It seems as if the film edit is getting more popular every day. A lot of beginner photographers out there will do anything to achieve this look. The easiest way to do that is to buy presets but I want to show you how to create the look yourself. I believe once you understand how to create the look yourself you can begin to find your own style. I know too many photographers that take an image, slap a preset on it, and call it good. All the editing on these images was done in Lightroom 5.
As a writer for Fstoppers I hear about a lot of personal projects. This past weekend, my attention was grabbed when I read about how Denver-based photographer Dylan Burr undertook a project to create wet plate collodion photographs. It wasn't his image making process that stood out to me though- it was his subject matter. Read on to see the images Dylan created, but also hear how he is hoping to impact the community through his efforts.
If you’ve been following the photography industry in recent years, there’s no doubt that the term ‘boudoir’ has entered your lexicon at one point or another. While the century-old niche has enjoyed renewed momentum as of late, there are many more different groups of people that seem to be losing their inhibitions today than upper-class exhibitionists of the early 1900s. Individuals and couples of all walks of life are seeking boudoir sessions and it’s becoming an increasingly lucrative business. But what exactly is it? And how do you do it?
When I first attempted to retouch the photographs I took in 2006, I had no idea what I needed to do and how. Today there are thousands of video tutorials on the web on how to retouch, but nobody explains what it is that needs to be retouched to make a female face look more youthful, healthy and beautiful. It took me some time to figure out what the common problems that I needed to remove from my subjects' faces and bodies were, and what I had to alter to make them look more attractive.
Fashion designer-turned-photographer Vivienne Mok creates ethereal images; her young subjects bathed in light simultaneously soft and brilliant light. Drawing from her background in design, Mok creates intricately detailed settings decorated with treasures gathered from flea markets or built by hand.
Contouring has become a popular technique that women use to give shape and enhance facial structure by using makeup. Since most men aren’t willing to use makeup during portrait shoots, I’ve devised a way for photographers to achieve the same results simply by using lighting techniques.
Steve McCurry is one of the most iconic portrait photographers of our time. His photo of the Afghan Girl one of the most recognized images in history. Now in Italy there is an exhibition of McCurry's work from over the last 40 years being featured at the Villa Reale di Monza. In this short 5-minute video not only do we get to see how the art installation came together while preserving the history of the Villa but we also learn some incredible advice from McCurry himself on being a successful photographer.
Go behind the scenes with one of the worlds top high-end retouchers, Pratik Naik, in this two part video as he walks us through his process of working with a model shot by David Geffin. Exploring the fine line between retoucher and photographer you can see his passion for what he does and the understanding it takes to capture the photographers vision perfectly.
San Francisco based photographer, Jeff Cable, is perhaps best known for his work with the US Olympic Committee, photographing the last four Olympic Games though his list of offered services includes Bar and Bat Mitzvahs, weddings, nature, sports, and senior portraits. In this video produced by B&H Photo's learning studio Jeff walks you through getting started in the senior portrait game from location scouting and preproduction to shooting and workflow.
Los Angeles-based Italian photographer Guido Argentini produced a series of work called, "ARGENTUM " (Latin for silver), that will be released as both a fine art book and as a film that looks into the making and thinking behind the photographs. Each model -- all of which are professional performers -- was completely painted in a metallic body paint. The effect results in an interesting study of the human form (and, specifically, of the female form) in a way that is not sexual, but perhaps quite objective.
Whether we're a photographer, graphic designer, painter, musician or dancer... throughout our career, we’ll slam right into a rock solid wall and it some cases it can be so traumatizing that some of us may never recover. It’s not really a question of if; it’s a question of when and if you’re a new artist then brace yourself, there will come a time when things just don’t click. I’ll be honest; I hit that wall with writing for Fstoppers this past month. Writing 1,000 words once a week is no easy feat, I figure it's only appropriate to write about this very topic as I sit here in recovery from a creative collapse.
Up next on the TogTools series featuring your very own Fstoppers writers and contributors hosts Jess and Stephen talk with award winning photographer David Bickley. If you are not familiar with the series or David's work be sure to tune in and gain some great knowledge as he talks through starting up, pricing and how some key mistakes taught him valuable lessons in the industry.
As a parent and photographer, there is nothing I would love to do more than collaborate on a photo series with my son. Growing closer through collaboration - and a mutual learning process from both ends of the lens - appeals to me the most about this idea. And naturally, the memories and images produced in the process. But until he is willing to cooperate with me, I will have to lurk from behind the sofa, “paparazzi mom”.
If you're anything like me then you feel pretty strongly that your face belongs behind a camera, not in front of it. I absolutely hate getting my picture taken, and I'm never more displeased than when I get my photo IDs made. From garish drug store / post office lighting to a poorly executed smile there's always a reason to dread whipping out my driver's license or ID. While I can't really help you with your DMV escapades, passports are unique in that you can actually provide your own image for the document — something I recently took advantage of and you can too. So here it is, The Photographer's Guide to Taking a Passport Photo You Won't Want to Destroy with Fire. All in 10 minutes or less.