Double exposures are one of my favorite effects. Luckily for us, unlike in the age of film, we have vastly more control over the final image thanks to the power of Photoshop. This great tutorial will show you how to create your own.
Out of all the remarkable things you can pull off in Photoshop, changing someone's hair might be my favorite thing to do. Besides being just plain fun, it'll exercise a lot of techniques that you'll want to have mastered in many other situations as well. Check out this great tutorial on swapping hair.
A lot of us have or have had braces at some point in our lives. And while they're a perfectly normal thing, some people are a bit self-conscious of them, so being able to remove them is a good skill for photographers to possess. This helpful tutorial will show you how to do exactly that.
Even when shooting at f/16, not every part of the photo will be in focus. Depending on where you focus is at, there will still be some fall off. What if you wanted to get your entire photo in focus? You can merge multiple exposures where the focus point has been changed to get one photo showing everything in focus. Landscape Photographer Mark Denney shows us how easy it is to merge multiple exposures into one image using Lightroom and Photoshop together. If you do not use Lightroom, you can still achieve the same results only using Photoshop, so don't worry.
I absolutely love shooting commercial work in the studio. Who doesn't? Shooting in a studio environment allows the photographer full control over the lighting and the subject. It also allows for full creative freedom over what you can composite into the shot if needed by easily matching up the lighting. Earlier this week I had a few hours of downtime and decided to shoot a bottle of Bacardi Dark Rum in my studio. Using a softbox I built myself a few weeks ago, I decided to take it on a test run using the bottle of Rum as my subject.
The Pen tool is incredibly powerful, but not always the easiest to use for newcomers. Even those familiar with other Photoshop features are often less proficient with using the Pen tool to select specific areas or create paths. While it's not meant to replace the original Pen tool, the new Curvature Pen tool previewed in this video helps make a faster and more accurate selection around objects with curved edges in a way that could even be faster for those who are already good with the traditional Pen tool.
One of the most distracting things you can have on a subject is unintentional harsh shadows. Once they're there, they can be very tricky to deal with convincingly in post. This helpful tutorial will help you tackle and reduce them to manageable levels.
One of the most common retouching tasks you'll be faced with is whitening teeth. Like many things in Photoshop, the key is applying the correct technique in moderation to obtain a realistic result. This helpful tutorial will show you three such ways to do just that.
Earlier this year I reviewed ACDSee Ultimate 10. However, ACDSee just released the 2018 version of their flagship photo editing software and thus it’s time for an update. The brand new iteration promises to offer a more efficient workflow, layered editing for advanced retouching, vastly improved performances, and new tools for photographers to edit their pictures better than ever. Let’s see how this translates in the real world!
Tattoos can be a very unique way to add something that makes your subject stand out. This neat tutorial will show you how to take a design and convincingly place it on your subject in Photoshop.
One of the most fundamentals features in Photoshop is the Pen Tool. It's a bit less intuitive than some other features, however, and it often presents some difficulty for first-time users. This video will get you up and running with it in 30 quick minutes.
As a dog photographer, one critical post-processing skill is the ability to remove leashes from your images. It is often the single most time-consuming step of editing your dog portraits. I have tried many techniques for removing leashes, and I find this one to be the fastest while producing great results.
Many digital photographers appreciate the look of film, but don't own the necessary equipment to shoot it, whether that is due to the hassle or the cost. There are many ways to mimic the look in post-production, however, and this great tutorial will show you such methods to do it.
This week, Colin Smith of PhotoshopCAFE explains how to make a watermark out of your signature in Photoshop using a real signature on paper. The signature can be captured via your cell phone camera without the help of a scanner. This solution is a good alternative from classic logo watermark. The process is really easy and takes less five minutes.
Since Adobe adopted a subscription-based licensing system, many users have started looking at other alternatives. While ACDSee had attractive solutions until now, their latest creation, ACDSee Photo Studio Ultimate 2018, seems to be a serious contender to Photoshop CC and Lightroom. Even better yet, you can process your raw files and then edit them within the very same software, no need for round trips.
