Fstoppers Original Articles

Our newest photography tutorial with Elia Locardi, "Photographing the World 3," was released earlier this week and once again, we filmed a massive behind the scenes series on the creation of this tutorial. This season has 13 episodes and today we are releasing episode 1.

When shooting assignments in the past, whether portraits, weddings, or journalism, I’ve always been one to carry two bodies to give myself options. I like to be able to access two different focal lengths at a moment’s notice. In the past, it would not be uncommon that those bodies would be two DSLRs of the same brand, usually Nikon or Canon. But now it’s something that is uncommon for me. You see, I now roll with a DSLR and a mirrorless body to allow myself maximum flexibility. And perhaps it’s something you should try, too. Here are a couple of reasons why.

The velocity at which camera technology accelerates each year is incredible. While we as consumers complain about the pressure to upgrade more often than we had to in the past, manufacturers cope with a similar, but different issue: how fast should we push to release new, exciting technology?

Boudoir photographers know that collaborations with vendors that fit their brand can be extremely beneficial for all parties involved. It alleviates some cost of the product for the photographer and it gives the vendor professional images for their sites. Getting connected for shoots such as this is not as difficult or impossible as it may seem.

Welcome back to the weekly Fstoppers photo theme. Remember anyone can join in for a chance to be featured. After having a rather specific theme week one with “Leading Lines,” we came back with a less literal prompt of “Bold” for week two. This opened up the spectrum of entries and I think you will like the results. A bold photo can be achieved a number of ways using color, sharpness, light, or just the subject and placement in the shot. Let's see how these 10 photographers interpreted bold.

If you’re not creating your website with the correct goals in mind, you may be having a hard time converting your website visitors into paying clients. As creatives, we value good visual design and we want to make sure our websites are not only appealing, but are also showcasing our photography in a dynamic way. However, if we’re not asking ourselves the right questions while designing our websites, we may be losing possible clients. Here are a few potential reasons why your website visitors aren’t turning into paying clients.

I have a confession to make: this past week I've been playing around with images that I've taken with my cell phone over the last year or so. I went to backup my phone's photos and decided why not try and play with them a bit in Photoshop during some downtime. You know what? I've been having a great time, my creative gears are turning, and I have a new found respect and appreciation for that tiny camera built into my phone.

We all have them, those cloudy days when you just can't create no matter how much you want to. As normal as this is, it's very frustrating. I'll spend hours doing random things before getting to work in hopes of stumbling upon any crumbs of inspiration left behind. I've found a few things that always work like going for a walk, sitting outside or talking with other artists. However. I've found value in working on old images.

This coming week will be busy for me as I travel across Virginia to several VPPA guilds and talk about a huge passion of mine with astrophotography. I will also tell them what made me a photographer and who made me a photographer is them. It’s one of the very first things I state when I start my talks and it needs to be said. Other photographers are the reason I’m a photographer today.

If I had a nickel for every time I witnessed a photographer missing out on a great photographic opportunity in the name of fear, I'd be a rich man. Fear is one of the most powerful forces that holds us back in our lives. Fear of failure, fear of rejection, fear of embarrassment, or fear of injury all play a huge role in our decision making by clouding our rational judgment. By letting fear control us we let it define the limits of what is possible. Never let fear play a key role in the creation of your art.

I have been struggling with my bad filing hierarchy for years. An inefficient, inconsistent, or straight up bad folder structure not only robs you of of your hard-earned time but it can also sabotage entire projects, hiding your files in the deepest, darkest corners of your hard drive, nowhere to be found ever again. I recently came up with a system that enables me to easily and efficiently store files as well as retrieve them. Follow along to hopefully also put an end to your digital storage struggles.

“I want to work with my dream wedding photographer as an assistant, learn the craft, and start up on my own sooner. What is your advice to me?” This question was posed to me at a recent photography meet up. In a way, this reflects the aspirations of many new-generation photographers who are raring to get started with wedding photography. One logical step many think about is to join as an assistant, master the skills, and startup. That's what I did six years ago. But there are mistakes that I made and hopefully the new-gen wedding photographers don't make too.

I am excited to announce the release of one of the most epic projects Lee and I have been working on this year. As many of you know, Fstoppers teamed up with Landscape Photographer Elia Locardi back in 2014 to produce two separate tutorials on landscape and cityscape photography. This year we caught back up with Elia and followed him around his favorite country and some of our favorite mega cities for "Photographing the World 3." If you have been anxiously waiting for the next installment of PTW, the wait is finally over!

