Shooting suspended objects in your images can be done a few different ways, from the use of Photoshop to the simple and effective use of wire or fishing line. My first instinct would be to grab clear fishing line. Not having done any work with fishing line in suspending objects, I would not even have thought about getting brown or even a greenish tint line to use in the set, as Jay P. Morgan from The Slanted Lens packs in his fishing line kit box for various projects and scenes. In this video, he shares all his tips on this approach, including how he decides to use a certain color based on the background.
Surprisingly small changes to the position of your camera can actually make your images much more successful. Ed over at Photos In Color decided to set himself the challenge of trying to make the perfect headshot in studio conditions. While keeping the lighting and the camera distance from the model the same each time, various heights and angles were tested and carefully captured so the differences could be compared.
It’s hard to say how one might react if it were their pricey DJI Inspire drone that was taken out of the sky by an adrenaline-fueled youngster on a hunt for fame and glory. If you’re the team of MadMedia, you simply rock on and include the footage in your latest action-packed video.
One of the most fundamental skills a photographer can have is the ability to separate their subject from the background. It goes beyond just physical distance, however. Good background separation requires control of light, and this great tutorial will show you exactly how to achieve that with a variety of different looks.
One of the disadvantages of GoPro and DSLR video setups is your inability to use them in a broadcast setting. GoPro attempted to address this with their HEROCast system to the tune of $7,500, which is out of the reach of most average consumers. So when the guys behind FREECAST reached out about having us check out their new affordable wireless transmission system, it was a no-brainer to give it a go.
Although you may not be ready to admit it, the iPhone is a professional video camera for many shooters. We use ours with a handheld gimbal at almost every shoot to get super steady moving shots. Feiyu Tech recently sent us their SPG Plus two-handed gimbal, and I tested it out.
When getting into video, filming may not be the biggest issue. Post-production plays a significant role and can be quite overwhelming. There is tons of software out there, and it’s difficult to know which is best for what. Learning how to use these programs is even worse when you are a photographer. The interface looks totally different than what we are used to with Photoshop, Lightroom, or even Capture One. So it’s always nice there are people such as Casey Faris producing comprehensive videos to help us out in getting started. If, like me, you can’t seem to get a perfect grading with Premiere or Final Cut Pro, this crash course on DaVinci Resolve is exactly what you need!
There are so many options when choosing a camera body, and for most the price tag plays a huge factor. Understanding what your plans are for shooting and what the capabilities of each body can do will help to determine if that hefty price tag if worth saving up for.
The Fstoppers Community is home to the many talented readers of this website where we share images and video in our portfolios as well as talk shop in the Discussion Groups. The other day I was going through and watching some of the incredible videos the Community has shared in their portfolios, and here's a selection of some of my favorite travel videos that will have you craving adventure and inspire your own creations.