Catchlights are those beautiful, almost imperceptible, reflections in the eyes of your model that bring their expression to life. When photographing portraiture every effort should be made to capture this light in their eyes, but sometimes they come out so faint the impact is simply not enough. Fortunately, there is an easy fix.
Silhouette portraits are always fun to experiment with, and it’s easy to assume that we are limited to sunrise and sunset for capturing this type of image. With knowledge of camera exposure settings and a single off-camera flash, this style of portrait can be produced at any time of day or night.
With a little work, it's possibly to create fairly convincing lens blur using Photoshop. This tutorial will show you just how to do just that.
If you're old enough to remember what a VHS tape is, you probably remember the charm of all the visual artifacts that came with using an analog medium. This cool tutorial will show how to replicate that look for a quick blast from the past.
When you're working in Photoshop, it can be easy to run astray of staying organized. This helpful video talks about why a consistent workflow is key to top-notch images.
Color casts are one of the most common issues you'll have to tackle when editing photos. Unfortunately, the fix isn't always as simple as adjusting the white balance and/or tint, as casts may appear at varying intensities in different areas and luminosity ranges of your image. This helpful video shows you a more advanced way to tackle them.
My passion for photography stemmed from a series of trips I had taken overseas and a desire to capture the beauty of those places with more finesse. Landscapes were a natural draw for me and it didn’t take long to come across the concept of exposure blending.
In his latest photography tutorial, noted French photographer (and prolific video tutorial maker) Serge Ramelli demonstrates how to quickly and effectively replace a sky in Photoshop.
A few weeks ago, Adrian Sommeling showed how he Photoshopped his son and himself driving an Aston Martin in Iceland. He’s back with yet another video, and this time it’s a shattered iPhone 8 composite. This one is particularly interesting as it includes glass and thus reflections which are both amongst the most difficult things to keep natural looking when working on composites.
The Liquify Tool is one of the most powerful features of Photoshop, with abilities that can subtly or vastly alter the structure of features in your image (and not just those on humans). Just like any powerful tool, though, it takes a bit of finesse and know-how to get the best results, and this helpful video will give you that knowledge.
I find it interesting how often I see new photographers make the exact same editing mistakes I made when I started out. Every photographer who has at least a few years of experience can look back at some of their first sessions and find a number of things that they continually did wrong. I recently took a look at some sessions from my first year of photography, as well as asking a few other photographers to do the same, and continually found the same common issues.
If you're new to Photoshop, one of the tools you'll want to become familiar with as soon as possible is the Healing Brush. This quick and helpful tutorial will show you just why it's so useful and how you can take advantage of it in a wide range of situations, from retouching portraits to removing items in landscape shots.
When it comes to processing your digital images, there are so many tools available to you and sometimes the process can seem a bit convoluted. Personally, I like to use a mix of both Adobe Lightroom and Adobe Photoshop to make the most out of my images. Perhaps I'll throw Capture One in the mix one of these days, but for now all of my postproduction work is done using Adobe software. This brief tutorial goes over one of the lesser-known tools that exists both in Lightroom and Photoshop, the Dehaze tool.
Commercial Conceptual Photographer and Digital Artist Adrian Sommeling is one of the names that every retoucher and creative photographer should know. He has one of the most incredible portfolios out there with work that you simply can only wonder how the heck it was done. Well, to learn more about how he creates his stunning digital art, he’s started to push out short videos with explanations on every step. In this article, discover how he shot his son, himself, and an Aston Martin before compositing them onto an Iceland landscape.
Humidity, sunlight, water, and most of all, time, are just some of the culprits in the damage most printed photographs will endure. However these memories of loved ones do not need to be thrown away or thought to be unrepairable. A few layers in the digital world can bring it back for your clients.
