Lately it seems that DJI has been releasing innovative video tools every single month. Known primarily for their ultra popular Phantom and Inspire 1 drone systems, DJI just announced today that they are releasing their own handheld 4K camera and gimbal called the Osmo. Together with the Ronin DSLR stabilizing system and the Micro Four Thirds Inspire 1 Pro, the Osmo is yet another product that will change the way photographers and videographers can capture stabilized footage on a budget.
“Star Wars” fans around the world are patiently awaiting the arrival of “Star Wars: Episode VII The Force Awakens” on December 18. That being said, the hype train has been running full steam ahead since the initial trailer for “The Force Awakens” was released almost 10 months ago. Since the release of “A New Hope” in 1977, “Star Wars” has created a fanatical fan base, with an expansive universe and many stories to be told. Fan films have been a part of that universe for many decades now, and they have gotten so big that “Star Wars” has an entire section of their site with awards dedicated to them.
Freelance videomaker and visual artist Julianna Thomas did something unique recently: she shot an entire series of black and white subjects, but in color. As a response to one of her greatest pet peeves, Thomas created "Black & White In Color" as a "personal response to treating black and white as an editing afterthought."
In this video we see Antwerp, Belgium-based commercial photographer Andy Van den Eynde tackling color correction on location. Andy starts by dropping his base temperature down to a cool 2800K and then recreates the warm glowing effect of torch light using gels from his Rosco Color Correction Filter Kit. What I found interesting was how he actually builds torches out of strobes and gels, which provide the rim light and the glow that would be thrown off from actual torches.
This is one of the best lighting tutorials I've ever seen, being both educational and entertaining. The German-based production company, Dugly Habits, has created this lighting tutorial for the Dedolight International Competition 2015. Using the Dedolight SPS5E Lighting Kit and a handful of other lights they construct three entirely different atmospheres in one room along with a wide variety of lighting tricks to create the illusions of car headlights, candle flicker, lightening and more. What's even cooler is how they deliver this educationally rich tutorial.
I'm definitely NOT a studio photographer, but I respect and understand why for a urban running photoshoot like this one, it can make things a whole hell of a lot easier by doing it in the studio. Steve Brown shares some insight into his process in this behind the scenes video.
No doubt you are familiar with some of Lewis Wickes Hine's work. He is the guys who took the iconic photographs of the workers who constructed the Empire State Building in New York City. But what you may not know is that he first shot for the National Child Labor Committee, documenting the child workforce of America during the industrial revolution. And that his work went on to influence politicians and law makers by drawing national attention to the harsh realities of child labor.
It can be daunting to try to think of a completely new, never-been-done-before concept for a shoot. But sometimes, the answer is surprisingly simple. In an age in which everyone is touting shooting on the latest equipment with 4K video, while begging for ever-greater bit rates, Japanese designer Dan Tomimatsu took pause to give us something refreshingly simple and beautiful. Using a water droplet "stuck" inside a five-yen coin as a lens on an iPhone, Tomimatsu shot "O (eau)" with the intention of reminding the world that beauty can be found outside of razor-sharp 4K imagery.
Ryan and Josh Connolly of Film Riot always brings us the coolest do-it-yourself filmmaking and special effects tutorials. In this "rewind" episode (read: old) they show us how to create the killer effect of throwing someone clear across the room. What's doubly cool is how easily this can be done with just a still camera and software that most of us already have (Photoshop and After Effects).
While the original source couldn't be independently confirmed, the studio behind the recently released movie, "Everest," apparently sent BBC a clip of the still unreleased film without audio effects. Instead, throughout the entire otherwise hair-raising scene, the actors speak to each other in a tone seemingly more appropriate for a focus group discussion between amateurs trying to solve a Rubik's cube than for a life-threatening situation climbing Mount Everest.
What do iconic movies like Dr. Stranglove, Alien, Psycho and Star Wars all have in common? They all knew how to create that, "Oh f**k" moment. You know the one I'm talking about. Every thing is fine. All good here. Wait a minute. What's that? BAM! Well Director Joey Scoma of RocketJump Film School shows us how to recreate those nail biting, butt clenching, knee jerking moments using tried and true video editing techniques.
We here at Fstoppers can forgive our beloved Trevor Dayley for jumping ship and joined the crew over at SLRLounge as long as he keeps turning us on to useful tools and tips like the Adobe Color CC app. This thing is so cool and it's free. Adobe never seems to stop enriching it's eco systems with improved connectivity and functionality. The Color CC app allows you to sample real world colors (you'll see what I mean by that in Trevor's video) or create color palettes from photos straight from your mobile device.
With a concept of traveling back through your childhood and experiencing that care-free, fantasy world of "pure imagination," Permagrin Films has put together an incredible time-lapse music video. In the article below, there's a full behind-the-scenes video and the producers of the film answer a few of my questions in a brief interview.