In perhaps one of the best photography books you'll own, Californian photographer Tim Mantoani has archived photographic legends with his book project, "Behind Photographs." Since 2006, Mantoani has been photographing notable artists holding some of their most iconic photographs. Perhaps the most interesting aspect of this project is the mammoth format each portrait was shot on Mantaoni uses the enormous 20x24 Polaroid camera to capture these individuals. Taking on a project of this literal size was not a small feat. After a portrait session with notable San Francisco photographers Jim Marshall and Michael Zagaris, Mantoani quickly realized he was on to something historic and began to formulate a plan.
You never know what’s going to happen in New York. Last week, photographic gold was struck in Times Square in the deep cavernous archives inside the Conde Nast building. Two thousand prints shot by Edward Steichen, one of 20th Century’s most influential photographers, were found after lying hidden for over eighty years. The story behind them, and of Steichen’s rise to photographic fame and acclaim, are almost too unbelievable to be true.
There's a whole lot of eye candy in the 2015 Warwick Mens Rowing Team Annual Calendar, and while you indulge your guilty pleasures, you can feel good that the proceeds go towards fighting a good cause. Since 2009 the team has been releasing their nude calendar, and once they found out that the majority of their audience came from the LGBT community, they decided to shift the focus of their charity.
The human expression is, for me, the most powerful form of communication we have. We all remember the looks our moms and dads gave us when we did something wrong, or the look on the face of the person we love when we proposed. These looks are just a few of the powerful ways we can communicate with no words, and it’s this that is the holy grail in portrait photography, whether it be stills or video.
Two things you can't get enough of: Benedict Cumberbatch and Dan Winters. Cumberbatch stars in The Imitation Game - opening next week - as Alan Turing. Dan Winters photographs him for the cover of TIME. Dan Winters' perfect attention to detail is on full display here - personally building various set pieces and even having an authentic WWII Enigma machine hand-delivered from a museum six hours away.
For years I found myself making excuses as to why I wasn't creating the type of images that I so desperately wanted to make. I didn't have the gear, I didn't have a model, I didn't have access to a studio. At the end of the day, it came down to one simple thing, I never tried.
As an art director, I get hundreds of emails per week from photographers offering their services. When I received an email from Michael Ray, I was truly touched by the images he shot for Flashes of Hope, an organization where photographers go in and do pro-bono shoots at the local Children's hospital. These shots are gifted to the children and their families. I love the part about being able to do something nice for others as a photographer. Not too many professions have the potential of doing that. It is up to each and every one of us to decide what we want to do with this gift we were given. I spoke with Michael about this project, and here is what he said...
Cosplay is a photography subgenre and lifestyle that I have yet to ever attempt, but something I truly enjoying viewing when it is done well. In the case of this mashup project by photographer Sacha Goldberger, fusing the Renaissance era with modern superheroes, "done well" is understatement. You need to seriously check these out.
It seems as if the film edit is getting more popular every day. A lot of beginner photographers out there will do anything to achieve this look. The easiest way to do that is to buy presets but I want to show you how to create the look yourself. I believe once you understand how to create the look yourself you can begin to find your own style. I know too many photographers that take an image, slap a preset on it, and call it good. All the editing on these images was done in Lightroom 5.
As a writer for Fstoppers I hear about a lot of personal projects. This past weekend, my attention was grabbed when I read about how Denver-based photographer Dylan Burr undertook a project to create wet plate collodion photographs. It wasn't his image making process that stood out to me though- it was his subject matter. Read on to see the images Dylan created, but also hear how he is hoping to impact the community through his efforts.
If you’ve been following the photography industry in recent years, there’s no doubt that the term ‘boudoir’ has entered your lexicon at one point or another. While the century-old niche has enjoyed renewed momentum as of late, there are many more different groups of people that seem to be losing their inhibitions today than upper-class exhibitionists of the early 1900s. Individuals and couples of all walks of life are seeking boudoir sessions and it’s becoming an increasingly lucrative business. But what exactly is it? And how do you do it?
When I first attempted to retouch the photographs I took in 2006, I had no idea what I needed to do and how. Today there are thousands of video tutorials on the web on how to retouch, but nobody explains what it is that needs to be retouched to make a female face look more youthful, healthy and beautiful. It took me some time to figure out what the common problems that I needed to remove from my subjects' faces and bodies were, and what I had to alter to make them look more attractive.