If you were impressed by Getty Images' table covered by high-end Canon DSLRs and lenses, then you should definitely check this out.
You might remember a recent story in which an athletic sponsor was forbidden from referencing the Olympics when reporting on one of their athletes. It seems the US Olympic Committee is now clamping down all the more, issuing very stringent restrictions.
I know, I know. It's about the photographer, not the gear. But if you can look at all the gear Getty is sending photographers to the Olympics with and not salivate, well, you're stronger than me.
I know that I’m preaching to the choir when I say that personal projects, free from the constraints of commercial clients dictating production details, are an important outlet for creativity and staying sharp on your skills. Photographer Ray Demski just dropped his latest passion project, "Fireball," combining parkour, football (soccer), and beatboxing.
After Oiselle, sponsor of runner Kate Grace, posted photos congratulating the athlete on qualifying for the Olympics, they received word from the U.S. Olympic Committee telling them to remove the images.
Ok, the last time I truly attempted skateboarding, I was 14 years old, and I dislocated my right shoulder (still have a beautiful, giant scar). Regardless of my lack of knowledge of the sport, or anyone's for that matter, I think we can all agree that this video of Skater Rodney Mullen shot by photographer extraordinaire Steven Sebring is just cool as hell.
Over the past few weeks I have been touting the Sony a6300's video performance. This past week I decided to take the camera to the Mid Ohio Sports Car Course to film a track day. Oddly I ended up not using the auto focus, as the fences were proving to be a challenge with adapted EF mount Sigma lenses. On native lenses like the 70-200mm f/4 or the 70-300 f/4-5.6, this likely wouldn't have been an issue. Aside from that, the camera continued to impress me and exceeded my expectations.
Alexis Cuarezma is a San Francisco – based sports photographer, who specializes in both on-location and in-studio portraiture. In this video Alexis walks us through his photo shoot with IFBB Bikini Pro, Ashley Pfaff, providing a great sense of the process. He begins with the mood board and guides us to the final result, explaining his lighting choices and techniques.
After finishing up our swimwear photography with Joey Wright, I've gained a new appreciation for the genre. I was surfing through past Sports Illustrated swimsuit sessions and I ran across this years'. It happened to have Ronda Rousey in body paint.
Some may be dubious of the merits of ENG cameras over their sleek and stylish film counterparts, such as the 8K F65 Cine Alta or Arri Alexa, and they wouldn't be entirely wrong. While ENG cameras have long been pigeonholed for their clunky construction and weight, much of network television depends upon their workhorse-like live sports coverage capabilities.
Photography, at face value, is already a difficult combination of capturing a scene as it unfolds and manipulating a tedious balance of exposure, aperture, and ISO to illuminate an image that does true life justice. When you add any additional element to the equation, the entire process can be thrown off. I often find this challenge in photography to be resting on the surface of the ocean in surf photography. Here are six tips I’ve learned that can help your surf photography.
Every couple of years Red Bull hosts one of the coolest photo competitions in the world called the Red Bull Illume. If you aren't familiar with this photo contest, the Illume showcases some of the most unbelievable sports photographs in the world. Many of the photos are landscape in a nature which give them an almost fine art feel but there are plenty of edgy closeup shots to grab your attention as well. The deadline to contribute to this year's Image Quest has been extended by 12 hours to April 1st 12:00 (CET) which I believe to be 6:00 PM Eastern if my brain is working correctly.
Wedding Photographer and Videographer Aaron Eveland of Makai Creative recently took his drone out to Waimea Bay to film a local surf competition. The waves were huge that day, and Aaron was able to capture some incredible footage.
Last week, we asked the Fstoppers Community to submit their best sports images to be critiqued by the Fstoppers team. We had a fantastic variety of images to choose from with over 250 entries. To keep in theme with this episode, we decided to film it during a recent ski trip. Lee and Patrick gave feedback to twenty images chosen from the submissions. Check out the selections and add your feedback and thoughts to the comments.
Your headache from over-drinking (either in celebration or in deep depression) may be wearing off, but for those that had to photograph Super Bowl 50, that headache began days before the big day. The preparation for covering the game took its toll on those that enable us look back on it this week. Fstoppers caught up with ESPN photographer Andrew Hancock to get a look into the gear, setup, and planning to cover the most important event of America’s favorite sport.
The term "centripetal" refers to a force that makes a body follow a curved path, and in this case, an iPhone 6 is that body. "Centriphone" is a play on that term, as an orbiting iPhone shoots super slow-motion footage of a skier at the center of its path, as they cut their way down the side of a snowy slope. This clearly takes selfies to the next level.
Just as we wrapped up the discussion involving amateur photographer Brooklyn Beckham shooting for a prestigious fashion brand, basketball superstar and now amateur photographer Kevin Durant put down the basketball and picked up his Canon 7D to capture the Super Bowl as a credentialed photographer. In his writeup for the Player's Tribune, he tells his story and shares what he captured.
