Sony has created a few gems when it comes to lenses in the past few years, with the 90mm Macro and 16-35mm f/4 potentially being some of the best in their class. 50mm for some reason seems to be their favorite focal length to produce, seeing as they now have seven different "normal" lenses with the release of their new 50mm Macro this morning.
Xavi Bou shoots image-bursts of birds and then compiles them in Photoshop to form the working project called "Ornitographies." It almost looks like frequencies moving across the photograph, and there’s a visible rhythm that is not so obvious when comparing it to what we know as an image of a bird flying. It tells a story, capturing an event in totality. These images show how birds move together as one organism, communicating in some way or form to make their flight time together as productive or joyful as possible.
A photograph that does not tell a story, is a lifeless picture – it’s a failure to capture the viewer and therefore, his heart. One single photograph can inspire a person if a photographer knows how to tell a good story. Because photographer Paul Choy wanted to find out the truth for himself behind media headlines, and because he wanted to tell the individual stories of each refugee, he set out for the refugees’ camps in Calais and Greece with his camera. The result is the ‘Faceless, Forgotten’ – a photo essay and a documentary about the struggles of refugees.
This is one of the most important questions that most photographers out there have been asking themselves. We admire the photographers who have their own styles, and sometimes we try to imitate their styles that we like most. We were all taught to try everything, until we find our own unique visual styles. But, is that really important?
This year has been rich in new exciting product releases. While most wedding photographers were probably awaiting the Canon 5D4 announcement, the action and sport photographers were looking forward to the new pro bodies, such as the Nikon D5 and Canon 1DX II. However, Nikon surprised us with the D500, their new APS-C flagship camera. Being the geeky photographer that I am, I wanted to try it out and see if it was good as a Nikon full frame body.
One of the most common questions photographers have is about how to effectively price their work. Rates vary so widely based on location and skill level that many are left scratching their heads as to what is fair. This has lead to the common mantra stating “ask for the clients budget”. Here is why I think that's a ridiculous way to price yourself and a horrible piece of advice.
When you're shooting film, especially large format film, you have a lot of time to think. When your hands are in a bag and you're loading or unloading many sheets of film, the mind tends to wander and probably the subject that crosses my mind the most is "why?" Shooting digitally would be so much faster. I could be out having a beer somewhere! I could be editing some images in Photoshop from an editorial gig that I've been putting off. Hell, I could be practicing my juggling skills (or learning to juggle). So, why am I instead up to my elbows in this bag, enduring the necessary tedium of film life? Here are some common doubts I have and the reasons I push past them!
The concept of permanence is flawed. Nothing can keep its state, unchanged indefinitely. What is young and vibrant will eventually wither and fade. I never fully grasped this simple truth until my father lay dying in the next room. While he would always be my father, I realized my dad wasn’t as permanent as I once thought. I had confused permanence with stability, and stability was exactly what I needed as my world spun out of control. Gut-punched, I reached out for the most stable thing I could find: my camera.
Don’t crop those photos when using for them for Facebook profile photos. Why would you want to if you don’t have to? It doesn’t show the full image in all its wonderful glory. That photo was picked because it’s one of your best works, or the model’s favorite photo, or the best portrait that person has, and so forth. Why not show it in its entirety? Don’t crop those photos!
Lighting on land can be daunting when a photographer is first starting out in their business. Understanding the angles, the intensity, and the direction comes from education and experience. So when I started working with illuminating subjects beneath the water's surface, it felt like a whole new game.
This article will probably seem like a giant “duh” to a lot of you out there. Hell, even most avid selfie-shooters have figured this out. This is geared more towards the photographers who lust after huge, expensive light modifiers and overlook the amazing light source that is probably staring them in face. I suggest you start staring back!
MagMod has quickly become the go to flash modifier for a ton of photographers. Being able to quickly and easily attach grids, gels, and diffusers to your flash via small magnets makes shaping your light super simple. So when MagMod announced the new MagBeam, a lot of people got really excited. So excited that they demolished their $25,000 goal by raising just over $300,000 via their Kickstarter campaign. But does this new modifier live up to the hype?
How do you commemorate the opening of the third tallest building in the United States and the tallest residential building in the world? With an epic photo shoot, of course. Model and Dancer VikTory took to the sky to pose for this amazing set of photos that duly capture the scope of the building.