The Ultimate Tutorial on Product Photography
Brian Rodgers Jr. has become the most popular and highly rated product photographer on Fstoppers, and today we are releasing his full-length product photography tutorial, “The Hero Shot.”
Brian Rodgers Jr. has become the most popular and highly rated product photographer on Fstoppers, and today we are releasing his full-length product photography tutorial, “The Hero Shot.”
If you've ever had to make complex selections in Adobe Photoshop, you know how frustrating it can be. Well, in this video, learn five tips for ensuring you get it exactly right with the easiest method possible.
Do you ever think that some approaches to creating landscape photographs go too far? At what point do we stop and say it's too much?
It’s no secret that I have an unquenchable, near fetish-like lust for buttons and sliders or anything really that makes image processing akin to playing some freaky, incongruous musical instrument one might find in the Mos Eisley Cantina. This year, at CES 2014, Griffin announced an updated version of their PowerMate - an all-purpose, aluminum knob that will be wireless and wonderful and not out for a few more months. Luckily, there is a pretty great (and relatively inexpensive) wired version available now.
Cinemagraphs may not be new but they seem to be popping up more and more as mobile media plays a larger roll in content creation. There are lots of ways to make them using various software and even a few dedicated mobile apps. However, if you want to make one with just a video clip and Photoshop, YouTuber Peter McKinnon's latest video makes it quick and simple.
Even if you don't know his name, you probably have seen this guy's videos. Devin Graham (now more commonly known on YouTube as Devin Supertramp) has blown up on YouTube with viral video after viral video. He's became known for his parodies of video games such as "Assassin's Creed," "Far Cry 4," and "Halo 5" in his "Real Life" series but more recently he has created a new genre: videos of people having fun in the most unique ways.
All photographers manipulate the pictures they make in some shape or form. The question is, what is and isn't fair game when it comes to the final image?
Setting aside the runny noses, forget the frozen fingers and the frostbitten toes, and the winter season can lend itself to some pretty magical photos. Personally, and I’m sure many of you will agree, it’s hard to find a willing subject and convince myself to drag my gear out when there is a blizzard. The truth is, if I could create a life-sized snow globe studio with central heating, I’d be a happy man. Well, I found an alternate solution.
A few months ago, I started processing all my raw photos with a new Lightroom plugin. It led to a significant increase in image quality, as I show in this article.
Unless you've been completely off Internet for the past 24 hours, you'll have already seen the amazingly unique retouching skills of a portrait photographer in Missouri. While there is speculation on whether this is real or some kind of publicity stunt, one thing is clear: the photos are hilarious. Someone was bound to create a how-to at some stage, and thankfully, one of our favorite YouTube Photoshop wizards, Antti Karppinen, was quick on the draw. Pun intended.
Learn how to create a sun ray effect in Adobe Photoshop in this brief but effective tutorial.
I have only been shooting photography for a little over 3 years now. Things have progressed so quickly during that period of time that I haven't really had the chance to look back at the evolution of my photography. I had to think thing long and hard about the investments I have made over the 3 years and the things that really changed the game for me.
Photography, as an art form, has undergone a significant transformation in the digital age. Straight out of camera (SOOC) images, untouched and unaltered, have been the ultimate end goal for many photographers, offering viewers a glimpse into the raw, unfiltered beauty of captured moments featuring their professional skill sets.
Luminosity masks are a fantastic way to make precise selections based on luminance values (hence the name). As with all things Photoshop, there are multiple ways to achieve the same result. I find using channel selections to be the easiest way to manually create my masks. I realize I'm probably preaching to the choir, but for those yet to join in on the singing, I hope you find this information useful as you continue to build your editing tool set.
With their latest updates to Lightroom and Photoshop, Adobe has shown that they are serious about extending their software with AI capabilities. I was already impressed by the new Noise Reduction in Lightroom. And as Nick Page shows in this video, Photoshop also has a new, impressive AI feature.
I remember meeting Peter Hurley for the first time. I walked into his studio and saw him shooting a client's headshot with 4 Kino Flo hot lights (normally used for video). I asked him why and he said "The quality of light is just better than strobe. It fills the pores on a human face differently." At the time I was intrigued, but I no longer believe it.
