Photoshop

Some photographers like that soft, ethereal feel as they specifically seek out types of plastic to stick in front of the lens, or even go so far as to buy defocus control lenses and LensBabies that will allow them to distort an otherwise true image. That has its value. But this isn’t for that. This is the new go-to guide for absolutely everything to know about how to get your images to be tack sharp. Get ready to dive in: this is a no-questions-left-behind study on sharpness.

I'm excited to announce a new weekly segment, where you the Fstoppers community can submit your favorite image to be edited and retouched by me, Lance Nicoll. Post an image you recently shot, that hasn't been retouched yet, in the comments below. On Thursday I will retouch it an post the recording of the entire process! If you guys love it, I will continue to do this every week! – And maybe in the future even do it as a Live Retouch with Q&A. The rules are as listed below. Really excited to see everyone's submissions. Submit your image by Wednesday at Midnight to be selected.

You know you've "made it" when your brand/product becomes a verb. With 25 years of history Photoshop has done exactly that and has become the undisputed champion of the photo manipulation/editing/post production game. I've been using Photoshop since version 1.0 back in 1990 (first as a tinkerer, then as a design QCM and finally as a photographer/retoucher) but despite my long relationship with Photoshop I still don't consider myself as having mastered it.

It is nothing new for celebrities to call on their fans to have a little fun with Photoshop. Our own Lee Morris challenged all of you a few months back with his many stages of beardedness. But when you are movie star Chris Pratt and you are known for your quirky, fast, often in-your-face style of humor, you should probably expect the internet to get a little weird with your request.

Berlin-based photographer/retoucher Erik Johansson creates wildly imaginative and often surreal images that has us posting on his work time and time again. Erik's images have been defined as a complex combination of his own photographs that captures ideas rather than moments. As impressive as his finals are, it was this simple 20 second video that caught my attention this time. You get a pretty good idea of Erik's technical process and if you're anything like me, you'll be motivated to create an Erik Johansson inspired piece of your own.

Have you ever wondered what Donald Trump would look like if you combined 50 random photos of him and averaged them together? That's exactly what Reddit user Dwainosaur did with his latest photo/data mashup. Using commonly found images on Google, these composites of celebrities like Barack Obama, Kayne West, Bill Murray, and Brad Pitt almost look like pencil drawings. The results are pretty eerie and give a pretty good idea what each of these well known people would look like as a ghost.

Dodge and burn, frequency separation, and other techniques used by high-end retouchers are great but time-consuming. Shooting and retouching weddings, as well as fashion and beauty, I sometimes find myself spending way too much time on wedding retouching. Being used to cleaning skin with dodge and burn for beauty, I tend to do the same with weddings. Which, as you can guess, is not very profitable. The same thing goes for proofing portrait sessions. I like to give lightly retouched proof images instead of pure raw files. So for weddings and portraits proofs I had to come up with a quick way to clean skin without making my images look too bad. Here is how I do it.

A long time ago, in a galaxy far away, Adobe Photoshop had yet to be created. OK, I am being a bit dramatic, but Adobe is celebrating 25 years of Photoshop. Watch this video to truly appreciate how easy we have it in our digital age.

One of the benefits of using layers in Photoshop is to edit pictures in a non-destructive way. However, there are a couple of techniques and filters that will require you to flatten a file or create a merged layer. The liquify tool is one of them. To use it, you must create a merged layer of the area you want to edit. Sometimes it means a merged layer of the whole image. In this article, I will show how to avoid this problem using a simple, yet very powerful tool Photoshop offers. We are going to see how to use the liquify tool in a more efficient way than on a merged layer. This way you will be able to go back into your retouching process without losing anything and even edit your liquify.

In dealing with bigger paid jobs lately, I've had to find ways to refine my retouching workflow. I used to do most of my skin cleaning by dodging and burning problem areas. It then had to be color-corrected of course. Negative dodge and burn gives you excellent results when mastered, but it eats up a lot of time. For some clients or projects, justifying 1-3 hours of postproduction per image is simply not possible. Being confronted more and more with this real-world issue, I have taken the time to look into my workflow and see how I could spend less time in front of my computer. Here are some of the things I have changed as well as a few tips I could give anyone facing similar issues.

Sometimes you need to get rid of that frizzy wind-blown hair but you don’t have the time to mess with cloning and blending. This can be even more difficult and time consuming with more complicated backgrounds that have gradients in them. I’m here to show you my quick and dirty way to get rid of those flyaways.

