Here's a brief behind the scenes video featuring Andrew Geraci and Drew Breese in a Q&A regarding their haunting video, "Asylum". This HDR time-lapse was created from 35,000 photos over 7 months. If you missed this last week on Fstoppers, it's here in the full post. As the BTSV reveals, Drew and Andrew made this for no other reason than the love of shooting. That alone is worth your attention.

Vincent Laforet's famed "Air" series takes yet another turn from New York and Las Vegas, finally arriving in San Francisco. Fstoppers caught up with Laforet to discuss ever-shifting challenges throughout the project, G-Technology's recent support of the project which will bring it to Europe this summer, and the future of the project as a whole.

The Really Right Stuff PG-01 Compact Pano-Gimbal Head allows you to shoot multi-row panoramas without parallax. I bought one a couple of years ago and it's time to share my findings of this compact solution for panoramas.

Even if skiing was never your thing, this video is worth watching. The white snow slopes are the perfect backdrop for color. Add on to that the element of night shooting, and you get absolutely stunning visuals.

Photography is as much a business as it is an art. Amid the myriad choices that shape a photographer's journey, one pivotal decision looms large: pricing. For those straddling photography alongside another profession, striking the right pricing balance can be both an art and a science. Navigating my dual professional roles, I discovered that pricing isn't merely a reflection of an image's worth; it's a strategic tool, ensuring equilibrium between passion, profession, and personal moments.

Whenever a new iPhone is released, we start to see comparisons being made against "proper" cameras. Generally speaking, these comparisons are met with some hostility and the most frequent comment I see is about how iPhones will never replace proper cameras. I wonder, would it be a good thing if smartphones actually did replace our cameras?

The demands of photographers have changed over the years when it comes to transporting their gear. For those who demand a bag that gets the job done and looks great while doing it, there are some great options on the market these days. Today we'll look at one such option, the f-stop Dyota 20.

More often than not, we’re our own worst enemies when it comes to landing the types of jobs we long to be hired for. Are you making it more difficult than it should be for potential clients to hire you for those photo jobs you keep waiting on?

Fast and reliable portable storage is a must-have for today's mobile creatives, and the big players in the space have been producing increasingly compact and speedy drives every year. In today's review, we'll be taking a look at Caldigit's new Tuff Nano portable drive.

I'm not sure if I'm over reacting but this kind of thing get's my blood boiling. What kind of thing? Picture being on an over pass, late one night, shooting a time lapse video (maybe to win the next big Fstoppers contest) when you are approached by a police officer. The officer questions what you are doing and why and then demands your ID. You know that you are observing all the laws and regulation, have commited no crime and are not obligated to justify yourself. What happens next? Well,Elizabethtown, Pennsylvania-based photographer Jason Macchioni can tell you. Better yet, he can show with this video.

Software company Red Giant has been making the plugins that video editors have been using to sweeten their edits since the days of MiniDV. Fan favorite Magic Bullet Looks has long offered stylized, preset looks for its users. It has just been announced that Red Giant will be updating Magic Bullet to version 2.5, along with updates to PluralEyes and BulletProof.

The Oscar-nominated documentary “The Salt of the Earth” focuses on photographer Sebastião Salgado’s remarkable life as an artist. Described by director Wim Wenders as a “social photographer and a witness of the human condition,” Salgado’s life's work is truly larger than himself.

While details still remain a little cloudy, we can be fairly certain that Sony has a few announcements coming up in the next couple of weeks, and we can now be pretty sure that one of them is a brand new 12-24mm f/2.8 GM for full-frame mirrorless cameras.