I live just a few miles outside of New York City, so when 911 happened, my world was rocked harder than most in the world. After getting my daily dose of hate mail this week about taking pictures at the 911 Memorial at Liberty State Park in Jersey City, I thought I'd write about it.
It is easily one of the most vilified and stigma'd genres in photography, and the one genre that provokes the most ire from its critics. Difficult to define and even harder to describe to someone accurately, one could also argue that it's the one photography category with the most people, mostly men, who are involved "for all the wrong reasons". In short, some people loathe glamour photography. But, is the reputation deserved? And what the heck is this glamour photography thing anyway?
Photographer Tim Richmond’s series “Last Best Hiding Place” is the product of seven years spent documenting life in the American West. The series intertwines myths and realism; stereotypes and contemporary realities to create a nuanced portrait of a place and its people.
Paris-based photographer Laura Stevens created a stunning narrative portrait series entitled “Another November,” which explores the stages of heartbreak at the conclusion of a long-term relationship. The series portrays the “gradual emotional and circumstantial stages…along the well-trodden track of the broken-hearted."
Last month we interviewed Jen Basford of Seniors Ignite and 3 girls photography about reasons why you should have a senior rep program. The full article can be found here. This month we are getting into specifics of what is takes to build a successful senior rep/model program and insight on how Jen built a program that sees continued success.
We’ve all been there, stuck with bad light and fresh out of ideas. I may spend up to an hour pre-lighting before a model or subject steps onto set, I work out the kinks and make sure everything is how it should be. But, despite my best efforts to make it right, every now and then I run out of time and have to wing it. We all have our “go to” lighting scenarios, but when you’re standing in unknown territory, keep the following tips in mind and you just might make it through the storm.
As you may already know, I spend a good deal of time polishing my photos in post production and have taught retouching in Photoshop for some time. A few months ago I made the move from Lightroom to Capture One and haven't looked back. To test out it's power, I decided to see just how close I could get to my portrait retouching style using only Capture One Pro 8 and forgoing Photoshop entirely.
Mark Seliger is one of the top portrait photographers in the world. His career spans thirty years and in this time he has photographed some of the biggest names in music, politics, business and entertainment. Interviewing him was fascinating. Who has inspired him? What would he say to his younger self if he could go back to when he was just starting out, and which photographer would he choose to take his portrait, if given the chance?
There are dozens of classes, courses and books on posing and they’re all useless. Why? There’s a definitive difference between directing a subject and posing a subject; if you’re “posing" a subject, then you’re doing it wrong. Here are three reasons why I don't like posing subjects and how I’ve managed to overcome those obstacles.
Anthony Duron and Mark Rainwater were one of the first same-sex couples married in Indiana on June 27th, 2014 after a federal judge overturned the state's ban on gay marriage. Unfortunately, a federal appeals court put a hold on the ruling and they have been waiting in a sort of limbo ever since. The U.S. Supreme Court is currently deciding whether to hear the issue of gay marriage from several states, so many couples like Anthony and Mark have been waiting anxiously for vindication over the last three months. I was honored with the opportunity to take portraits of these two gentlemen and I learned a lot about love and life along the way.
At the end of the day, a photographer's work takes just seconds to capture your attention. Usually, it is very obvious why you like a photographer's work, and other times, it is a bit of a mystery to you. This was the case when I first experienced photographer Cary Fagan's work recently. The fact is, based on what I like, what I shoot, and what I tend to gravitate to, I shouldn't like his work. But, I do.
How would it feel to photograph Will Ferrell or Seth Rogen? How would you ever get to be able to shoot clients like these? How do you marry technical capability and develop your own style to deliver something unique? What if you could learn from someone doing this sort of work day in day out? Well, now you can, in this exclusive interview with Emily Shur.
All this week at the Photoville NYC festival, Tyler Stableford is hosting a gallery exhibition featuring his work from "The Farmers" project. This Saturday there is a reception which is free and open to the public if you'd like to check out some of the amazing prints from Tyler's latest passion project. This behind the scenes video gives you a look at the photography as well as the printing process involved in making this work come to life.
Social commentary showing up in the photography medium is hardly a new concept. But when photographer and retoucher Joel Parés set out to make a statement with his latest portrait series, he knew he wanted to showcase the images in a unique way. The shots, therefore, ended up being simple, two frame GIF animations, allowing you to absorb the initial impact first, and then its correspending follow up message for each image. And you know what? It works very well.
Photographer and art director Constantin Mashinskiy captures stunning black and white portraits of people encountered on the streets of Paris for his ongoing series “365 Parisiens.” Reminiscent of the work of classic street photographers like Cartier-Bresson and Robert Capa, the series is a yearlong project consisting of, at its finish, 365 portraits of strangers in The City of Light.