Artists struggle with many emotions throughout their day. One of the most typical emotions is a sense of inadequacy, both in business and creativity. How many times has budget, fear, and challenge stopped you from getting things done? Whatever your excuse is, it’s just that: an excuse. Here are three thoughts that are holding you back as a photographer and how to overcome them.
Following the introduction of its Immerge virtual reality system, Lytro, the "light field" camera company whose consumer models we now see discounted nearly everywhere, recently left the consumer space to concentrate on and introduce its new product, Lytro Cinema. Offering a complete solution with an included server to handle the 755 megapixels of data at up to 300 frames per second (not typos), the Lytro Cinema is a new kind of too-good-to-be-true beast. But the most incredible thing about the camera? It's no lie.
It seems like at least once a week I find myself having a conversation with a filmmaker or photographer who is struggling to understand the current state of rules, with regard to the commercial use of drones. And who can blame them? Digging through the FAA's website to get clear information is a painful exercise, and things continue to change every few months. This video features Chris Newman, a professional drone pilot, to break the current policies down in a clear language, and he tells us what to expect next from the FAA.
I'll be the first to say it, smoke bombs are usually too Tumblr for my taste. Generally you see them with a moody girl looking off into the distance in some backyard forest. I never got the point of those images. But I found myself mesmerized by "Chromaticity"; the smoke bombs were alive, more like wayward spirits hovering above the big blue. I was so entranced it took me half of the video to realize they were attached to drones, and the drones were nowhere to be seen.
For years, videographers shooting in dark situations frequently ran into the issue of a ton of noise in darks and shadows that would oftentimes make some footage difficult or impossible to use. Many have heralded the release of the a7S II with applause due to its power for video in low-light situations and even to record bursts of high frame rates in HD, so we took one into the deep recesses of an abandoned power plant in New Orleans to see how it did.
I'm not a landscape photographer, but I am a photographer. At the heart of all us 'togs is a deep-seated yearning to capture the rare and the beautiful. Another concept I find overly enticing about photography is that of being a nomad; a wandering explorer with only a camera as a companion. Or, in the case of this video, three cameras, a DJI Inspire 1, and presumably a helicopter. Whatever, stop watering down my poetic vision.
A few weeks ago, I had the pleasure of reviewing Syrp's awesome, affordable, perfectly executed Genie Mini time-lapse device. However, time-lapse photography and videography barely covers the beginning of what can be done with the New Zealand company's awesome devices. The Slanted Lens' Jay P. Morgan not only shares his entire lighting setup for a classic food shot, but also proposes some clever and welcomed case studies for how to use Syrp's devices to create better shots, not only around stars, but also around close-range subjects.
Who else is sick of hearing the same five Premium Beat songs in what seems like every advertisement on TV right now? Well, fear not, a new site is in town to help you with your short film or commercial projects, and there is plenty of variety. For $199 a year, Art-list gives you access to universal licenses and unlimited downloads for all of your music needs. Yes, you read that right, unlimited downloads.
Most photographers who learn the basics of lighting usually take light for granted. Lighting seems pretty simple at first: If there’s an absence of light, just add a strobe. Isn’t that why we all love on-camera flash?! I’m joking. Learning how to give light motivation is truly the easiest way to create cinematic lighting, and it’s a lot easier than you’d think.
This week we released the longest photography tutorial Fstoppers has ever produced; Joey Wright - Swimwear Photography: Lighting, Posing, and Retouching. Our entire team headed down to the island of Curacao for 10 days to film a variety of photography lessons ranging from how to pose models, how to use scrims, reflectors, strobes, and how to create portfolio worthy images with minimal gear. During this incredible journey the behind the scenes cameras never stopped rolling, and each week we will be releasing a new episode of all our adventures. This is episode 1!
In February, Sony announced their new "G-Master" lineup of full frame zoom lenses, with fast apertures and made specifically for their mirrorless camera options, like the popular the a7rII, or even the recently reviewed a6300. In this video review by Chelsea and Tony Northrup, they got to kick the tires of the new 24-70mm f/2.8 Sony G-Master lens, and were impressed by the results.
In this video essay, Evan Puschak aka The Nerdwriter explains some of the techniques Ansel Adams used to achieve his technical and esthetic mastery. Using visualization and some other relatively easy to learn techniques, Adams learned to bring what he saw in his mind's eye to his photographs (yes, I said "easy to learn," but hard to master). It was Adams' commitment to taking photographs, with intent, that made him a master artist and led him to develop the tools he needed to bring his images to fruition.
There isn't a great deal of macro cinematography and after drinking in this video, you might wonder "Why not?" German photographer and filmmaker Roman De Giuli creates beautiful and complex scenes using simple ingredients on areas sometimes smaller than the surface of a coin.