Fstoppers Original Articles

So I'm just going to come right out of the gates swinging and put it out there; dedicated Facebook business pages are not relevant anymore. The year is 2017 and Facebook has evolved into one of the most efficient advertising machines out there, giving users the opportunity to spend money at every glance. In doing so, it has become the same old commercial that everyone hates and has destroyed the need for a Facebook business page at all.

I’ve been to the New York State fair for more years than I can count. It’s a great time. There are carnival rides, animals, music, and lots to photograph. Oh, and of course, corn dogs. But in recent years, I’ve found myself carrying less and less photographic gear to the fair and just enjoying the moment. Except that I wasn’t really enjoying the moment because I wasn’t making photos. That's why this year I decided to challenge myself to make different photos of the same event.

Here we are, another year has gone by and we have just enjoyed the release of yet another camera that is "certainly" the most amazing thing since sliced bread. This new camera comes with promises of wondrous grandeur that are only cemented by the inevitable implication from its maker that it is the camera that will help you create truly better images than you did before. This is, of course, nothing more than marketing hype designed to get you to spend your money.

Do you remember when it was easy to trick search engines into ranking your website high for a search term? Or the time when it was sufficient to insert your keyword all over your website and you'd rank high in search listings? The good ol’ days of purchasing a domain name that was literally your top preferred search term to rank for, and stuffing your website with that same keyword and tricking Google into listing your website first are long gone and the rise of content marketing has taken over.

When I was starting out as a professional photographer, I felt I had to be all things to all people. Any work that came in, no matter what genre of photography, how boring or bizarre, I said yes. If a company came to me with a request and they said they couldn't afford my quote, I'd bend myself in to unnatural shapes to accommodate them, because some money is better than no money, right? I eventually came to the conclusion that this was unsustainable and I began to say no and to quote those awful click-bait titles, you'll never guess what happened next.

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2017, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

Primarily, I'm a NYC Wedding Photographer. However, I also photograph business headshots in my NJ Studio as well. I love doing this as a side-gig that brings me extra money for practically no work at all. To be honest, I wasn't really all about it when D.C. Headshot Photographer Moshe Zusman told me I should start implementing it into my business. Seemed a bit boring and I didn't get how it would make me more money than the $10,000+ High-End Weddings that I photograph now. I was wrong.

North Face athlete. National Geographic Adventurer of the Year. Painter. Cinematographer. Filmmaker. Whether climbing first ascents or hanging off cliffs to film hallucinogenic honey hunters, Renan Ozturk's bio reads like that of five people. Fstoppers was lucky enough to interview this talented creative. Find out all about him and his process here.

Vanity magazines are a popular place for photographers to submit images to when they are looking to take their photography to the next level. Eager photographers who want to shoot fashion or beauty will scour the Internet for fashion magazines that accept submissions in the hope that these publications will be a rung on their ladder to success. Unfortunately for many photographers, rather than climbing the ladder, they’re merely wasting time and money.

When first getting started, photographers often become mesmerized but also overwhelmed by the sheer scope of learning they must do to figure out all the various new gadgets and doohickeys that they have recently acquired. Usually, this focus tends to be towards more expensive photo-related tools, while some of the seemingly trivial tools end up being cast aside with the thought that they simply aren't worth the effort and can't possibly be all that important. When I was first getting started I wish someone had given me a good shake and simply told me to spend a few dollars and pick up the following tools as they would be invaluable for the indefinite future.

I find myself in a grateful mood this week. Well, to be honest, I find myself in a grateful mood every week. Through both times of feast and famine, it is impossible to escape the unbelievable good fortune bestowed on me to allow me live on this earth, to create art, and exist in a world where I am allowed to dream. Whether you win or lose, getting to play the game is a gift and shouldn’t be taken for granted. So this week, between crafting bids, fine-tuning cold calls, and assembling moodboards, I am taking time to do a different sort of brainstorming: how can I give back to a world that has given me so much?

Catchlights are those beautiful, almost imperceptible, reflections in the eyes of your model that bring their expression to life. When photographing portraiture every effort should be made to capture this light in their eyes, but sometimes they come out so faint the impact is simply not enough. Fortunately, there is an easy fix.

