Photoshop

Outsourcing is quickly becoming a standard practice. More and more photographers are using outsourcing services full time, while others are using them during the busy part of their season. While outsourcing has become more common in the industry, there are still some questions as to it’s worth. Photographers not familiar with the service see ups and downs to incorporating this type of service, and sometimes it can be hard to see which side wins. After my last article reviewing ProImageEditors, people wanted to know if it was worth it.

In an era when working on 30 megapixel and higher images has become the norm, a Photoshop document with dozens of layers can quickly become a burden to work with often slowing to a painful delay after each stroke of a brush. The simplest solution is to constantly be crushing those layers down into a single flat layer but this method is the antithesis of non-destructive editing which can make future client feedback rather difficult to implement. Instead, lets focus on few easy tricks you can do to keep your computer running smoothly during the most complex of composites.

The photo came out of the camera like that, I swear! Not really, and now there’s a website that can prove it.

You have been up all night, taking images of the Milky Way. Tomorrow, hours of editing probably lie ahead. Light pollution, noise, and a lack of contrast can make most nightscape photos feel lackluster. If you’re familiar with doing landscape astrophotography, then you’ve no doubt experienced the amount of effort needed in post-processing to make your images shine. Even with today’s digital cameras, no picture comes out of the camera the way you’ve imagined them to. Enter OrionH; a panel for Adobe Photoshop dedicated to natural night photography and meant to decrease the amount of time you sit at the computer.

The traditional workflow to edit a portrait from start to finish usually requires a few different apps. But why complicate things and not just try and rely on one single software to get to the final result? Last month I reviewed ACDSee Ultimate 10 and thought it’d be a good idea to follow up with a tutorial showing how far you can go by using exclusively this photo editing solution to retouch a portrait. Discover all my steps and see how this alternative could perhaps suits your workflow better than your current one.

Cleaning hair in post-production is without a doubt retouchers’ and photographers’ worst nightmare. It takes up a lot of time, energy, and precision, but more importantly, there are so many techniques out there that often we forget about even the most basic ones. In this very comprehensive video, Aaron Nace from Phlearn shows how to retouch hair in the most simple way possible.

Now I know there have been countless articles posted about why retouching is important, or why it’s downright frowned upon. But imagine, as a photographer, being able to free up so much more time by outsourcing the editing to a trusted retoucher.

How many times have you seen a video or photo where a subject or even the artist themselves appear in it multiple times and wondered how they did that? Having a background in graphic design, I always guessed you just merge the footage or photos together and mask sections out to reveal the subject in each area. Well, it is as simple as it sounds but if you are not sure how to get started or how to do that, Peter McKinnon shows how he cloned himself in both photo and video using Photoshop and Premiere, respectively.

Blend modes in Photoshop are still confusing lots of us even after years of using the software. This article is about two of them: Luminosity and Color. You may start using them more frequently after you understand their strengths and cases when you should use them.

When any talented individual with a dedicated set of skills finds themselves with a little free time it almost always results in something both creative and amazing. Some of the most interesting creations have come from artists and craftsman in their spare time. So it comes as no surprise that a successful photographic digital artist like Karen Alsop when presented with a newly found photo of her ancestors, would turn it into something that would surprise and amaze her friends and family.

Colorizing black and white photos is a nuanced and skilled art entirely by itself, but understanding the basics of it gives you some good practice with editing techniques and another skill to throw in your bag of tricks. This helpful video will show you how to do just that.

When a D1 collegiate athlete becomes a photographer, you should watch out. Zach Ancell is a commercial sports photographer from Portland and has been shooting for almost 10 years now. As any self-respecting creative, he does his own personal projects between the commercials he shoots. Pan"Tone," which is one of Ancell's recent shoots caught my attention, and he kindly agreed to share all we want to know about the set.

The weather. Of the many things I wish I could control, this is certainly one of them. Recently, my home of Seoul has had some of the clearest skies and nicest puffy clouds that I’ve seen in my 11 years of living here, but typically this is not so. On the few days of the year we get nice clouds, fisty-cuffs determine your tripod’s resting place at the popular photo spots, and the Internet is afire with the chatter of excited shutterbugs. However, there are so many days of the year where the haze is too thick or a monotone blanket of clouds covers the sky. I have come up with a quick and dirty method of dropping in skies from my library that I use when the job calls for it. I’d like to share that with you today.