For those with Creative Cloud subscriptions, you may have been rudely and often interrupted by Adobe's Creative Cloud desktop client popping up in your menu taskbar (a very similar phenomenon occurred with both Mac and PC platforms). For such an annoying issue, it took Adobe quite some time to come to our rescue, but we can finally celebrate a new kind of independence. Alas, my migraines are finally fading — CC now politely stays where it belongs. That is all. Make sure you update. Have a nice day.

Changing makeup color or the color of anything in Photoshop for the matter doesn't have to be a challenging task, although it can be very easy to mess up. In this tutorial I will show you three different ways of changing makeup color in Photoshop.

However, these techniques can be used to change the color of any portion of your image portrait or otherwise. The techniques in the video will range from quick methods that beginner Photoshopers users can use to the more advanced techniques retouchers can make use of.

In case you haven't had a chance to play with Adobe's new Dehaze tool, Photographer Bimal Ramdoyal, a redditor with the handle "manual_mode", shared this before and after image he shot during a blizzard that he then processed through the new tool in Photoshop (also available in Lightroom). The results, needless to say, are pretty impressive.

So a few weeks ago I found sometime to shoot a personal project, a summer inspired beauty shoot. The idea behind the shoot was to focus on summer and to play with bright and vibrant colors. Prior to the shoot a spent days experimenting with new techniques and different ways of introducing color into my shoot. In this article I want to share a couple of techniques I used to create colorful effects in camera and also how I recreated one of those effects in Photoshop.

Great retouching is all about small details. They often make the difference between a well-retouched image and a world-class retouched image. However, seeing some of the details can be tricky. Especially when you are on the go and retouching on a laptop screen that doesn't offer the precision of a well-calibrated screen with a large color gamut. A couple of months ago I showed you a trick to see more details than what your eyes might see on an image by using a solar curve. In today's article, I am going to show you another technique that I often use to clean up small details. It is so easy you might end up wondering why you did not think of it before.

In the final part of the Dramatic Beauty Portrait Tutorial, we will look at how I do my Black and White conversion. This image is a dramatic image so it calls for a punchy and high-contrast black and white conversion. In this tutorial, I will show you how I stack blending modes and adjustment layers to get my image exactly where I want it. You can follow these steps in your own images or use the techniques and customize them for your own use. In the video you will also see how to use layer masks to create targeted adjustments for your high-contrast black and white portraits.

Yesterday, along with many other updates across its creative suite, Adobe announced new its stock image licensing program. The libraries are integrated directly into Adobe’s various creative software, making it incredibly easy for users to browse, test, and integrate stock images or graphics directly into their projects. Adobe acquired stock photo provider Fotolia earlier this year, and has used its image and graphic assets to launch this new service. According to Adobe, there are over 40 million different image and graphics available, with contributors adding new content daily....

As you build up your clientele, you will undoubtedly encounter a host of requests that can blindside you. Many photographers will learn quickly how being a good salesmen is just as vital to their business as the quality of their photographs. Below I have compiled a list of the most common customer concerns, and how to best overcome them while building value in yourself and in your brand.

In my opinion, mastering negative dodge and burn is the key to any beauty retouch. There are many steps and many hours that go into a great retouch, but negative dodge and burn is as essential, if not more so, than any of them. The term "negative dodge and burn" is one that I first heard from fellow retoucher Pratik Naik. It was the concept of having a specific process of removing distractions and smoothing tonal transitions through dodge and burn that was responsible for one of the biggest jumps in my own personal retouching game.

In Part 3 of the Dramatic Beauty Portrait Tutorial, we will finally get into the first main step of the skin retouching process. Basic skin retouching involves addressing subtle skin and texture issues on our portrait images. We will not only look at techniques for skin retouching in Photoshop, but also discuss the theory behind our decision process during the retouching process. I will also show optional techniques for those looking for quicker or alternative options during their portrait or beauty retouching. In case you missed it, during Part 1 of the tutorial we went over the lighting and shooting of our image and in Part 2 we looked at the "pre-editing" process.

A lot of people associated HDR with over-processed, surreal images. This is not always the case. Shooting HDR can be very useful in different circumstances. It is often seen in real estate and landscape photography and can be very useful to balance a wide range of light levels. There are many programs out there for merging images together to create an HDR photo, but one of the simplest ways to create these dramatic photographs is using Photoshop's built-in HDR Pro.

A question asked very often by photographers is "How do I fix red or mismatched skin tones in Photoshop?" As with everything in retouching there's hundreds of ways to achieve the same thing. So the question you're left with is, which is the most efficient method that has the best results. Here's the top three methods known to mankind, pick the one right for you!