The Hasselblad X1D-50c is the company's most affordable medium-format camera and represented a major shift as the world's first mirrorless medium-format camera. Hasselblad released a new firmware update that brings two new features users have long asked for: electronic shutter capture and more, multiple, user-selectable focus points. How well do these features work? I'll tell you, firsthand. While you can look out for a full review of the X1D-50c in a bit, I took the liberty of loading the new firmware update onto the camera and took it for a quick test drive.

As my grandfather would have said, it’s better to be pissed off than to be pissed on. I guess he was right in some regards. For the most part, being rubbed the wrong way never becomes comfortable, and even photographers have a breaking point.

If you try to pinpoint a single reason that the D850 is creating as much buzz as it is, it would be nearly impossible. This isn’t an amazing camera that has a singular standout feature. It’s the precisely and perfectly juxtaposed array of many new features, big and small, that culminate in the D850's success as a standout camera. Here’s a quick dive into some of the top, more obscure tricks the sold-out D850 brings to Nikon’s top line, how much they’ll really help your photography, and what limitations these features have.

Being a professional photographer is an expensive game. Even really basic equipment is hard on the pocket. A lot of us (myself included) get this nagging doubt that our current kit is holding us back. I'm also guilty of getting gear envy when I see other photographers behind the scenes shots on instagram. However, professional photography is a business just like any other and it needs to make a profit, meaning spending on kit needs to be proportionate to your profit.

I started using Syrp for time-lapse and motion control almost a year ago and I find the system very good for what it is; a way for photographers to step into motion control at a relatively low price point. The first piece of Syrp kit I purchased was their Genie Mini and having the ability to pan was a way to add more interest in any time-lapse I wanted to create. After a month I went ahead and purchased the rest of their 3-axis kit including the Syrp 5.2' Magic Carpet Long Track Slider which has been great to use. The only issue is if you want a longer slider, Syrp doesn't make a way for you to connect two of their metal sliders together. With very little ingenuity, you can connect as many metal sliders together as you'd like at a relatively low cost.

Scrolling through my Facebook newsfeed this week brought up something interesting. Dan Fable, a Manchester musician turned photographer/videographer, was offering an insane deal for bands. What’s more insane is that people weren’t taking him up on the cheap offer.

Since the beginning of time, humans have been drawn to the mountains. Naturally, if you’re a photographer and have a taste for adventure, the mountains seem like the best place to go shoot. Dramatic landscapes, beautiful colors, and natural majesty of the great outdoors is the perfect recipe for compelling imagery. However, we must prepare properly and to be aware of the dangers in these places because a mistake in the mountains could be fatal. If you take the time to research and know the variables that Mother Nature presents there is no reason your shoot won’t go as planned.

In 2013, a small quadcopter flew close to German Chancellor Angela Merkel who was attending an outdoor political meeting. A year later an inebriated federal agent crashed his Phantom in the White House perimeter. Fortunately, the drone did not damage Michelle Obama’s vegetable garden, but following this event DJI implemented the no-fly zone feature on its entry-level drones. However, this measure is not completely effective to prevent rogue flights and authorities are looking for solutions to counter drones from flying in restricted areas. Let’s review the current anti-drone solutions and challenges associated with neutralizing a small UAVs.

When you rely on creativity for work, a battle with the absence of these abilities can be detrimental, especially when you’re freelance. No matter what type of creative work you do, there will come a time when you feel like your powers have dried up and you are no longer capable. It will seem like the ability to do anything is gone forever, everything you make is crap, and no good ideas seem to be coming to you. To understand this problem as universal and cyclical is a step towards understanding what it is that drives your creative abilities. There are ways to elevate past these woes and continue creating your best work. Here are five easy practices that can help you in your woes next time you are met with a creative block.

I absolutely love flying my DJI Phantom 4 Pro. This is my first quadcopter, and from talking with other pilots, the Phantom 4 Pro clearly evolved from previous generations. I am continuously implementing my Phantom in my still photography work and by no means is this a desire for obsolescence. The Phantom 4 hasn't been on the market that long and there are a ton of great accessories available that make it even better, too. This is part review of the Phantom 4 Pro and part feedback for what I hope inevitable future updates bring for so many pilots. While there is still time ahead of the next release, here is my wishlist for features that the Phantom 5 Pro might carry.

