Fstoppers Original Articles

Being able to recognize an Instagram cheat will stop you getting ripped off and taken advantage of by brands, models, and colleagues alike. Once you know how to spot a faker you'll be surprised at how many accounts are actually doing it and how sophisticated this deception has actually got.

Wacom has renewed its Intuos tablet lineup with two new models, including the paper edition in medium and large sizes, while still offering the old Intuos Pro model in small size. The new design seems like bringing some novelty, but in fact, innovation might not be always safe. Because as a long time user, my disappointment was the same like the time Apple started ignoring its core users' needs.

Almost all portrait photographers will incorporate some degree of skin softening during their retouching workflow. Some of these techniques can involve hours of painstaking dodging and burning. For photographers that routinely shoot families, weddings, and newborns, a quick finishing step can generate rapid and pleasing results. Here I go over how to use my favorite free skin softening plugin.

The Panasonic GH5 is my dream camera. It's like having a pro level video camera in the palm of your hand. It's almost perfect, but there are just a few strange quirks about this camera that could and should be fixed by Panasonic in the next firmware update.

Most people have one eye that is slightly more closed than the other, and it does show in photos more than when you are just looking at the person. Today, I want to share a quick tip about how I open eyes and even them out.

If you've not seen Felix Hernandez' images before, you're missing out. The Cancun-based photographer's work is as brilliantly resourceful as it is creative. In this interview, we go behind the scenes of his shoot using 1/45 scale models for Audi Middle East and Hernandez guides us through his process and offers advice for up and coming photographers.

There’s nothing worse than wrapping up a shoot that you’re really proud of only to have your client tell you that they’re not happy with the final images. If this happens, you really only have two options: either take the time to re-shoot or provide a refund. Either way, there’s about a zero percent chance that you will get a referral from them. By simply sharing your images with your clients on set, you can make sure that everyone is on the same page and you can begin the editing process with peace of mind and confidence that your client is going to be thrilled with your final product.

The evolution of boudoir photography has changed drastically over the years however the core of what it stands for remains the same. It is a look into a clients insecurities and help regain the strength through the newly found confidence. While looking over some images of a fellow boudoir photographer during his Body Confidence Campaign, the final images where something no one saw coming.

There is nothing worse than feeling the desire to create something amazing, only to look at the work of other photographers and feel that desire slowly fade into dejection and hopelessness. With the advent of social media, we have more access than ever to the work of our peers.

When President Trump announced he would be skipping the White House Correspondents' Dinner to speak in Harrisburg, Pa., right in my backyard and on day 100 of his presidency, it was like the stars aligned. Among many avenues, I’m a stringer for a Harrisburg news journal, photographing politics and business news. Immediately after hearing the news at 10 p.m. on a Saturday night I applied for credentials and the wait began. A week later, on day 99 of the Trump Presidency, it was starting to look like I would be watching from my couch. With just 24 hours to spare, I got the green light. Here’s a behind-the-scenes look at what it was like to photograph President Trump from a local photojournalist’s perspective.

This will be short, because it has no reason not to be. If I've learned one thing in business over the past seven years of being a full-time professional photographer, it's that you should always, whenever possible, grant your clients some grace.

The film versus digital debate has raged on for over a decade now. Digital cameras are so capable that it seems silly for anyone to go back to an archaic medium like film. Film is slow, expensive (sort of), lacks many game-changing features found in today's digital cameras, and has lower resolution (sort of). But it has some qualities to it that make it an entirely viable medium for working photographers and enthusiasts alike. One of which that I firmly believe in is that it will make you a better photographer.

Recently I found myself setting up lighting for a headshot session only to find out my flash was stuck on full power. The "on" switch for the flash worked just fine and it fired as normal but all its buttons simply didn't work, presumably because they were worn out. I had several backup flashes back in my truck but I wasn't looking to make the client wait while I walked back to where I parked, so I figured it was a good time to flex those problem solving muscles and make the shoot work with an un-adjustable flash.

In the image editing market, there is a clear separation between the assets management, editing, and retouching solutions. Most photographers rely on multiple apps to fulfill their workflow. Although we have grown accustomed to working with a few different software to get to the final result, it would be fantastic to have everything in one place. I didn’t think it existed until I stumbled upon ACDSee Ultimate 10. I’ve been trying it out for the past few weeks and wanted to share my impressions with you.

There are many times in the automotive industry that when you're asked to shoot a car, you frequently cannot move the car either from where it is or far from where it's being stored due to its rarity, sometimes condition, and sometimes even questionable street-legality. This can definitely cause some problems when it comes to producing high-end images of the cars for a client. If they want only detail shots then you're good as you won't need to show much of the background to accomplish their goals. However, if they've got high hopes and want the car to be pictured anywhere except where it actually is you have to be a bit creative.

