During the last weeks I took a look at the free and open Software “Darktable”. In this round-up I’ll explain why Darktable is a true and legit alternative – but not suitable for everyone.

Just like everything in life, Photoshop techniques change or require slight adjustments. What may have been perfect two years ago might not necessarily be perfect now. And so it is with changing colors of objects in Photoshop. Here is the latest on how to do it effortlessly.

If you're open to more heavy-handed retouching of your images, you have almost limitless possibilities of what you can do with even the blandest of images. In this tutorial, learn how to create realistic light rays and dappled light to add some atmosphere to a photograph.

One of the best climbing photographs that I’ve ever taken came out of my recent trip to Switzerland. Here’s how I edited it using Lightroom, deploying a few subtle techniques using adjustment brushes to make the most of the colors and dramatic conditions.

When looking at portraits, we have a tendency to look at the eyes first. We can't help it, it's part of human nature. This is why I personally believe it is extremely important to capture and refine the eyes in your photos to create more engaging portraits. Retoucher Michael Woloszynowicz created an awesome 4 part video series about how to make your eyes look amazing in post production. See the rest of the post below to watch video parts 2 through 4.

Kim A. Thomas, a photographer out of San Francisco, recently shot an entire wedding using just her iPhone. She processed everything using Instagram as well. The couple, Jonathan and Brandi, wanted her to do so by request. She never used an SLR for any of the shots. Her main camera was the iPhone 4s with an iPhone 4 as a backup. She did use an SLR mount for her lenses and a tripod. Take a look at the shots and let us know what you think of them!

Recently, one of the most well-known photographers in history was caught in a Photoshop scandal. Naturally, this begs the question: where is the line between truth and manufactured reality in photography?

Adobe is hosting a special event on June 18 to show the world what's new in their Creative Cloud set of applications, but today they released a short video highlighting one of the features they're working on in Photoshop: a new way to make automatic selections based on pixels in focus against those out of focus.

I have already written two articles about focus stacking here. The first article dealt with how I use automatic focus bracketing in the field, and in the second article, I shared my focus stacking workflow in Helicon Focus. To provide you with even more tools, I now show you how I combine focus stacking with exposure blending.

When learning about retouching, selections and masks should be on top of the list along with curves and brushes. But each of these tools have so many options, and it is hard to know the in and out of each of them. In this article, I will guide you through different ways to create precise and refined luminosity masks to help you improve your retouching skills.

Working as a photographer for over a decade has helped me realize one important thing: I hate editing photos. I absolutely love every aspect of being a photographer, except for the editing. This is why Aftershoot has been incredibly useful to me.

For my latest photoshoot I decided to use harsh light to photograph my buddy Bart in two different ways. If you've wanted to learn how to get that vintage movie style look, you'll enjoy this full tutorial.

Michael Woloszynowicz is a great photographer and retoucher. Not only that, but he is a great instructor. His videos always provide clear and detailed instructions on techniques many of us want to know. Recently, Michael released this video regarding the issue of color casts on models. Although Photoshop offers many tools to get close, this method is a truly a brilliant way of thinking.

When Adobe Lightroom separated into two clients, there was a lot of confusion over which was the right one for each person. In this video, we get some insight into the differences between the two.

I must confess, I don't use Adobe Lightroom to anywhere near its full potential. In this video, Nigel Danson walks through a lesser-known tool that is now a staple in his landscape photography.

So it goes without saying that there are a ton of different ways to match skin tones across your subject or between images in Photoshop so it's often just a matter of picking the option that is most convenient or intuitive. Despite the wide array of choices, I seldom see people use the selective color adjustment layer for this task. The beauty of selective color is that it allows us to go off the numbers rather than intuition and achieve an accurate result in little time.

Use your next five minutes effectively and learn how to create faded, filmic photo edits with nothing more than a few tweaks in Lightroom.

Have you ever been to a spectacularly picturesque location and envisioned a perfect image in your head, only to never commit and follow it through? I’m far too guilty of that, but this time, I was determined to get the shot I wanted, no matter how many ridiculously hilarious mistakes it took along the way. Here’s how I did it.

It's amazing how adding just a little bit of shadows can drastically improve the depth of your photographs. Contouring faces is a little trick that can take a few minutes to do, but ultimately increases the overall image quality. I'm going to show you how to use the adjustment brush tool in Lightroom to act similar to the dodging tool in Photoshop, and then the key areas to brush for properly contouring a face.

You know you've "made it" when your brand/product becomes a verb. With 25 years of history Photoshop has done exactly that and has become the undisputed champion of the photo manipulation/editing/post production game. I've been using Photoshop since version 1.0 back in 1990 (first as a tinkerer, then as a design QCM and finally as a photographer/retoucher) but despite my long relationship with Photoshop I still don't consider myself as having mastered it.

For most things retouching, Adobe Photoshop sets the pace and has been the industry standard for decades. However, as alternative software improves and innovates, there are some features that Photoshop doesn't have that would improve it.

Golden hour or overcast skies usually offer the best conditions for capturing models while avoiding harsh shadows, but sometimes time and weather are against us and that’s when Lightroom can come to our rescue. Photographer Julia Trotti gives a quick lesson on how to balance your highlights and shadows.

Adobe Photoshop has had most of its recent major updates centered around its AI editing tools. In this video, find out how to make the colors of an image more punchy by using a filter you might not think to.

Color plays a large role in the way we view an image. It can convey emotion, evoke a response, and set the mood. Understanding the basics behind how to use color in your images will assist in creating your signature look. Color can play a role in all the senses making sure your viewers feel the story behind the capture.

Editing software gets more efficient every day. While competitors like Luminar continue challenging the supremacy of Adobe, there are also free options available. I was surprised that Darktable was ahead of LIghtroom in some features.

In this series of articles, I'll be comparing Capture One to Lightroom to see which one is the better choice. The articles will focus predominantly on color; however, other points such as contrast and dynamic range will also be covered too.

As you've learned in a previous article, a great time to photograph cities is during blue hour. But the blue hour often lacks dimension and depth in the sky. If you're lucky, you'll have some clouds that provide structure. But if you have a clear blue sky, it'll often appear flat. In this article, I show you a trick you can use to make such a sky more interesting and improve your blue hour photos.

I wanted to explore if freeware can perform better than the most common software subscription for photographers. Find out where Darktable, the free alternative for Lightroom, is ahead — and where it falls behind.

Current cameras' sensors are getting better year after year. Unfortunately, they cannot create noise-free images at high ISO just yet. I am sure the day will come soon, but in the meantime, there is a very simple technique using Adobe Photoshop or Affinity Photo to create the illusion of a clean file.

What is Capture One Express? Simply put, it’s a totally free and simplified version of the Capture One editing software that still offers the same superior raw handling ability as the Pro version.