We all wonder what Nikon or Canon’s next camera is going to be like or how will social media channels that affect our business evolve in the near future. But what about the distant future of photography? Let’s see some predictions about the photography, gear and business.

There are often things that are helpful to workflow, no matter how minor they are. One of my favorite customizations to a new install of Photoshop is the cursor customization. When watching a tutorial and I see the instructor clicking through a menu instead of using a shortcut key for something as simple as duplicating a layer, I can understand the reason why. When demonstrating to people, it's valuable to slow things down and make sure they understand. It may seem subjective to flat out say that changing the cursors is the best thing to do, however I believe that once you try it you will agree.

Do you have images or films that are sitting on your file servers and nobody, except for your team and the client, knows you did them? Even if you don't, you will eventually have a few some day. How would you handle such requests to not publish images and can you take any advantage of that?

Super recognizers are people with extraordinarily good face recognition ability. It is estimated that less than 2 percent of the population are super-recognizers. Are photographers any more likely to possess this superpower?

Cleveland, OH: A local shooter recently switched from Canon to Sony and was pleased to discover that he awoke the next morning as a master photographer.

Daniel Dean knew the total solar eclipse would be an incredible opportunity for him to capture something amazing. A few months prior to the eclipse, the idea of being able to photograph the celestial event became a blip on his radar after seeing in the news that the first solar eclipse crossing the U.S. since 1979 would be happening again in August. Here is the story of how this awesome time-lapse solar eclipse video came about and how it was made.

In August 2015, I quit all working commitments and took the leap in to full-time photographer. In March 2016, I wrote an article of advice about being a photographer I wish I'd known earlier after I began to scrutinize my performance under the new, professional microscope. Well, time has elapsed, shutters have shut over 100,000 times, and more things have been learned. My photography business has grown in this interim and I found myself thinking about this aforementioned article again. Here are seven of the most important things I have learnt about being a professional photographer that I wish I'd known earlier.

In case you aren't tired of looking at photos from Monday's incredible solar eclipse, I've put together another list. This time I tried to some find photos that maybe everyone hasn't already seen. The eclipse was not only a spectacular natural event with worldwide attention, it was also one of the most covered events via the photo community itself. Browsing the popular hashtags for the solar eclipse produced results from professionals, amateurs, hobbyists, families, and a ton of everyday people armed with nothing more than a capable cell phone excited to share what they had witnessed.

I think most photographers understand the desire to continuously acquire piece after piece of equipment. Looking back at my trip to Yellowstone, of course there are several lenses and at least one other camera body I wish I would have had for that trip. However, at the same time, I am pretty pleased with the images I was able to capture with the gear that I had while out exploring that beautiful place.

A little over a year ago, I came to a point of wanting to take the next step in growing my photography business. To me, opening a studio space made the most sense. The ability to have a dedicated place to work, meet clients, and sell prints out of, as well as wanting a way to make my business appear more legitimate, all factored in to why I believed a studio space was the next step. I recently finished up my first year of having a studio, and although it has been successful and definitely worth it, I wish I would have had a better idea of the costs you can forget about when budgeting for a space.

If there is anything photographers can agree on, it’s that we are obsessed with quality. This is a good thing when dealing with business, clients, and even personal projects. How many times though has this caused a glitch in documenting your personal life? I can personally say that I’ve let this get the best of me.

If there is one type of photograph that you could call universally appreciated, I would say a properly executed cityscape ranks right up there at the top. While New York City often comes to mind when you think of skyscrapers and iconic views, Dubai in the United Arab Emirates now makes a very strong case for being the most amazing city to photograph in the world. Of all the photos coming out of Dubai on a regular basis, I'd say Daniel Cheong's are hands down the best of the best. He is ready to share his skills in an upcoming class on September 8 put on by 500px called "Shooting and Stitching Vertical Panoramas." Best of all, the class is free for 500px premium members.

Picture the scene: you’re at a party and end up chatting to a stranger. In amongst the friendly chitchat, your ears prick up as you realize this could be a potential photography client. But you don’t want to pull out the full sales pitch, you’re at a party after all. This is where having a premium business card can go to work for you.

If you touch my hair I will hurt you. In life, we take many chances. Like, riding our bike with no hands, getting minimum coverage on our car insurance and petting stingrays. However, for the chosen few who have the superpower of catching our eye with their beautiful hair, there is no chance to be taken. The following is meant only for a lighthearted fable for this Friday.

