Some may say I'm squarely in the Fuji fanboy camp. I love their cameras and lenses, and will sing their praises whenever I feel it is due. However, today I'm going to write about the one camera I haven't liked in the lineup so far: the X-Pro2 (aside from the X-Pro1, which was a very immature realization of the X system). I have been looking for a second body to go alongside my X-T2 for a while now, and an exceptionally good sale in Australia meant I could pick up an X-Pro2 for $600 off the retail price. This was too good to pass up, and I ordered one as my second camera.
Us photographers are bizarre creatures. It is as if holding a camera exchanges the focus of your preservation instincts from yourself to the camera and lenses. The camera's tunnel vision sometimes appears to extend to its user and all that matters is what is in that frame. Perhaps we are brave and valiant artists capturing beauty in whichever obscure corner we find it. Then again, perhaps we are idiots seeking notoriety through the capturing of the unique and the rare; the jury's out. Whichever answer -- or anywhere in between -- this common mentality among 'togs yields entertaining anecdotes.
Announced on Fstoppers a while back, the Platypod Pro Max Camera Support is one of my favorite recent additions to my primary camera kit. The Platypod Pro Max Camera Support is a wide, stable, and ultra low-profile platform that allows you to set up a large tripod head, camera, and lens on both horizontal and vertical surfaces. The larger platform is solid and even more stable than it’s predecessor for better results.
So you've read all my articles on film and decided: "You know what? I'm going to give it a shot!" Great! You're about to embark on a rewarding, sometimes frustrating journey into the old school! However, one of the first questions you'll have to answer is: What film should I shoot with? There are so many choices out there with varying brands, speeds, grain structures, and formulations that it can be daunting to select a few to try out. I know that when I first started out, I had no clue what to try. Hopefully, this guide will serve as a broad primer on some of the most popular stocks and take some of the mystery out of picking your first film.
If you work in a competitive area for your photo or video work, chances are that you’ve experienced losing a client at some point. Whether there were creative differences, budget issues, or you weren’t available, there are some things that you can do to alleviate some of the sting from breaking up with a client, and perhaps put you in a better position to work with them in the future, even if the root cause is simply that they couldn't afford your rates.
Lensbaby has been making creative effect lenses for SLR and DSLRS for many years, and maintain a high level of popularity among a wide range of photographers. They have three primary “looks” that they sell in their lenses: selected focusing, soft focus, and a “twist” effect (similar to a Petzval lens). Until recently, their lenses were only available in SLR mounts, but they have begun to offer mount options for mirrorless cameras as well. Their new lens, the Trio 28, combines their three classic optics into a single lens. Does it give you the best of all worlds? Let’s find out.
You may recall when a few months back I posted an article comparing the monetary cost of photography gear to, well, not so common things. The intent was to provide a bit of respite from the day to day thought process common amongst photographers. You know, the one that often has us busting our butts for equipment we most likely don't really need to begin with. It's time for part two.
CES, the Consumer Electronics Show, held each January in Las Vegas, is usually a place where new technologies compete for eyes and wallets, where, in a way, the world of the future is presented to us. We can experience this future first hand on the show floor. We can turn on a TV, or click on news links and YouTube videos. We can also read the glossy, picture-laden pages of electronics magazines, and the somewhat less glossy ones of newspapers. These analog news sources are where one of this year's most talked about photography and film-related invention should feel most at home: Super 8 is back.
The time of year in which many of us pause, reflect, and consider the changes we wish to make for the year ahead has arrived. Resolution inquiries may excite you or fill you with dread as friends or family members begin asking you what you have planned for 2017. Myself, I am not a fan of resolutions set at New Year and forgotten a few weeks later. Some of us have likely abandoned several already. Research continues to show us that one thing is very clear, to be successful, you must have clear goals, but you must also become very intentional in your process toward that target. So here is a list of things you can change in your live today, that will benefit you greatly if you make them a part of your routine.
Some artists have dreamed about having their work on display in art galleries since they were young. Others dream of the fame it will bring the moment the doors extend on opening night. There are few inbetween that know the true reality that one does not always follow the other. So how do you know if having your art in a gallery is the right step for you?
The past couple of weeks I have challenged myself to keep up with my own personal blog on my website. I felt like this would be a good way to document my life and stories about photography so I decided to give it a go. Last year I wasn’t to fond of this whole idea but looking back, I feel like I was just being a bit lazy and making an excuse not to have one or keep up with one. Now however, that has changed and I encourage people to go out there and start their own blogs, or pick up on one they have already started.