Getting into medium format is quite costly. It’s difficult to know if the investment is going to be worth it and if it’s going to match your current workflow. Medium format has a tendency to slow you down, kind of like film. When I tried my first Phase One, I couldn’t afford one. So I went with the cheapest alternative I could find, the Mamiya RB67 Pro-S. Here’s why I’m glad I made that move but also why it doesn’t replace a digital medium-format system.
Over the past couple of weeks I have been given the opportunity to try out one of the widest Micro 4/3 lenses out there, the Venus LAOWA 7.5mm f/2.0. After testing it for some time, I'd like to share some of my thoughts on how it performed and what I liked and didn't like about it.
Instagram's popularity with photographers is incomparable. What is essentially a free portfolio building app disguises itself as a powerful marketing tool to connect with prospective clients, but it suffers at times due to its sheer size and scope. Maybe you're bored of sieving through lame #goals and #inspiration posts, and want to know what mobile friendly alternatives are out there? Well folks, I'm here to tell you.
Masking plays a crucial role in the quality of your retouching. There are so many tools available to create and refine masks, that’s often times we forget the most basics and useful ones. One of them is a bit hidden and it seems like many don’t even know it exists! However, it’s probably amongst the most useful options to refine a mask and make your adjustment shine through in a more natural and convincing way. It’s the feather option and I’m going to show you how you can use it with a real-world example.
Photographers today are the first generation of image makers who are entering an industry completely dominated by social media. Over the course of the last decade, social media has utterly surpassed virtually all other forms of marketing and has quickly become a dominating factor in lives of a huge part of the population, especially photographers. Social media use, however, suffers from some pretty severe implications that can have a limiting factor on the quality of work a photographer creates.
Last week Sony unveiled their most ambitious Alpha camera to date with the a9. The 24.2-megapixel mirrorless camera takes on the general form factor of previous a7 II bodies and packs in their latest photo technology with a strong emphasis on autofocus, speed, and removing distractions such as shutter noise and screen blackout in continuous shooting. This all adds up to a product that has the potential to make a large impact on the sports photography scene. Today I'm excited to share a number of images I shot with the Sony a9 of a range of track and field events plus hockey and ice skating.
As the number of people interested in wildlife photography continues to grow, and the capabilities of modern equipment expand the boundaries of what is possible, many of us are seeking new ways to produce work that is fresh. This has meant exploring new techniques and searching for untapped frontiers in wildlife photography. This trend has led to a rapid increase the number of people interested in using camera traps.
I was 14. After a year of mowing lawns and shoveling driveways I had finally saved up enough money to buy my first real camera (a Canon S30). At the the time, online stores like Amazon barely existed. Still growing in their late-90s infancy, the global online marketplaces we have become so accustomed to (like eBay) were barely a blip on the retail radar. Instead, I got in the car, and my mom drove me to an amazing place that felt like the center of the photography universe. Housed in an old bank (vault and all) was this incredible, gear-packed mecca called Milford Photo. My visit that day changed my life forever.
As one of our site's regular film shooters, I naturally tend to post a lot of articles on the subject. Without fail, I'll get a few comments to the effect of digital being so much better than film or vice-versa. I've always laughed off such remarks, but since they keep on coming I figured I'd address them. Maybe the mediums have more in common than some would like to admit.
Mike Kelley and Fstoppers have teamed up once again to produce the third installment of Where Art Meets Architecture. Over the past few years, creating images for realtors, architects, interior designers, and property management companies has become a booming industry for professional photographers. In this tutorial, Mike focuses on how to photograph the hospitality market including how to shoot hotels, resorts, and rental properties. For the first time in his career, Mike also shares everything he knows about the business of commercial architectural photography including pricing your work, creating bids and contracts, marketing your business effectively, and building licensing fees for residual income. We are excited to finally release the most thorough tutorial we have ever produced on architectural photography and have a special offer inside.