In 2006, Leah Caldwell was eating at a Chipotle near the University of Denver when a photographer took her picture. When she got up to leave, the photographer asked her to sign a release form for use of the images, but she said no. Eight years later, when Caldwell went into a Chipotle in Orlando, Florida, she saw her picture on one of the restaurant’s walls, and subsequently in two other locations in California.
Modern DSLR and mirrorless cameras are capable of shooting razor sharp footage in spectacular 4k 60fps and up. But how do you give your footage a cinematic feel without purchasing pricey anamorphic lenses and professional cinema cameras? Fstoppers is here to help with five great hacks to achieving a cinematic feel to your video without spending a small fortune.
Telling a joke to an audience large or small can be a risk. An edgier joke can offend as many people as it amuses. Using humor in photography carries that same risk. Many photos can have a natural humor, but when a professional photographer is tasked with creating a humorous photo from scratch it can be serious business.
Getting clients is one of the most difficult parts of being in business. Unfortunately, marketing knowledge doesn't just appear once you have your license in your hands. As a result, many of us look at what our competitors are doing and try something similar, never realizing that there is a good chance that our competitors are also operating from a place of marketing ignorance. One of the most common marketing mistakes I've seen is photographers spending too much time talking about themselves, and not enough time talking to their clients. This means many photographers are shooting themselves in the foot by making their landing pages self-centered, rather than client centered, and they may be losing out on business because of it.
In various forms of photography, being able to composite several photos into one final image is an important skill set. In the world of portraiture, composites are often used to create group shots in which the lighting situation is difficult or not every subject of the photo is available at one given time. Here I’ll show my process for blending several shots of people into a final image.
Joby has released their latest products aimed towards mobile content creators with the GripTight PRO Video Mount and GripTight PRO Video GP Stand. The new mount is designed to be used with smartphones for on-the-go video filming, live steaming, or creating vlog content. Here are some of my first impressions.
Social media consumption is at an all-time high and is on pace to increase at an exponential pace for the foreseeable future. We all seem to have capable technology on us always, whether it be a cell phone or dedicated interchangeable lens camera. With this rapid rate of consumption and the accessibility of technology we are living in a world saturated with quality content everywhere we look. Standing out among other photographers is getting more challenging daily and that’s why I put together these three ways to help separate yourself from other photographers.
The journey that a photographer takes in turning an enjoyable pastime into a full-fledged career is a common path that that describes the origins of many photography businesses. With limited business experience, hobbyists-turned-entrepreneurs often make incorrect assumptions about what makes a photography business successful. There is one particularly common misconception that holds a lot of photographers back in the early stages of starting a business.
As a young, rebellious teenager in love with music and films, I discovered my love of photography when I was handed an old Olympus film camera and I have since fallen deeply in love with the art of photography. Years went by as I experimented with different ways of shooting and discovering new ideas I wanted to pursue in this medium until I finished school and needed to think seriously about what I wanted to do in life. The choice was easy: either become a musician or a photographer.
For the last decade I’ve been sticking to my guns, shooting on a Canon 5D Mark II with a small selection of lenses. This camera has been the love of my life for so long even my family and friends get jealous. But what if you get the opportunity to dive into the dark depths of the deep end and shoot with a camera you’ve never dreamed of having the opportunity to shoot with before?
Recently, while on a speaking engagement in St. Louis, I had some time to chat up several glass manufacturer reps at the conference and ended up testing several lenses, including a side-by-side comparison of the new Sigma 135 f/1.8 Art and the manually focusing Zeiss 135 f/2 Milvus (read that here if you missed it). I also snagged a new 85mm option from Tamron, the 85 f/1.8 Di VC USD, and spent a couple of hours with it. How did it go? Well, let's just see.