In a recent article entitled "Why You Shouldn't Submit Your Photographs to Magazines," I discussed Vanity Magazines and how, in my opinion, they often fail to deliver enough value to justify the photographer's effort. As a result of that article, I've had the opportunity to talk with the editors of two of the more well-known and better-curated vanity, or submission, magazines, Lucy's and Jute, to find out how their work benefits photographers.

My heart sank when I first saw the headline that a photographer had been shot by a police officer because his gear was mistaken for a weapon on a rainy night. I didn't want to open the story because I knew it would instill some more fear in my own work while shooting around law enforcement and other potentially dangerous situations. After finally reading the news story, my curiosity led me straight to Andy Grimm's social media to see who he was. I only had to spend a few seconds on his Facebook page to realize that unlike the tragedy that struck him on the stormy night of September 4, his story was pretty beautiful and inspiring.

I always think that knowing a bit about the author is important, especially when reading an article about camera equipment. I work predominantly as a commercial photographer shooting people and food. However, most of my kit was purchased when I was starting out as a wedding photographer. So the reasons I shoot prime lenses apply to both my event work and the more commercial work I shoot now.

Outdoor on-the-go DIY style editorials are really picking up in the fashion world. It is a good skill to have in your toolkit as a budding photographer. In this article, I want to break down how a small team of talented artists and myself went about producing and shooting two full on-location, outdoor editorials for Bullett Magazine in less than two weeks in NYC.

Apple’s Photos app on MacOS has been through many changes. We’ve come quite far since its predecessor, iPhoto. This time around, Apple has its sights set on bridging the gap between a consumer app and something more professional. Where does it fit in, and is it worth using?

Whether you’re a veteran freelancer or just starting out, it is important to continuously asses and audit your process. A decade and a half of experience getting washed around as a freelance photographer has taught me many difficult lessons about art, life, and growing a business doing what I love. Being successful is measured in more detail than just being Insta-famous, being a YouTube sensation, or selling single pieces for large sums of money. Even the most notable artists have had to grapple with the more organizational and administrative elements of their work and coming to terms with the reality of their goals. In most cases, it is these details that make the difference between failure and success. Hopefully these five tips can help you as you grow your personal business with larger than life ambitions.

Since I discovered movies made by Edgar Wright and movies such as Alfred Hitchcock's "Rope," Alejandro Iñárritu's "Birdman" and "The Watchtower of Turkey" by Leonardo Dalessandri, I've always been fascinated by the way the footage just seems to flow into one another, and no usual cuts are visible. It has a way of keeping the viewer's full attention and keeps them intrigued as to what might happen next. It's a great way of keeping a good pace in your production, whether it be a full feature film or a music video.

Remember the time you first discovered photography? That day of unboxing your first camera and going out into the backyard and photographing just about anything you come across. That perilous voyage you embarked on, trying to get that bee perfectly in focus as it hovers above the flower or the macro image of the tree bark shot in shallow depth of field. The first sunset you shot. The first time you launched Photoshop in the 90s and then publishing your first portfolio on DeviantArt soon after. Landing your first job as a photographer. The stresses that followed and the mistakes you made. If you could do it all over again, would you do it any differently?

We all know that buying in bulk has its financial benefits, but how many of us actually utilize these habits for our photography? Here are 11 items that will not only save you time and money if bought in larger quantities but will also help minimize stress while on a photoshoot.

There are countless photographers out in the world who are producing truly exceptional work in the field of boudoir. Local to me in Utah, the field is one where most of the boudoir photographers are women. The ratio of boudoir photographers from female to male is really irrelevant, so I didn't even bother trying to figure it out. Starting to offer boudoir services as a male photographer was a fairly daunting idea to me, particularly because the community in which I live is fairly conservative and the boudoir genre itself is not as widely accepted as it might be in other communities around the globe. If you find yourself in a similar situation then here are a few ideas to hopefully help you get up and running.

As photographers, we have but one raw material to work with: light. You will hear this time and time again, you need to learn to see that light and learn how your camera sees it. Knowing what to look for is just the beginning. Figuring out how to use light, or more importantly how you will use it, is the larger part of your photographic journey. Today, I’d like to run you through five types of light I love and use often.