One of the biggest hurdles I got over in my journey as a photographer was following too many rules. There are two very different areas in photography you can spend a lot of time studying: the technical end consisting of your gear, exposure, aperture, lighting, and of course the trusty (or dreaded) histogram, and the artistic side where you focus on the look and feel you want to express. You think about the style you want to emulate or portray. Regardless of which side you focus on, you can really get lost making sure you have followed every suggestion correctly.

As you probably know, Fstoppers has recently switched over our video system from Nikon D750s to Panasonic GH5s. The GH5 is absolutely perfect for our style of shooting and I really don't have much to complain about... Except the lenses. Why do they cost so much?

Last week Fstoppers released Mike Kelley's latest photography tutorial called "Where Art Meets Architecture: How To Photograph Hotels, Resorts, and the Business of Commercial Architectural Photography." It is the third installment of Mike's thorough educational series on shooting real estate, architecture, and hotels. Throughout our travels, we never turned off the behind-the-scenes cameras so that you can experience a first-person perspective of what goes into producing one of these tutorials. In episode 1, Mike gets settled into the amazing Mauna Launi Bay Resort on the Big Island of Hawaii and shows just how exhausting photographing complex properties can be.

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2017, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

We’ve all been there; the studio is set, the model is awkwardly waiting, but the light isn’t quite right and the stress begins to build. With every test shot, the light quality increases and the anxiety level decreases. Finally, like a blast of cool breeze on a hot day, everything clicks into place. The light is perfect.

Stock photography has been a main or side income for many photographers throughout the years. Contrary to general belief, stock photography is not dead, but rather stronger than ever due to the rise of the digital media. Rapid movement in social media urges companies to create new content on daily or even hourly basis, and the need of new imagery is unavoidable. This is just one of the reasons why stock photography still matters.

In last week’s article, I detailed my experience interning with photographic legend Art Streiber and how his extensive use of preparation has helped him to create some of the most iconic images in photographic history. In this post, I’ll attempt to take you through my own method of preparing creatively for a shoot so that I can get exactly what I want, and often a whole lot more.

Remember when GoPro was the innovative camera company? The fight was taken to the skies, and as we look back, it’s clear that DJI took over.

Ever wonder how you can elevate your senior portraits beyond the standard cap and gown pictures? Think about lifestyle photography the next time you book a senior portrait session.

I'm guilty of it. Are you? Have you ever heard about a cool place nearby, and the photographer inside you can't help but search Google Images for it to see if it's photogenic? Based on a few photos you see that were taken there, you decide right then whether or not it's worth your time to check out. Couldn't this actually be a huge disservice to yourself in the pursuit of creativity?

Each day there are new ways to accomplish the same task, especially with the ever-evolving social media whirlwind. Today I want to share my favorite two methods I use for sharing to Instagram (or any other social platform, but primarily Instagram since posts need to be made from your mobile device).

This is the fifth in the series of my bite-size Photoshop tutorials and on the face of it, it's one of the most basic. Indeed, the technical side is rather basic but my application of the dodge and burn layers is crucial to my workflow with products and fashion.

Being good at photography or filmmaking doesn't automatically lead to a successful business. You have to make yourself known to the world. Making that possible doesn't always require a lot of money. In this article I will share my personal approach to marketing my photography and filmmaking business.

It doesn't matter if you work for an employer or run your own business, having one eye constantly on the jobs market will change your perception of the industry and help your career going forward. Your future self will thank you for this.

Instagram's popularity with photographers is incomparable. What is essentially a free portfolio building app disguises itself as a powerful marketing tool to connect with prospective clients, but it suffers at times due to its sheer size and scope. Maybe you're bored of sieving through lame #goals and #inspiration posts, and want to know what mobile friendly alternatives are out there? Well folks, I'm here to tell you.

Masking plays a crucial role in the quality of your retouching. There are so many tools available to create and refine masks, that’s often times we forget the most basics and useful ones. One of them is a bit hidden and it seems like many don’t even know it exists! However, it’s probably amongst the most useful options to refine a mask and make your adjustment shine through in a more natural and convincing way. It’s the feather option and I’m going to show you how you can use it with a real-world example.

Photographers today are the first generation of image makers who are entering an industry completely dominated by social media. Over the course of the last decade, social media has utterly surpassed virtually all other forms of marketing and has quickly become a dominating factor in lives of a huge part of the population, especially photographers. Social media use, however, suffers from some pretty severe implications that can have a limiting factor on the quality of work a photographer creates.

I'm taking a second to reflect on the lessons I learned from working with the legendary Art Streiber. Part one in the series is the benefits of preparation.

As a full-time freelance photographer, we often ask ourselves why we should work for free, especially at the start of our careers. Are we being taken for a ride, or is it worth investing in our client for possible future returns?

As the number of people interested in wildlife photography continues to grow, and the capabilities of modern equipment expand the boundaries of what is possible, many of us are seeking new ways to produce work that is fresh. This has meant exploring new techniques and searching for untapped frontiers in wildlife photography. This trend has led to a rapid increase the number of people interested in using camera traps.

