Côte d’Ivoire-based photographer Joana Choumali documents the disappearing practice of scarification in a series of powerful portraits entitled “Hââbré, The Last Generation.” Illustrating “the complexity of African society today,” Choumali’s work is both compassionate and evocative.
From the perspective of highway overpasses, photographer Alejandro Cartagena has documented the daily commute of Mexican workers in his photo series, "Carpoolers." Setting out during morning rush hour, Cartagena photographs the weary travelers laying in truck beds amongst the tools of their trade. The result of this overhead perspective photo series is a delightfully simple and revealing glimpse into the daily life of these hard-working travelers.
Formerly Photo Raw, Raw View Magazine has taken a new approach to the construct of a photography magazine. Raw View is made up of a completely voluntary staff of talented writers, photographers, and documentarians. With a specialized focus in documentary photography, Raw View has made it a mission exhibit imagery from the highest caliber of photographer with a focus on print quality. The self-proclaimed mission of Raw View is not just a crescendo of visual journalism, but it is to tackle complex and difficult subjects within the world of photography. The ultimate goal is to inspire, stimulate, and entertain.
Early last year, the Smithsonian announced that they would be opening up their digital collection for the world to see. The first phase constitutes over 40,000 pieces of art, including over 400 photographs, from the Freer and Sackler Galleries and the Freer Study Collection, all of which focus on the museum’s Asian gallery collections. The collections are available for anyone to download and use for free for non-commercial use under a program they call Open F|S.
As a taxi driver in the United Kingdom, Mike Harvey sees his fair share of characters popping in an out of the back seat of his cab. Being a photographer as well, it only seemed natural to begin making images of his passengers. From “the old, the young, the rich, the poor, the sober and the high,” Harvey decided to document their faces for a photo project he aptly titled “The Taxi.”
With last week's big news about America’s renewed relationship with Cuba came much speculation about how it’s going to affect long-established restricted travel to the country. While American photographers wait for the White House to clarify its updated policy, some such as Associated Press, Washington Post, and Time photographer Jim Graham already have a leg up on those that have yet to make the trek. Graham’s 2012 trip resulted in what may be some of the final glimpses of a Cuba before American influence seeps across its borders.
Abe Van Dyke is a Milwaukee-based freelance photojournalist whose work is submitted to the Demtix Wire, which is owned by Corbis Images. You may recognize Abe's name from his work covering the rioting and demonstrations in Ferguson, Mo. or his photographs documenting the passing away of his mother earlier this year. On Friday, Dec. 19, 2014, Abe was photographing the protests in his hometown of Milwaukee when things went south with law enforcement officials quickly, resulting in the arrest of Abe along with the protestors. Abe was kind enough to make time for a brief interview to share the story behind the photos that took his freedom.
On Nov. 17, 2013, an EF-4 rated tornado ripped through central Illinois relentlessly damaging and destroying over 1,200 homes, and ultimately killing three people. The Journal Star’s photojournalist team sprung to action after the tornado subsided, taking to the streets and skies of the affected towns to document the ravaged community. One year later, they traced their steps of that tragic day to create this astonishing Then and Now photo series.
For the last 2 years I've made my living shooting architecture with DSLRs, mostly short videos of California's fanciest multifamily apartment communities. When my client Synergy Corporate Housing asked me to continue that mission with all of their international properties in 10 major cities across 8 European countries, the first thing I thought when I saw the 32-day itinerary was, "bring a Hasselblad."
A new photo series on display at the Madison Museum of Contemporary Arts explores the handful of countries that have declared sovereignty that no one knows about. In his “Lands in Limbo” project, photographer Narayan Mahon documents the seemingly non-existent countries of Abkhazia, Transnistria, Nagorno-Karabakh, Somaliland, and Northern Cyprus, all share one thing in common - the lack of international recognition. In many cases, he was surprised to find that many of them actually functioned better than he thought. “It’s not chaos. It’s not lawless,” he tells Slate.
Ralph Morse was perhaps one of the greatest American photojournalists that has ever picked up a camera. Covering some of history's greatest events, there is no arguing that Morse had an eclectic and varied career in photography. Some of the most iconic images in American History were created by Ralph Morse, and splashed in vibrant fashion on the covers and pages of magazines.
Bryan Bedder is a freelance celebrity photographer based in NYC. This week Bryan was hired to shoot few key events during Art Basel in Miami, which ended yesterday. Three days ago, while on a break from assignments, Bryan had a horrible accident: while at the beach, he dove into a sand bar which caused his C5 vertebrae to fracture and slip, which pinched his spinal cord. Bryan is now in ICU, totally immobile, far from home and really needs your help.
While it’s a part of life most people try to avoid, for her latest project, Danish photographer Cathrine Ertmann decided to put death right in the spotlight. “About Dying,” a photo essay she created in collaboration with journalist Lise Hornung, takes on the subject of immortality in an anonymous and universal tone rather than through the stories of the specific subjects she photographed. In a sense, by doing this, it comfortably helps bring the viewer much closer to the intimacy of their own fates.
I’ve just read a comment from a photographer who said it’s time to stop shooting in black and white. He claimed we don’t see the world in black and white and it was something only done in the past due to the limitations at the time and it’s time to move on. Here’s a number of reasons why I think it’s critical to shoot black and white from time to time, and how it can help nurture your photographic eye.