Being a photojournalist in the U.S. Air Force, there are often some pretty interesting opportunities to cover situations and events that most other photographers I know would probably never find themselves in. When new opportunities come up, there are usually two big questions to ask. One is, am I prepared for this? The other is, how do I even shoot this?

With all the destruction hurricane Harvey left behind from its rampage against the Texas coast, we have a tremendous number of people who affected with enormous lost. While most things can be replaced over time, there are some things that can’t be which many might overlook, like family photos for example.

Since the very first session I had, I knew I wanted to be as good as I could possibly be. Without any real formal school, I learned most everything by doing. Coming from a background as a retoucher, and web developer and graphic artist before that, there were things I thought I knew and did know that were more advanced than beginner stuff. But I was lacking some of the formal training.

It is easy to feel overwhelmed with the many different features of Adobe Lightroom. Lightroom has so many possibilities, that even after years of using it, I still am consistently learning something new. I have found that there are so many new photographers who either feel too overwhelmed to start learning the intensive software, or they still aren’t confident that they have been using it correctly. Because of this, I wanted to create a simple beginner’s guide to using Lightroom. This is the first of what will be a multiple part series of articles on Lightroom basics.

George Wheelhouse is a fine art nature and landscape photographer from Bedfordshire, U.K. I recently spoke with him about his contemporary portraits of animals, as well as his more traditional woodland and mountain landscapes. Though many of Wheelhouse's favorite subjects are local, he told me that he loves to travel to remote locations, particularly to Nordic areas. He also shared that he is quite fond of boreal forests like Norway, Sweden, Finland, Iceland, and Canada.

I've never been one for collecting souvenirs, not even remotely. I have always much preferred to take some extra time to hunt down a few locations in which to shoot some landscape photographs. For me, the pictures that I get to take home are the best souvenirs that I could hope for. In many ways, the more work that it takes to capture such images, the more the pictures end up meaning to me. I get to feel like I earned the right to have such a fun and print-worthy memory. I would venture a guess that there are quite a few of you who take the exact same approach when you travel.

Well, we did it. We have successfully started the weekly Fstoppers photo theme. It was not only great to see so many submissions, but the response from people hearing about the idea has been excellent. There are so many photographers out there looking to explore new techniques and grow their photography skills we are excited to see all the different ways to portray a theme prompt. Let us take a look at how the entries for leading lines went. Also, make sure you check out the new theme revealed at the bottom of this article.

The vast majority of photographers often flounder in a state of perpetual mediocrity wondering why their photos aren't getting better. They invest thousands of dollars in gear along with hundreds of hours of practice only to see what amounts to the most minimal of improvements. One of the most often overlooked characteristics of great shooters is that they never complacently accept that "good enough" is an acceptable metric in relation to their photography. Being picky enables great photography.

The photography world is veritably inundated with learning options, and it can be nigh impossible to wade through them all to find what's worthwhile. So, when Skillshare offered me the chance review their platform, I jumped at the opportunity. Here's what I found.

Photography is a commodity; It's not a secret, and we all know it. When I meet a new group of people, it seems that every time the conversation of “jobs” or “careers” is brought up, inevitably, someone is always a “photographer” by trade. Commodification is a process that happens to every industry, and we couldn’t prevent it even if we tried. So since becoming a commodity is unavoidable in any market, we, as small business owners, have to learn to overcome being branded a “commodity.”

If you work with people, whether it be kids, families, seniors, adults, or professional models, male or female, then you have almost certainly shot a TFP (trade for print) shoot before. While the definition of TFP is flexible these days, as most commonly we mean "trade time for digital images" rather than physical prints, these kinds of shoots have and will continue to be an industry staple. The most important aspect of these shoots is the one thing that often gets forgotten: getting a return on your investment of time.

Children look to superheros as inspiration for strength and courage. They dress up as their favorite characters and act out scenes to empower their imaginations all over the world. One photographer set out to take his incredible talent to a special set of children to show them and the world they are stronger than the superheros they love.

After a four-hour trip to London and only being able to catch whatever sleep I could during the uncomfortable journey down, I met with Peter Hurley and immediately felt welcome. For those of you who don't know, Peter Hurley is a headshot photographer based in New York City. Hurley once had a career as a model and was also part of the U.S. Olympic sailing team. He is known for his clean, white background headshots and for coining the phrase "squinch," which has now become relatively mainstream thanks to news channels and shows like Orange is the New Black. To many, Peter is known as the best in the business and this may be true, but, what is Peter actually like to work with?

