The traditional workflow to edit a portrait from start to finish usually requires a few different apps. But why complicate things and not just try and rely on one single software to get to the final result? Last month I reviewed ACDSee Ultimate 10 and thought it’d be a good idea to follow up with a tutorial showing how far you can go by using exclusively this photo editing solution to retouch a portrait. Discover all my steps and see how this alternative could perhaps suits your workflow better than your current one.
One week of photography in the wild backcountry of the Scottish highlands. In this "episode," I’d like to share with you the story about a recent trek into Glen Feshie in the Scottish Cairngorms National Park. It’s the behind-the-scenes tale of my successful image titled “Catch the Spirit.”
This method is widely used in editorial magazines. It's a fun way to look at different perspectives of your work combined. Sometimes it’s just not possible to capture everything you want in a single shot. The solution is simple – shoot two photos and display them side-by-side. I find that displaying two images side-by-side is a great way to tell a story photographically, and to create ideas that are not necessarily evident when one or the other image is displayed by itself. If you're interested in trying this technique with your own images, here are some of the tricks I’ve picked up along the way. Make small prints and lay them out on a large table to play the mix and match approach.
Strobist. Natural light shooter. These words are at two opposite ends of the spectrum of photographer that seem like they're always a hair's breadth away from starting a photographic civil war, both sides preaching their philosophy as if deviation is blasphemy. One side is derided as being "afraid of learning to use flash" and the other side is jeered at for creating "flashy," "fake," or "contrived" images. Both sides seem immovable in their adherence to their preferred light source. Despite this disagreement, a popular saying in photography is, "light is light." So which is it? Is one better and the other worse, are they just preferences or are both sides cutting themselves short?
Shooting product photography can either be a tedious task or it can be a fun and rewarding one. Likewise, looking at product photographs can either be boring or it can enlightening. Using gels to modify the light in your product photographs can be an easy way to add some energy to your images.
It was less than a year ago I sat here and told you guys about the brilliant Google Pixel and how it was truly an iPhone killer for those wanting to give Android a go. The way manufacturers are building incredible hardware around Google's Android system is far better than it was years ago, and today OnePlus is doing just that with their brand new OnePlus 5.
With every job or concept we go to shoot, our gear that we take with us is constantly changing. We take our full lighting setup for a day in the studio then we turnaround and pack a separate bag to go shoot in the mountains for that perfect sunset. The gear we take with us is on a constantly turning roundabout between our bags and kits. Through all the madness there does seem to be a few items that are consistently put into every setup. It’s those pieces of gear that work in all scenarios that are invaluable to us and how we work. These are the five items that I won’t leave the house without regardless of what’s on the agenda.
One of the main reasons why I love photographing dogs outdoors is the challenge of creating beautiful backdrops from the natural surroundings. One of my favorite ways to photograph dogs on location is to use a wide-angle lens to allow the sky to be the dominant background feature. When photographing dogs during the golden hour, incorporating a single speedlight or strobe in your outdoor dog portraits will allow you to effectively use the sun as a backlight and create eye-catching compositions at sunset.
Back in the good old days of film photography, contact sheets or proof sheets were one of the best ways to view results from black and white or color negative film shoots. Printed on photographic paper, these sheets were exposed in a darkroom by laying a roll of negative film typically cut up and placed in transparent sleeves. They are a great way to see an entire roll of film in one glance. Web galleries and slide shows have all but replaced them in this digital age, but for those few who are still shooting the odd roll of film and don't have access to a darkroom, here's a film and digital solution for making contact sheets at home using a light table and a digital camera.
I feel like I write a similar article every few months, but this whole theory I have about going and shooting is something that just continues to benefit me day after day. Of course it can be challenging to always go out and shoot or to always even just want to shoot. I know some of us are young, some of us have other jobs, some of us have families or some of us do photography as a hobby...
I worry about becoming stagnant. I'm quite sure lots of us share that worry and conversely, most of us will know people who don't have that worry at all. I envy them in many ways; they want an easy life and concentrate on enjoying things. As far as I can tell, that sentiment isn't compatible with self-employment, or if it is, it's so far away on the horizon I can't make it out yet. In my efforts to always grow and always be moving forwards, I invented a minor way to achieve this and I'd like to see if it works for other people.