If you're a wedding photographer, chances are couples are also asking if you do engagement photos. The answer to this should be “absolutely!” So you’d better get good at them quick, because well-executed engagement sessions will lead to more work. But before you think about weddings, spend some time and find your style shooting couples. Here are five simple ways to improve your engagement photography.

Our cameras today are extremely powerful with settings and features that help us archive stellar image quality. But sometimes the images we come home with just don't capture the true essence of what was photographed and what our eyes saw. The photo is just a bit overexposed or underexposed and doesn't capture what we felt in that moment we pressed down on the shutter button. We fiddle and tweak in Photoshop with sliders and brushes, but there is another tool to add to the arsenal: masks. Specifically, luminosity masks.

In Part 1 of our Dramatic Beauty Portrait Tutorial, we looked at the lighting setup, gear breakdown, and shooting of our dramatic beauty shoot. In Part 2 of the tutorial we will now look at two different ways of exporting and preparing your image for retouching. The first method involves creating versions in Lightroom and exporting directly to Photoshop. The other method utilizes Adobe Camera Raw and the ability to make variations within Photoshop. I will also discuss the overall goal of our pre-edit stage.

Coolors is a fantastic new app that I stumbled across the other day. It is an incredibly easy and intuitive way to generate a beautiful 5 color palette for any situation. Primarily developed for designers it has instant appeal to us photographers. We deal with colors in most of our work and knowing how to match and complement effectively can make or break the images we create.

Since its first version, Photoshop has changed quite a lot. The functionalities it offers are greater now than ever before. But plugins are legion and for beginners it is hard to differentiate the ones that are truly useful and those that are just a waste of money. The Retouching Academy Beauty Panel has been around for a little while and was revamped very recently. I use it all the time when retouching but I get many questions about it. I am frequently asked if it is worth its price and if it makes my retouching any better. Here is my take on the panel, why I bought it, and above all, why I keep using it everyday.

Adobe has released a YouTube video highlighting some of the retouching features that may be available in upcoming Adobe mobile apps. While no release date is given yet, the video shows off some pretty impressive abilities that accentuate the mobile device's touchscreen and makes the application more user friendly for quick changes or creative endeavors. This video has us excited for what retouching abilities are being brought to our mobile devices. Watch the video and have a look for yourself.

This is Part 1 in what will be an 8 part series for a dramatic beauty portrait. In the series of tutorials, we will go through everything from the gear used, to the lighting setups, and all the way through the complete retouching process. In Part 1, I will breakdown my gear list used for the shoot and I will thoroughly go through my lighting setup. In this video tutorial not only will you see the gear and setup, but also a behind the scenes look as me and my team go through hair, makeup, and shooting. The complete series of videos will be available here on Fstoppers and on my YouTube Channel.

Retouching skin is about detail and patience. It can be a real time consuming and can require a high level of precision to keep the natural aspect of an image. Each of us has a different style of editing and our tastes differ. However when giving retouching lessons many photographers ask me about skin texture and how to keep it looking as natural as possible.

This is not a simple answer as it is mostly a combination of elements. In this article I have combined the five things I see most photographers do wrong or too much when looking for a believable skin texture and look.

In Part 1 of the "Start to Finish Fashion Editorial Retouching" tutorial, we looked at how to clean up a white background, how to liquefy clothing to achieve a better fit, and how to clone and heal out distracting elements in our editorial image. In Part 2 we will look at how to go about the more common and essential retouching steps including: skin retouching using dodge and burn, color toning, sharpening, and value adjustments. In this video, I take you through each step and give you insight into the "why" as well as the "how" of editorial retouching.

When I saw this wedding shoot I was stunned into silence for a few moments. I really didn't know what to think of it! In my mind, when I think of wedding photography, I think of a world of immaculate white dresses, expensive shoes, thoughtful furnishings and of course, smiling wedding couples and their guests.

Photoshop has been around for quite some time now. It works great and every photographer has gotten used to it. It is a staple in my workflow alongside Capture One and Photo Mechanic. Until a few days ago, I did not think I would hesitate changing my retouching routine. After a few years of trials and errors I am finally somewhere I feel comfortable with my post-production. However, after having installed Affinity I must admit that I might "cheat" on Adobe Photoshop.

This ingenious video has gone viral as the true level of photoshopping to manufactures 'beauty' is exposed. In this clip, we see 6 hours of photoshopping sped up to fit into a 90 second clip. All of these hours of work has gone into creating just one perfected image of a model.