With our current sports-focused Critique the Community, now seems like a great time to share some tips and best practices to help you improve your sports and action photography in 2016. Read on for 11 solid suggestions to help you become a better shooter.
Fstoppers is happy to announce the next round of Critique the Community. We invite everyone to submit your best sports image to be critiqued by the Fstoppers team. The image doesn't have to have any particular style but it must be related to sports and action, incorporating a human element (not just products or sports equipment). Please follow the guidelines for submissions below to ensure eligibility for your image to be chosen. We will be accepting submissions through Sunday night, February 7th and will be offering feedback to a total of 20 pictures.
About two years ago, in the spirit of adventure and creativity, I decided I was going to try and photograph the ocean with artificial lighting. I had an image in my head of all the things I’ve seen in daylight hours, with the stark contrast of an illuminated wave against a dark backdrop. A run-of-the-mill day down at the beach certainly wasn’t going to do either. We were going to go straight to the top and shoot the biggest and meanest waves we could find.
Lighting action and sports photography can often be complex. The flash cannot always be placed where it should and with the x-sync limitation of our cameras, it can be difficult to have the required settings. But some photographers, like Tristan Shu, master their craft and can push the boundaries of flash photography.
It can be a real creative challenge to try and concept, as well as execute, something that has never been done before, especially in photography. Adventure photographer Craig Kolesky accepted that challenge and ended up in the desert of Namibia, with two unlikely athletes for such a location. I asked Craig a few questions about this project that he shot for Red Bull Photography.
Leroy Bellet is a 16-year-old freelance surf photographer from Australia who has recently been featured in several major surf publications because of his experimentation with artificial lighting in the water. Using a flash in the water allows the subject to still be illuminated while taking advantage of times when the natural light is most unique, like early morning, sunset, and night. We recently got the chance to talk to Leroy and learn a little bit about him and his technique.
You, me, and the rest of them, we've all wondered why people are so infatuated with lightning-fast memory cards. Sure, it's great to bump up the speed so your camera can shoot relatively quickly and to enable fast transfers to the computer or backup drives. But at the end of the day, most of us have settled our minds on the idea that we really don't need more than 90MB/s cards. 100MB/s is that sweet spot that seems to be the limit of necessity (and reasonable prices). But a new video shows us why new formats, like the XQD card, and the faster speeds that come with it are actually useful in a real-world scenario (for some people).
David Davis is one of the top photography writers ever. He has an astonishing talent for telling the story behind some of the most memorable sports photos of our time, including the shot of Brandi Chastain ripping off her jersey after scoring the winning goal at the 1999 Women's World Cup, of Kathrine Switzer running the Boston Marathon, and "the Photo That Took Surfing Worldwide". He's back again with another riveting piece that tells the story of the photographer who photographed one of the greatest long jumps of all time.
Recently our own Lee Morris shot a model photoshoot entirely with an iPhone 6s Plus, showing that with proper lighting technique, a good model, and proficient use of editing software, you can obtain professional looking results with even the most humble of cameras. Andrew Weber, a professional sports photographer, decided to take it one step further by capturing the unpredictable environment of a primetime NFL game with only his iPhone 6s Plus in hand. Weber was kind enough to answer some of our questions and provide a great sampling of his photos from the shoot.
During the winter months, snowboarders and skiers dream of those big powder days, where a storm leaves the mountain covered in a soft blanket of snow that’s perfect for riding. During the summer months though, mountain bikers have never been able to experience anything that can truly match a mountain that's freshly covered in snow. Until one day at Whistler Blackbomb mountain, when dirt literally fell from the skies to create the very first dirt blizzard.
Los Angeles Angels team photographer Matt Brown gives us not one, but two behind-the-scenes videos that give the smallest of glimpses at what is involved in being the photographer for a Major League Baseball team.
This week we get to look at yet another style of retouch, a sports styled image. Each genre, weather it be fashion, beauty, landscape, or sports is going to have different parameters to follow and slightly different goals to achieve. With a female athlete it can be particularly tricky, because it can be challenging to find the line between doing to much or not enough especially as it come to skin retouching. In this post we will look at some of the steps and tricks used in this particular image that can be applied to your own sport retouch. We will also take a look at what else can be done to this image.
Every year Crankworx holds a Mountain bike event in Whistler, Canada that is a combination of downhill, slope-style and enduro competitions. They also host the Deep Summer Photo Challenge, where they put six photographers head to head, with the challenge to build a slide show that showcases mountain bike culture within Whistler. Watch this behind the scenes from Laurence Crossman Emms, as he explains the thought process behind his slide show that later becomes the viewers’ favorite.
