If you thought that Nikon’s 58mm f/0.95 Noct lens was ludicrously huge, heavy and expensive, consider that the original plan was for it to include autofocus, a design that would have made the lens outlandishly enormous.
A lot of photographers spend a good chunk of time reading about gear and considering if they should pull out their credit card to purchase that fancy new camera or lens. Here are three good reasons to purchase new gear and three bad reasons to do so.
I'm a knowledge junky. I've always been a fan of photography tips and tricks, storing away bits of information that make what I do easier, more enjoyable, or safer. But what about things you shouldn't do?
Unless you’re a hardened landscape photographer, there’s a good chance that you simply don’t use filters if you’re shooting digitally. Chris Niccolls of DPReview makes a strong case for why there are four types of filter that should possibly still be in your gear bag.
Modern cameras are little technical marvels packed to the brim with interesting and useful features — some more useful than others. Here are five of the most overrated camera features.
The Mac Mini often gets overlooked, as computers like the MacBook Pro or iMac get a lot more attention. However, it is a surprisingly versatile and powerful computer and priced much lower than many other Mac models. This great video compares two versions of the Mac Mini to tell you which one is right for you.
If you love shooting landscapes, you probably thought about using neutral density. Perhaps you already own a set of nice filters, but do you know which filter you need to use? This beginners guide can help you choosing the right neutral density filter.
The rumored Canon lenses coming out have got a lot of us talking and pricked up a number of ears. One set of ears it ought to have pricked up, however, is Olympus' — and here's why.
The Mavic Air 2, DJI’s latest drone, sits squarely between its other drones, the Mavic Mini and the Mavic 2 Pro, but what does it offer that its siblings don’t? Gena Nagata, a.k.a Potato Jet, takes all three for a spin to find out.
Generally, photo lenses follow this rule: sharpness, low weight, low cost — pick two. And yet, Tamron seems to have bucked that trend with the 28-75mm F/2.8 Di III RXD, which is sharp, light, and highly affordable. Here's why it has become the lens that spends the most time on my camera.
Canon's RF mirrorless line has been making lots of waves for its spectacular lenses and the astoundingly powerful upcoming R5 camera. But did you know Canon has had an entirely separate interchangeable lens mirrorless system for the past eight years? What is next for it?
Canon's RF lenses are certainly spectacular, but they are also quite pricey. Samyang's new AF 85mm f/1.4 lens is quite affordable and seeks to fill the ultra-popular fast 85mm role for lots of photographers. Can it hold its own against more expensive options? This great video review will show you everything you need to know about the lens.
Nikon was the darling of the camera industry. At the leading edge of technological development, they introduced the F mount to great acclaim, alongside some top-notch glass. Pros flocked to their system, and the amateurs followed. So, where did it go wrong?
Many of us get really excited about new cameras and upgrading our equipment. New, always seems better in the tech world. Unfortunately, it generally comes with quite a hefty price. Upgrading your equipment regularly can be extremely costly and in many situations, it's not really worth it.
One year ago today, Sony announced the FE 200-600mm super-telephoto zoom lens. I was one of the first people on the planet to use the lens before that announcement, and later in September 2019 I purchased my own copy and have used it extensively ever since.
When Canon announced the RF mount for its new range of mirrorless full-frame cameras, we knew we might be in for a treat when it came to innovative lens designs. Fast zooms and razor-sharp primes have pushed boundaries, but the f/11 DO super telephoto glass revealed this week has come as a real surprise. What are these lenses for, and who is going to buy them?
For Sony shooters looking for an all-in-one lens that can handle a wide variety of situations, Tamron has announced the new Tamron 28-200mm f/2.8-5.6 Di III RXD. Here is what you can expect!
A few years ago, a lot of photographers were a bit frustrated by Canon's seeming lack of desire to push the technological envelope and often arbitrary handicapping of camera feature sets. Fast-forward to 2020, and suddenly, Canon is an entirely different company.
Fujifilm’s X-T4 has been seen by some as an incremental progression over its predecessor, the X-T3, and if you’re a stills shooter that doesn’t need advanced autofocus performance, that might well be true. This excellent review runs through the features and explains why it might be a worthy upgrade.
With the heavy reality that many of us live in these days, allow me a brief moment to simply luxuriate in the completely pointless, utterly fun, and pleasantly diverting task of looking back at the best attributes of some of my past camera purchases.
Details have emerged of Canon’s plans for its mirrorless full-frame camera lens lineup. Six news lenses are due to make an appearance in the next six months, including a nifty fifty and two completely unexpected telephoto primes.
Third party manufacturers have transformed the Sony full-frame ecosystem, giving the brand the most affordable and wide-ranging lens line-up of any mirrorless camera. Tamron has been at the center of this evolution, offering excellent lenses with intelligent compromises. The new 70-180mm f/2.8 Di III VXD is no exception.
With videography and filmmaking becoming a busier and busier discipline, many look to take the next step: How can you push your work further and make it truly stand out from your peers?
If you head over to B&H Photo right now, you’ll find some fantastic deals available, including some pretty meaty discounts on selected Canon camera bodies. There’s $500 to be saved on the 5D Mark IV, bringing the price down to $1,999.
If a crop sensor is used, it will look like the focal length is much longer. Photographers that need long telephoto lenses can benefit from this. But instead of using a crop sensor, it is also possible to crop a full frame sensor to have the same field of view. Let's take a look at the differences.
LensRentals has found themselves in a unique position recently. Their warehouse is full of gear, and they have the time to test it.
Last week, I suggested that the Samyang/Rokinon 85mm f/1.4 autofocus lens for Canon R-series cameras could be something of a game-changer. One of the first reviews has come in from the respected Dustin Abbott, and as predicted, Canon fans should be excited.
It's thought that Nikon has a brace of new Z-mount cameras due to be announced in the next three months, with a third to follow early next year. What will they be, and what is Nikon's mirrorless strategy?
Canon has the announcement of the new 100-500mm f/4.5-7.1L IS coming up in the very near future, but a couple of patents have emerged that might make sports and wildlife shooters particularly excited.
If you're a landscape or architectural photographer, you're probably quite used to using filters to control the look of your images. A good polarizing filter, for instance, can have a dramatic impact on your image. Portrait photographers, for the most part, tend not to use a lot of filters, and this could an area where they could experiment more.