If you've ever shot on a budget lens, or composed a dark subject against a bright sky, you will have surely noticed color fringing — a glowing colored edge around any contrasted subject. Learn how to remove even the most difficult chromatic aberration in Lightroom Classic using some manual adjustments.
White balancing shots is not always as easy of a task as it seems. Sometimes, a gray card cannot be used, other times the lighting is too poor and the colors don’t come out perfectly. However, Blake Rudis from f64 Academy has found an extremely efficient and quick solution to color correct any shots in three easy steps.
Compositing is no beginner’s tactic. Before you dive in, provide time for the proper research and learn the skill set to prior to the job. Like many photographers in the game, initially I had serious trouble with lighting groups of 3 or more. There was always a face with a hard shadow or one more exposed than another.
If you're using a color checker to only correct white balance, then you're not getting the most out of it. A color checker is the only way to replicate true to life skin tones accurately.
Does the joy of shooting with film always have to come at the price of expensive scans, or the frustration that can accompany the often time-consuming and laborious process of scanning your own film? Maybe not with this fast, cost-effective, and high-quality alternative to traditional film scans.
In this video, Guadalajara-based Photographer and Retoucher Sid Vasandani, shows us how to recreate that classic Steven Meisel vibe, used in his controversial campaigns for Vague Italia's, "Makeover Madness" and "Supermodel Enter Rehab". Watch as Sid walks us through a behind-the-scenes shoot, where he runs down the lighting set up, before going into an in-depth explanation of the retouching and color grading workflow in Photoshop.
We have featured Elena Jasic on Fstoppers a few times now. Most recently we featured a tutorial from her on how to utilize frequency separation. Elena's newest tutorial is on dodging and burning, and how she goes about doing it in her work flow. Dodging and burning can add dimension to your photos and take them to the next level.
The landscape of the portrait photographer has certainly been in flux over the last decade, in which time we’ve seen photos of people go from unreal alabaster-like skin to something much more real, color grading become prominent, and image resolution grow, even though the consumption of images has moved largely to smaller screens.
Post-processing is, in many ways, deeper and more complex than taking the photograph itself. While that provides greater creative control and room to maneuver, it also creates more pitfalls. Here are some crucial tips for post processing your images.
Rawtherapee is a free and open software to edit your raw photographs. I take a look at the overall performance of organizing your photographs and making it easy to find what you are looking for.
According to what I've been noticing in a lot of the comments posted here on Fstoppers, there seems to be plenty of photographers who absolutely hate Photoshop. So lets have a bit of a discussion.
Technology has become part of everything in our lives. Cars get better and better. Phones have become portable and are now the size of a credit card.
A Facebook page out of Korea, We Do Photoshop is somewhat of a...well I don't how to describe this exactly. After looking at the page, words have become difficult to muster on how to properly explain in detail what's going on over there.
It seems that the Facebook page (with over 36,000 thumbs up) was put together around the end of June so that people can upload their photos and request free photo manipulations.
I recently came across an article by Scott Kelby that talked about something I had taken for granted and figured everyone knew, and thought it would be worth making sure our readers know that not all backups are created equal.
Focus stacking/bracketing consists of taking several shots of the same frame (in this case, a landscape) at different focus points within your frame to ensure sharpness throughout. Is it necessary? In most cases, no, as an aperture above f/9 will typically cover any slight variations in depth of field. However, if you are using an ultra-wide lens with subjects close to the lens and a large distance between the foreground and background elements, it is beneficial to ensure sharpness throughout.
Last year we teamed up with Elia Locardi, one of the most followed landscape photographers in the world, to film "Photographing The World: Landscape Photography and Post-Processing." This is a 12-hour video tutorial on landscape photography, and today, we are releasing the first lesson for free.
Do you ever wonder how many photos you should deliver from a session? Here is why I believe that you are giving too many.
There are so many ways to approach editing a landscape image, and virtually every photographer has their own way of doing things. This video is a peek into my own workflow, as I edit an image for the first time while on a live-stream.
One question I often get from my photography students is: "What the heck is that graph?" I often enjoy teaching photography even more than creating it, but explaining concepts like the histogram is one of the tougher parts of teaching photography.
Making your images more eye-catching and appealing is almost always a worthwhile goal, but how can you achieve that? One way is to take pointers from cinema where such metrics are crucial to the success of a picture.