost ten years now to the date. I picked one up on a whim during the holiday season and have become hooked ever since. For these past few years, I've never considered changing the stylus that came with every tablet I've used. The stock stylus always felt great to me. Recently, I decided to give the Wacom classic pen stylus a try.

Formula 1 photography requires some specialist gear, and the equipment used during post-production by this seasoned professional is fascinating, allowing him to deliver images as quickly and efficiently as possible.

It's a common problem to have a variation of colors across the skin in any image. This may occur for many reasons, such as blood flow, skin quality and texture, or lighting changes. It's always been a hassle to fix this since it requires some guess work and tweaking. It's often not as precise as it could be either. Michael Woloszynowicz has come up with a brilliant way of color correcting skin in a way that I've never seen before!

Astrophotography is one of the most rewarding but complex genres of photography. There are a lot of steps that go into creating a great image of the night sky and Milky Way, and what better way to learn than to watch somebody do it from start to finish.

Recently I was thinking about the year so far and noticed that my output for the year was down compared to other years. Why was this?

When editing in Lightroom Classic, it's normal to edit as quickly as possible in order to share your finished photograph online, but by doing that you run the risk of missing out on some hugely powerful settings that can save yourself a lot of time and headaches further down the line.

A long time ago, I got to visit a friend down in the south of England. We drank (quite a lot of beer), we ate (lots of chocolate brownies), and we set up to shoot a moody portrait.

It is no secret that a picture will rarely look the same on every media. Even from one screen to another there can be a huge difference! Blacks that might look like pure black on your laptop might be a very dark grey on your phone. Having so many media support and manufacturers makes it really hard for a photographer or a retouching to have a picture that will look great despite of it.

Brandon Cawood, from Dalton GA, has taken appreciating first responders to the next level. What began as a personal project to photograph local EMS personnel, soon blew up and went viral. Cawood captures priceless moments in the daily lives of firefighters, police and other public safety personnel. He has a movie poster style and pulls it off in a flawless manner.

By “commandments,” I simply mean photography truths that have worked for me. Everyone has photography truths to believe in, but here are my 10.

The wrong elements of color can disrupt the harmony of photographs and distract the viewer from the story you’re trying to tell. When we’re deliberate though, we can use color theory while planning the components of our photos and use color grading to allow us to create compelling images that add emotion to help us create a story. Dynamic images are created through complementary colors that develop harmony in wardrobe and location, lighting, and mood. Fortunately, there are numerous resources to understanding and implementing color.

Range masking is one of the less used yet more powerful features in Adobe Lightroom. If you haven't used them, check out this tutorial covering the ins and outs.

Are your portraits missing a few vital factors? These tips might just be what you need.

How do you move beyond using someone else's actions and presets to tone your images? It’s a lot simpler than you’d think. There are so many different ways to achieve similar results in post-production, and having so many options can be extremely intimidating when you’re just learning how to edit. This is the reason that many photographers will rely on actions and presets to “color grade” and tone their images when they are first starting off.

Last week saw the release of ‘Anomaly’, a film that is redefining the approach and model for independent, narrative film making. Co-Director Salomon Ligthelm outlines how he managed the project as it grew from “a 2 minute art film” into the astonishing 38 minute-long final masterpiece, and provides key takeaways for all of us that we can apply to our own stills or motion projects. If you have any interest in what's coming over the horizon for cutting edge, independent, visual media production, this is for you.

Looking for a photo-editing alternative to Adobe's Lightroom CC that won't break the bank? Today, I test-drive Alien Skin's new Exposure X4 editing suite for the first time.

Erik Almas, one of the best commercial composite photographers, has recently teamed up with the team at PRO EDU to create a fully comprehensive tutorial on his complete shooting and retouching process. In this video Almas takes us through an hour-long tutorial, retouching and completing the backplate for one of his tutorial images. I'm always impressed when photographers and retouchers, especially those at the top of our industry, open the doors and reveal their entire process and Almas has done no less here.

It’s obvious that color is important in our work; Hand selecting that perfect blend can take our images from decent to legendary. And it's not just photographers that notice the color mishaps. Everyone is influenced by colors. Our eyes are always naturally observing and comparing them. Color is so impactful on the masses that they are meticulously chosen for ads that reach millions of faces a day, there's no reason why you shouldn't start using the same tactics in your work.

Anyone who has picked up a magazine with photographic content is well aware of the amount of retouching and massaging that goes into many of the photos displayed in advertisements or in editorial features. But at what point does the 'retouching' go too far?