Most of us are familiar with Drew Geraci’s work even if we don't recognize his name. Geraci is the owner of District 7 Media and is the man behind the time-lapse material seen in the opening sequences of Netflix’s House of Cards, PBS's Frontline, and three NFL's Superbowls. As one of the most talented and influential time-lapse producers in the industry, Geraci again pushes boundaries with “China: A Prisma Tale,” a motion time-lapse processed within the Prisma App.
Photographer Greg Florent has made images that capture Budapest in a new light. The images are made by taking them at the transition of daylight into sunset and then nighttime until the lights come on and the city's evening starts. He spends around four hours at a location taking one shot, making sure he gets the whole transition and changes of light to produce the images in post.
This Cinemagraph time-lapse was made using only 12 JPEG images. The software allows photographers to create motion within a static photograph. You need to upload each image to the website, and then you design the movement within each image. Once you get a moving image "flowing" you can render it out and import it into Adobe Premiere Pro to create the final time-lapse.
NASA's aptly named EPIC (Earth Polychromatic Imaging Camera) camera sits about one million miles from our planet, where it uses an array of sensors to monitor and provide observations of cloud heights, aerosols, vegetation growth, and the state of ozone in the atmosphere. It also provides some pretty neat images of Earth, which NASA has assembled into a year-long time-lapse.
Documentary videos have always been there to grab my attention. These short, yet powerful videos can really pull you in, making you want to know more about what you're watching. I have made a few videos like this myself but none that I have really liked until now. I don’t usually like to share my work or go into depth about it, but here I will go over a few things to do when shooting a documentary like this.
In the latest installment of the “More Than Just Parks” series, filmmakers Will Pattiz and Jim Pattiz journey through Grand Teton National Park and capture breathtaking visuals of the natural vistas and wildlife. Their video series aims to document all 59 national parks through beautiful imagery in order to promote the protection and enjoyment of these lands. After you check out the new video (it does not disappoint), the Pattiz brothers share with Fstoppers some of their experiences and challenges working on “Grand Teton” and the video series altogether.
Photography changes year after year, but it's a gradual evolution. However, one area of photography that has been accelerating faster than the others has to be time-lapses. The videos have been getting longer, the shots more dynamic where a dolly is more common, and the quality is getting to the point of staggering. It seems that every frame could be pulled and used in a landscape portfolio. Adding to this trend is photographer Joe Capra with his 12K-resolution time-lapse of Los Angeles.
Takashi Aizu is based in Japan and makes mouthwatering time-lapses of his baking. He sets up his iPhone 6s, and documents the process and reaction of the specific dough to become breads, croissants, or baguettes. We often take the beauty of the croissant we get at Starbucks for granted, but here we can actually see how much knowledge, patience, and effort goes into baking and what the process looks like when you get it fresh and hot out of the oven. It’s a simple process concept, but he has over 25,000 followers on Instagram, and his baking is obviously rated as very good in Japan.
Time-lapse videos are everywhere nowadays. You can see them in everything from Hollywood blockbusters, to educational documentaries, to that one weird guy's YouTube channel showing the most random things in a time-lapse format. Well done time-lapses should definitely be appreciated as, make no mistake, they are works of art in their own right.
Now that so many camera manufacturers are building time-lapse functions right into cameras, there are countless time-lapse films floating around the Internet. There are two things that make or break a time-lapse: the visuals and the editing. There's not much else to worry about seeing as time-lapse is so easy to shoot now.
Video is something I have begun to play with over the last few weeks in the form of a vlog on YouTube, but as you might know it's difficult to gain that organic reach you're used to on social platforms. That doesn't mean its impossible, but by using various other channels to advertise and push them to that new content is key in today's world. That is where vertical video comes in on Instagram! Yes, it might be annoying as hell to see yet another vertical video, but hold tight as I walk you through why this is a brilliant place to use it and also how you can do it yourself.