It seems like everyone is a photographer nowadays, and with technology getting cheaper and cheaper, it seems like every which way you look you are seeing another person snapping away on a DSLR. The question is how do you separate yourself from the masses. It can be a daunting task to do something different. But It’s not as hard as you think. It might be something you stopped using a long time ago.
It's been two years since the Leica T was revealed. Touting an undeniably sexy unibody design and a brand new lens mount, the T showed that Leica was serious about staying relevant in a technology-focused climate. While the camera was universally praised in most regards, particularly for the body and interface design, there were certainly some unpleasantries in the way of performance. But that was two years ago, and a lot's changed. Leica has stayed committed to their aluminum wonder, and it has slowly evolved into a serious little machine worth a second glance.
The Fstoppers team has been working on a new project with Mike Kelley. Two weeks ago, we asked you all to submit your best Architectural images to be critiqued by Lee and Mike. We had some great submissions, and 20 images were selected to be reviewed. Check it out to see if your image was selected, and hear great advice on how to better your architectural photography.
For those of you may not know, we recently created a 20 hour photography tutorial with the incredible Joey Wright on all things swimsuit photography and retouching. We've been posting a weekly behind the scenes series of the creation of this tutorial. This is Episode 4.
Today, more and more cameras have wireless technologies built into the body. So far, the concentration on development for the use of these antennas has centered around image transfer and social media connectivity, posting directly to other services, etc. But that’s far from all that can be accomplished when cameras start being able to communicate with one another.
The world of photography and imagery is a rapidly evolving field. As stills and video have been exponentially improving over the last two decades, a more advanced kind of imaging is making it's way onto the scene. Virtual reality is actually becoming a reality, and Fstoppers writer Douglas Sonders is one of the individuals leading the industry. Tomorrow at 2 PM EST, join Douglas Sonders, Alex Chechelnitsky, Ben Nunez, and PJ Morreale for a B&H hosted live discussion as an intro to VR as a medium and a progressive methodology for content creation.
This is a pet peeve of mine, so I am going to thank you in advance for indulging me. There seems to be a rampant misunderstanding in certain levels of the photo community as to what editing presets are, and what they actually accomplish. I (like many of you I would assume) am a member of various photo-centric groups on Facebook. In particular, I am a member of groups for people who have purchased Lightroom and ACR preset packs from a variety of creators. Almost daily I see posts in these groups that go something like this: "I thought my photos were beyond hope, but then I applied "WHIMSICAL PRESET NAME" and they were saved! These presets are amazing!!!1!111!!!" Sound familiar?
People who are new to photography or videography often have huge levels of enthusiasm. The learning curve, however, is a steep one, and it can take many years to get to a point at which you're happy with the quality of your work. How then do you ensure that you remain enthusiastic about your craft amidst the disappointment of a mediocre standard of work?
In the comments section of my last article, I remarked that "I always liked the rendering of X-Trans files on C1 more than Lightroom anyway, so maybe this is just the reason I need to make the switch back." A longtime contributor to the comments, Pete Miller, asked if that was indeed the case. Good question! Let's find out if the reputation Lightroom has gained for inferior Fuji X-Trans processing is still warranted.
Birth photography has become a popular sub-genre of documentary photography that shows the raw, real, and beautiful journey of bringing new life to the planet. It seems fitting to spend a few minutes on this Mother's Day remembering how your mom earned the right to exclaim: "Hey, I brought you into this world, so [insert personalized threat]!"
Finding the best quality of light is most of our job as photographers, and a great place to start looking is window light, especially north-facing window light. This type of light creates a soft transition from light to shadow, and can be very flattering on our subjects. Sometimes, however, we need to get consistent results all day, as in the case of this menu shoot, and using a window will cause too much variation in the light.
I’m sure most of us have been there before: standing on a street corner, your “camera bag that doesn’t look like a camera bag” slung casually over your shoulder. Your camera is in hand, its strap hanging loose, dancing in the summer breeze. You raise the rangefinder window to your eye and snap: the perfect shot of a homeless man! He looks really sad; this will finally change everyone's mind — straight to Instagram. But there’s a fine line between biting social commentary and “Poverty Porn,” and sometimes, it's hard to see which side you’re on.