Before I learned about makeup I used to strengthen or create contouring in post the same way on every single picture. However, because everyone’s face is different, contouring should differ from person to person. Contouring not only can help create dimension it can also help alter shapes. Let see how we can make our model’s and client’s face look their best without going crazy with the liquify tool. Shadows and highlights are photographers and makeup artists best friends!

Color lookup tables (also known as LUTs or 3DLUTs) have been a popular tool used by colorists in the video industry for a while and are just starting to find their way into photography. LUTs are a great alternative to actions or expensive plugins that can help speed up your editing workflow.

When you are shooting for magazine publication (outside of the medium format realm), one thing you always have to consider is the aspect ratio of your images. Paper sizes, in most cases, do not match up to image size, so there are crop variables you have to constantly keep in mind -- especially for editorials where there will be titles, typography or article copy on the page as well.

Dust spots are inevitable, and removing them can sometimes be a burden. While there are many ways to go about removing dust spots, retoucher Chris Lambeth shows us a really quick and easy way to get rid of them. This method for removing them is completely new to me, but I'll be sure to incorporate it into my workflow.

For those who are only familiar with "tilt-shift" as a filter setting on Instagram, tilt-shift refers to the physical tilt and/or shift of the lens plane that can create some dramatic selective focusing. Taking into account the Scheimpflug principle, tilting and shifting the lens plane can dramatically change the depth of field forcing a change of size and perspective in an image. Serena Malyon, a third-year art student applied a Photoshop replication of this technique to some of Vincent Van Gogh's most famous works.

In this tutorial, Photoshop guru Aaron Nace of Phlearn.com shows you an easy yet effective way to take branding your images to another level. By placing logos or other branding elements into a scene's already existing spaces (such as billboards, truck trailers, or even clothing) you can really drive home the message you are trying to deliver. Follow Nace's simple step-by-step instructions to recreate this effect in your images.

I rarely write in first person but because this is a topic I feel very strongly about, I want to tell you about my personal experience. When I was reminiscing with my wife about the one thing that changed my photography, it was the day I saw the light. Literally. The only way I was able to conceptually grasp light and the way it works was because I started retouching. There is no way to deny it, as I mastered retouching my photography was taken to the next level.

The Dodge Ram has won the unofficial title of America's most American truck. Check out this great behind the scenes video Dodge just released on the making and creation of their 2015 Dodge Ram ad for the 2015 Sports Illustrated Swimsuit Edition.

We love Sports Illustrated Swimsuit Edition and we're going to guess by you clicking on this story that you feel the same. We've gathered up a few hilarious blasts-from-the-past covers and a few more recent covers and it got us thinking about how things have changed in swimsuit photography over the years.

Post-Production and Retouching is just as much an integral part of creating a great image or series of images as pre-production and the actual shoot, especially when you are shooting for a client and not just for yourself. Each genre of imagery, advertising, beauty, fashion, etc. has a slightly different set of rules and parameters when it comes to retouching. In this tutorial we will look at the complete start to finish of a fashion editorial image. Last week I posted the complete gear list for this exact shoot. This week we will look at the first part of retouching, including cleaning up our white seamless and correcting distractions in our image.

There are three things in life that photographers will clear their schedules for: Apple announcements, Nikon/Canon late-night pre-orders for new flagship bodies, and Adobe product releases. So clear your schedules, guys and gals; because Adobe’s Lightroom 6 is here with more speed (FINALLY!), more features, and rich mobile integration.

Fstoppers.com owner Lee Morris recently decided to shave his 5 month beard while having a little fun. Lee created 8 different "characters" with different lengths of facial hair and then released his unretouched images to the Fstoppers.com. These photographers took these files and pushed them to the max, creating 8 hilarious final images.

Any good makeup artist will tell you that great eyebrows will make any face look good. Think of eyebrows like frames for prints: when they are beautifully crafted, they will make your prints standout. Eyebrows will do the same for a model's face, whether it is a male of a female model. They can totally change the expression and the look of someone depending on how they are shaped. Sometimes, a makeup artist can only go so far and we are left with work in post-production. So it is important to have a little knowledge on what the eyebrows should look like to get the best out of a model's face.

The popular Mac photography software company, Macphun, released a new application for the Mac that promises incredible noise reduction processing. Noiseless comes in regular and Pro versions, the latter of which include increased capabilities like RAW processing and included plug-in support for your other editing applications and both of which provide what is truly some of the best noise reduction available.

During our 4 month project with Elia Locardi I didn't shave once. During this time my beard got a little out of control. Last week I had a little fun shaving it off slowly and creating portraits of myself as different characters. I'm now giving out the raw files to you, to abuse them as you see fit.