Photographer Mark Thorpe has made a major course change with his move to Japan, replacing wide open spaces, wildlife, and amazing scenes for the bright lights and sometimes claustrophobic life of mega cities. He's replaced his award-winning images of mass migrations and underwater beauty with his new challenge to document vibrant cityscapes through time-lapse photography and shares his knowledge with other photographers in this new video tutorial.
One of the greatest ways to show the passage of time is with a time-lapse. A time-lapse is essentially a series of still images taken of a single subject over any given period of time (minutes, to hours, to even days), and then played back quickly to form a video. The usage of stills is really important. A common misconception is that a time-lapse is just sped-up video. While you could do this, there are issues with battery life, overheating, and storage space. With stills, you have the advantage of raw recording, better battery life, and far more storage space.
One of the most exhilarating aspects of environmental portraiture, especially when out on assignment, is that you never quite know what your shooting environment is going to look like. If I had a nickel for every time I walked into an awesome location, only to be quickly shuttled off to a closet-like space to do my work... Well, I'd be able to buy a sandwich. But a really nice sandwich. Here are some tips that may save your sanity while trying to compose an interesting portrait in a postage stamp sized room.
This incredible year-long project by the 70 photojournalism students of Rochester Institute of Technology plays to the depths of photography in light, movement, emotion, and connection — Ideas laid out in short photographic bursts that create tangible emotions for the viewer to experience alongside the subjects in the photographs. In under two minutes we see nearly 100 stories, each on the screen for a second or less.
If you began shooting video within the last five to eight years, it's quite likely that you rode the "5D Mark II wave." Maybe you didn't own a 5D, and still don't, but that camera revolutionized the world of video production forever. Not only did that camera enable many "budget" filmmakers to make top notch content, it inspired almost every manufacturer to begin shoving video into every camera they could. No longer was it necessary to buy a dedicated video camera to create motion pictures. While I will certainly credit Canon with originally bringing professional video capability to the masses, I have to hand it to Sony for rocketing "DLSR video" to another level entirely.
The DJI OSMO is a great tool for stabilizing your footage in a cinematic way. It is sure to increase your video’s production value. It can shoot 4K at 30fps, and you can even increase the frame rate to slow it down quite considerably. You can also shoot time-lapses or intervals, and if you move through an area while doing so, you will get the a very smooth, esthetically pleasing footage.
If there’s one thing you can rely on us photographers for, it’s bleeding every last drop of quality out of our work. We feverishly pursue clarity like a commission-only ophthalmologist and over the last couple of years, time-lapse photography has been the most blatant exhibition of this.
You're about to become better at post-processing! Raiatea Arcuri, a landscape photographer from Hawaii, has an impressive portfolio. I was pleased to learn that he also shares some of his secrets to processing his landscapes. Arcuri teaches you how to process a stack of images shot at night to create a wonderful star trail nightscape using Lightroom and Photoshop, and I will share some additional tips to help you achieve stunning star trails.
I've been feeling pretty cool lately. I've been making some time-lapses and doing a lot of aerial work. It's hard not to feel cool when you're taking shots from 300 feet in the air. Then, NASA came along and made a time-lapse 250 miles up in space. I no longer feel cool.
Capturing a good time-lapse requires patience and precision. Normalizing exposure in changing lighting conditions is an intricate task. Similarly, knowing how your final product is shaping up during the process is difficult. One company is seeking to solve both those problems with one device.
Time-lapse Photographer Rufus Blackwell put together an interesting video for DJI, featuring their Osmo stabilizer/camera system, but using it in a way that might not be the most obvious: for hyperlapses. Check out the video, then read on to see what improvements DJI has made in their latest firmware update to the Osmo.
Paris is one of the most historic cities in the world. Rich with culture and a visual feast, the city is full of stunning imagery that begs to be captured. Tyler Fairbank set out to do just that, creating a spectacular hyperlapse tour of the city that's well worth two minutes of your time.
Helped by great design, marketing, and a superb product to boot, Syrp’s motorized time-lapse aid, the Genie, became incredibly popular with photographers. As the product that launched the company on Kickstarter three years ago, it was a premium offering, though. And sometimes, it’s useful to have something fantastic in a “light” version. Enter the Genie Mini.