Whether you’ve thought about it or not, psychology plays a huge role in successful photography. Even when considering technical aspects of photography like composition, exposure, depth of field, etc., psychology is part of the “why” behind proper camera settings. It's no surprise then that color plays a big role in emotionally provocative photography, and Michael Carroll recently published his book, “Retrographic” to document a project in which already emotionally-charged photographs from history are colorized to evoke even more emotion.

Whether you live in a football-crazed nation like America, or are beholden to the whim as another sport, nothing is more exciting than the start of a new season. As the kickoffs are underway, I think today I’ll take it from the gridiron to the studio with a few lessons I learned in the huddle.

Photography is all relative to the creator and the viewers, so the decision of whether to underexpose, overexpose, or to expose your portraits evenly is obviously subject to personal preference. There is merit to any of the methodologies that you could apply to your own photography and it really just comes down to figuring out what works best for you and your gear.

Jim Reed is a renowned extreme weather photographer who, in 1992, started a 30-year project on climate change. His day-to-day work includes tornadoes, blizzards, floods, and droughts - not to mention 19 hurricanes, including Katrina. Here's what he's discovered.

I regularly get asked on Instagram how I edit my studio headshots and yet keep them looking natural. In truth I’ve spent years learning the intricacies of Capture One Pro, Photoshop, and the various retouching techniques that are frequently discussed.

An annual pilgrimage for those among us who relish in new gear and the latest in our industry, PhotoPlus Expo 2017 is right around the corner. Taking place a few weeks after New York Comic Con, from October 25 to October 28, the Javits Center transforms into a digital wonderland loaded with the latest cameras, lenses, software, lighting, training, and seminars. It's been almost a decade since I attended PhotoPlus for the first time, and it’s a highlight I’ve only missed it a couple of times since. Here are my personal take on why you should get yourself there and how to get the most out of this great photo and video event.

I don't make time-lapses, but as a viewer I frequently happen to find time-lapse videos that I can't or don't watch at all. Here are my tips for all of you out there to make your sequence of images more appealing to any audience.

It's quite common to shoot photo sessions in unimpressive locations; it goes with the territory when shooting on-the-go and outside of a studio. Fortunately, we have options to help us transform boring locations into beautiful backdrops, and it’s easier than you think. Making simple light modifications and quick edits in post can mean the difference between creating average imagery versus creating imagery that impresses your clients.

Over the past few years, we’ve seen digital medium-format photography go from something of a hulking utilitarian beast into something a little more elegant in terms of usability. The Phase One and Hasselblad flagships, although coveted by many, were only attainable by a select few and really only intended for methodical work. The latest additions to the medium format realm have flipped this market on its head and put digital medium format into the hands of the masses. The Hasselblad X1D-50c and the Fujifilm GFX 50S are more in line with the everyday consumer's needs in terms of both price and features. I have had the chance to spend the last six weeks shooting with the Fujifilm while traveling through northeast India and today I’ll share my thoughts on it as a travel camera.

For filmmakers, our reels are often the first thing a prospective client sees from us, so why do we put so little of ourselves into the edit? Your reel should show the world who you are, just as much as it shows the world the kind of work you do.

If you don't already follow Gary Randall, I don't think it will take you very long at all to understand why you should be following him. I first ran across Randall's work on 500px back in 2012 when I first joined that site and was looking up landscape photographers to follow. He quickly became one of my all-time favorite landscape photographers and I have been inspired by his work time and time again. I feel lucky that I was able to spend well over an hour on the phone chatting with him, getting to know him a little better, and to learn about his approach to photography.

Let’s face it, in today’s world it is always better to be safe than sorry, especially for artists with demanding clients. I’m a huge believer in utilizing contracts to keep everyone on the same page, but contracts can be difficult when they are severely limiting.

When what seemed like half the photographers in the United States posted a photo to the #SolarEclipse2017 hashtag, it gave me an idea. Instagram, Twitter, and Facebook all allow for fairly organic public searching of hashtags and a lot of our Fstoppers readers are active on one, if not all of these sites. Our article featuring an Instagram hashtag guide was one of the most popular of the year. Now on a regular basis, Fstoppers readers have a chance to get their work featured based on what is produced instead of likes on a photo, or how many followers they might have. Let's do this.