I was 14. After a year of mowing lawns and shoveling driveways I had finally saved up enough money to buy my first real camera (a Canon S30). At the the time, online stores like Amazon barely existed. Still growing in their late-90s infancy, the global online marketplaces we have become so accustomed to (like eBay) were barely a blip on the retail radar. Instead, I got in the car, and my mom drove me to an amazing place that felt like the center of the photography universe. Housed in an old bank (vault and all) was this incredible, gear-packed mecca called Milford Photo. My visit that day changed my life forever.

If you are like me, and many others, you love photography. It is something you think about constantly and wish it could sustain you full time if at all possible. So you set out to become a photographer and then…

As one of our site's regular film shooters, I naturally tend to post a lot of articles on the subject. Without fail, I'll get a few comments to the effect of digital being so much better than film or vice-versa. I've always laughed off such remarks, but since they keep on coming I figured I'd address them. Maybe the mediums have more in common than some would like to admit.

One thing I’m sure all band photographers, like myself, question all the time, is the necessity for the Three Song Rule limit at live concerts. Is it still as necessary as promoters and agents make it out to be, or is just because it’s become the norm over years?

Mike Kelley and Fstoppers have teamed up once again to produce the third installment of Where Art Meets Architecture. Over the past few years, creating images for realtors, architects, interior designers, and property management companies has become a booming industry for professional photographers. In this tutorial, Mike focuses on how to photograph the hospitality market including how to shoot hotels, resorts, and rental properties. For the first time in his career, Mike also shares everything he knows about the business of commercial architectural photography including pricing your work, creating bids and contracts, marketing your business effectively, and building licensing fees for residual income. We are excited to finally release the most thorough tutorial we have ever produced on architectural photography and have a special offer inside.

What if you woke up one morning and found yourself unable to come up with any good ideas on what to shoot next? You spend the entire day scouring the web, reading books, or talking to people and yet you still can’t come up with anything good? You’re so desperate, in the end, you just grab the camera and start shooting, but nothing good comes from it. Everything you shoot feels like it's only halfway there and doesn’t quite meet the standards of your photography or that of your peers. This happens to all of us, and before you think this is just another guide to getting you out of this rut — it isn’t.

My background was in design and web development before I was a photographer. So in my eyes, it's easy to see a connection between design and photography, and how that should translate to a photography website, however I am still surprised at how many photographers’ websites are very much behind the times. Mostly because most photographers are not designers or programmers. I see them using flash, or splash (intro) pages, saying “click here to enter website.” I want to talk about some basic practice that is absolutely essential in today’s world of websites.

Last week, I posted an article about how to create amazing portraits with on-camera flash. My hope was to help anyone who was on the fence about shooting with flash feel more comfortable and confident in their ability to shoot with flash. Granted, shooting with on-camera flash has its caveats, so in this article, I am going to go over some of the benefits of shooting with off-camera flash.

Alongside the highly-anticipated a9 announcement, Sony also introduced the FE 100-400mm f/4.5-5.6 G Master telephoto lens. After the initial buzz and excitement over something shiny and new being announced subsided, I began to question why Sony released this lens at this particular time of intense market expansion.

Sharpening to enhance detail is a critical process to finishing any image, especially when preparing images for print. As a photographer who specializes in creating large wall portraits of dogs, I routinely apply a strong degree of sharpening prior to printing. There is one specific technique that I use for sharpening that is especially effective when editing portraits of dogs and other furry subjects. Here is my best tip for enhancing detail in fur and hair while maintaining a soft appearance.

Two things converged for me recently: an increase in questions sent to me regarding my commercial photography and the unexpected popularity of my bite-sized Photoshop tutorials. Both occurrences are born from the same inquiry of understanding how certain things are achieved. I used to bother people constantly with questions on how I could attain a certain look in post-processing, or how an image is so sharp, and so on. From time to time, I still do. So, I'm going to do my best to make the answers to the most common questions readily available with this mini series.

We've all seen the Instagram feeds where people post a daily painting, photo or post that displays their art. I've attempted it and lasted about a month before I missed a day or didn't have the time to post. As inspiration I follow the people who make it though, like the woman who made a paintings for ants and posted them to Instagram every day, and the guy who made a movie poster every day for a year, and then the daily vloggers like Casey Neistat who once posted a video once a day. The determination is what inspires me the most, and seeing the development of that person's skills and the following grow and the success coming from that.

Makeup artists are an invaluable part of the creative team for many photographers. In fact, there are certain genres of photography that rely so heavily on makeup artists that we simply couldn't work without them. Unfortunately, there seems to be a few serious problems cropping up between makeup artists and photographers.

The past few weeks I have been driving up the parkway here in New Jersey for work, my eye kept getting drawn towards this one specific railroad bridge between exit 136 and 137. Every time I passed by it, my eyes would follow it until I had to turn to see the road in front of me again. It was one of those things that I had to remember so I could go back and photograph it when the time came. Today was the day that I set out to photograph it, but before anything, I had to put a little bit of planning into it.