If you're ever adjusting colors in Photoshop, you know getting it just right can be a bit tricky. This great tutorial from a senior creative director at Adobe will help you get it right very time.

The third episode of Mike Kelley's Behind the Scenes series from his architectural tutorial is now live. In this episode, Mike shows you how you can turn an overcast day into a sunny afternoon, how to photograph a resort from a helicopter, and also teaches you an effective way to make a hotel lobby look more inviting. You can also watch as the Fstoppers crew goes night diving with massive manta rays off the coast of the Big Island of Hawaii.

If you're new to Photoshop, you may have heard of these mythical things called "Smart Objects." This helpful tutorial walks you through a very practical application of them to help you understand their role in image editing.

Creating convincing composites is all about matching a number of characteristics, one of them being the saturation between the different elements of the final image. This helpful tutorial gives a quick and very effective method for precisely matching saturation.

If you're working as a real estate photographer, taking environmental portraits, or simply want cleaner shots, a little bit of retouching and cloning can go a long way. This helpful tutorial will show how to declutter and polish your shots.

Love it or hate it, CGI and digital compositing are here to stay. I think you'd actually be surprised at how much of it is used without you even realizing and for this reason it's something which you should be open to embracing to enhance your video and photography work.

If you're working as a photographer or retoucher, there are certain Photoshop techniques you just have to know. This amazing set of tutorials walks you through 30 such skills and explains why they're important and how to use them.

Most, if not all, have seen the picture profile settings in our cameras. These can include settings for Landscapes, Portraits, or even Cine-style formats for filmmakers looking to achieve that cinematic look. But what do these mean and how do they affect our final image?

A warm sun glow effect in portraits is a highly popular look that can create a lot of interest in an image if done right. This great tutorial shows you a quick and easy method for adding the effect that produces a nice result.

I recently travelled to the local racetrack with my brother for an open track day and decided that while he was out riding, I would try to make a few portraits of the other attending riders. I spent plenty of time ahead of the trip planning lighting, gear, locations, and more. This is a step by step walkthrough of how I created this series of portraits.

Adding an element such as fire to an image can really bring your photographs to life and give you that high-end production value without all the added danger.

Today I want to share a quick tip on cleaning up lint, dust, cat hair, and things like that from clothing or other areas of your photo. I'm super picky, and even if the image is a 5x7 and the dust may not even show up on the print, I like to fix things like that on my large files anyway. You never know when the customer may come back later and order a wall portrait from that file they only previously purchased a 5x7 from, and I don't want to have to go back in and re-retouch the image.

Not every photographer needs lavish resources and an army of helpers to create dramatic images that belie their basic production. Lia Konrad is a 23-year-old fine art photographer based in a small town in Germany, but she hasn’t let modest resources stop her from following her passion to create epic images inspired by her love of fairytales, myths, and fictional stories for her website Liancary.

I previously wrote about Benjamin Von Wong's latest project with Sarah Jane in the Blue Mountains of Australia. Benjamin’s portion was just half of the project set up by Karen Alsop. She invited Benjamin to join in on some friendly competition. While her approach and style was different, there was still some amazing images created out of this cooperative project.

Selections are really at the core of editing in Photoshop: they are what allow you to apply edits, effects, and more precisely and convincingly, while also enabling you to rearrange, copy, substitute, and remove elements of an image. In this great tutorial, you'll learn the most common tools and methods for making selections in Photoshop.

Postproduction is often so integral to a photographer's style that many photographers wouldn't dream of allowing their raw files to be seen by clients because they feel that their editing process is what makes the photo look like "their work." While I find postproduction just as important as any photographer, the unfortunate truth is that spending too much time in Lightroom or Photoshop might actually be damaging your business.

Most people have one eye that is slightly more closed than the other, and it does show in photos more than when you are just looking at the person. Today, I want to share a quick tip about how I open eyes and even them out.