Publications allowing individual photographers access to their Instagram accounts is an increasingly common practice, and helps to foster a more intimate look at a photographer’s process. For example, Time Magazine allowed several photographers access to its Instagram account after Hurricane Sandy, enabling the magazine to update its almost 600k followers in real time.
“When I first shot the Olympics, my contract allowed me 12 hours to go through the photos and get them back to the team. When I photographed the Summer Olympics in London, my deadline was shortened to 2 hours. . . Now, with the ever increasing immediacy of the Internet age, they want me posting images at each break.
In 1985 there were approximately 40 recorded felonies on the New York City subway system. Every single day. It's a wonder how young photographer Chris Morris mustered the courage to set off on to the mean (subterranean) streets and begin months of personal project work documenting the New York subway.
According to Wikipedia lifestyle photography is "a style of portrait / people photography which aims to capture and document real-life events, situations, or milestones in an artistic manner and the art of the everyday." Photographers every day are advertising sessions as lifestyle photography, but in reality, are totally missing the mark.
We often look at photojournalists and think, how could you do what they do. How could you stand around taking photos while people are suffering or could benefit from your help? On the other hand, we rarely think about transfering that realm into something tragic that happens in our own eyes, but that is exactly what Abe did.
Last week John Dominis, one of the most prolific photographers for LIFE Magazine, passed away aged 92. His work was celebrated not just for the strength of his image making, but because of the sheer breadth of what he shot. Today, when we're told to "focus and specialize" let’s take a moment to look back and remember one of the most consistent and diverse photographers of the 20th Century.
David Guttenfelder is the only western photojournalist who has regular access inside North Korea. With this opportunity, he has the ability to show the human side of the country. He wanted to showcase the truth, both the good and the bad. You empathize with the people of the country when you see the hardships they are going through. You're also fascinated with how they operate behind closed curtains.
A group of conservators restoring one of the century old supply depots established by Robert Falcon Scott during his expedition to the South Pole found more than they bargained for. In the corner of one of the huts lay a solid block of ice containing 22 negatives that have been quite well preserved for an entire century.
Photographer Marcus Bleasdale spent a great deal of time from 2003-2004 covering the exploitation of natural resources in Eastern Congo. Children were either used to mine gold for the rebels that was sold to finance the war or to pick up a weapon and fight as soldiers. Human Rights Watch, with these pictures, pressured the company buying all of this gold ($150 million dollars worth) to stop.
Most people haven’t heard of Saul Leiter, yet he was one of the great photographers of the 20th Century. The reason you might not know him or his work is because he simply didn't care about pursuing recognition or a particular career path. With his passing last month, let’s use this opportunity to reflect back on his stunning work, and see what we can all learn from his artistic vision, his philosophies and his razor sharp eye.
Cheryl Dunn’s visceral documentary of New York street photographers “Everybody Street” is now available for rental or purchase online via Vimeo. The 90-minute film debuted in April at Toronto’s HotDocs International Documentary Film Festival, traveled to several international festivals and continues to be screened. Featured photographers include Boogie, Bruce Davidson, Bruce Gilden, Elliott Erwitt, Jamel Shabazz, Jill Freedman, Mary Ellen Mark and Joel Meyerowitz among others.
They say photography opens doors to new adventures and experiences. Well, for photographer James York, he literally went head to head with a wild Elk in the Great Smokey Mountains National Park. The story goes as such: while James York was photographing an elk from a distance, the animal decided to do something unusual: it decided to get closer and investigate the human and his camera. As interesting as this sounds, unfortunately the ending of this story is a sad one.
I thought this was a cool retrospective video that DigitalRev put together using clips from their old episodes of Cheap Camera Challenge. This piece essentially shows how some veteran shooters keep composed when faced with on-set challenges. Everything from face-planting onto concrete while trying to take a photo to dealing with deadly snakes just inches away
How would you feel if you were given a paid commission to wander around and shoot whatever you fancied for one of the world’s leading whisky companies? Most of us would probably agree that this wouldn't be such a terrible gig. Unfortunately this sort of dream commission will probably remain little more than a dream for most of us. For Elliott Erwitt, on the other hand, this was just another day on the job.