When it comes to photographers, there seem to be those that dabble in a bit of everything and there are those that shoot one and only one genre. It's a difference of mindset and of perspective, but is either better than the other or does it boil down to a matter of preference? Is there a clear cut benefit for either stance? I'm a one-track mind type of guy and I'm here to tell you that it doesn't bother me one bit.

One of my biggest pet peeves is working with wedding videographers that treat their craft like it’s photography. In doing that, a lot of talented people sell their art form, and the art form of their peers, short. So what can you do to focus your videography and cinematography skills and make your wedding videos more refined? Think like a filmmaker.

I often think back to what it must've been like being a photographer before the birth of the Internet, the social media craze, and the hunt for likes, shares, and follows. Photography was less convoluted before the dawn of the digital age, with specialist magazines and museum and art gallery submissions showcasing only the cream of the crop. Browsing through old magazines and reading the articles, it's clear that the top-tier photographers stood out amongst the rest of the crowd for their raw skill in their art form. Their images meant something to many of those who took the time to stop and look at it for longer than two seconds.

A good portfolio is never finished. Portfolios, books, albums, or websites, however a photographer's body of work is contained, it should be ever-evolving and developing even after a photographer has started working on professional projects. Any perception that a photographer can leave a portfolio static once work starts flowing in is a dangerous one. For a number of reasons, developing and improving is an on-going process.

As photographers, we’re often on the bleeding edge of technology, and these days, the bleeding edge often includes an app for that. However, manufacturers are increasingly relying on apps to control their hardware at the expense of dedicated physical controls — and it’s a practice that must stop.

When I first decided to try converting some of my photos to black and white, it seemed very hard to get good results. I would often rely on using the desaturate adjustment in Adobe Photoshop that I learned in high school 20 years ago. This makes for some very flat and gray looking images. From there I found better results by using tools like Photoshop actions and Nik Silver Efex. This method still lacks control a bit, and in my opinion anytime you have to leave Adobe Lightroom, your workflow speed is taking a hit. Once I learned to emulate the monochrome photos I was attracted to and impressed by, my work started getting better.

You’ve got a solid website, your photography skills are on point, you’ve been around for awhile, but you still aren’t getting any clients. Peers’ businesses are booming, you know there are plenty of clients to go around, and yet, you’re still struggling to get by with your photography business. There are a ton of factors that go into why a business fails, but here are a few reasons why your photography business may be failing.

There is such a variety of plugins these days it is hard to know which ones are the most useful. Each user will find ones that work better for their own needs, however, these few choices here are perfect for everyone using Lightroom at any capacity.

Like the Nikon D750, the Canon 5D Mark IV is the parent brand’s attempt at making what’s arguably the most versatile professional full-frame camera system that fits the needs of most professional photographers, except that it beats the D750 on nearly every metric that matters, as it should for a newer camera. Still, Nikon’s D850 easily strips the versatility title from Canon for plenty of reasons, not the least of which is resolution. The 5DS line, however, isn’t the only thing at which Nikon is taking aim with the new D850.

Who out there captured the eclipse this week? Did you plan ahead, travel hundreds of miles, purchase the right gear, and capture the phenomenon that is a total solar eclipse for that perfect shot? The photos are coming in by the thousands and each seems to be better than the last. Here is my photo capturing 90 percent coverage of the moon over the sun and also a little behind-the-scenes on how I shot and edited it completely with my phone.

After eight months of work I finally finished this project: an aerial tilt-shift hyperlapse of Miami. The idea was to produce something different. Time-lapse videos are very common these days and most drone operators can make a decent hyperlapse with their drones. In this video I wanted to replicate the out-of-focus look normally associated with macro photography to give a miniature effect of the city of Miami. Here is how I filmed this video and what I learned during the process.

An updated version of the Biotar 58mm f2 will join the already announced Biotar 75mm f1.5, as the first two pieces in Oprema Jena’s lineup of modern remakes of classic lenses, the company announced today. Oprema is offering 58 people the chance to get the Biotar 75 and Biotar 58 – both originally produced by Carl Zeiss -- as part of a special rewards bundle in the current Kickstarter campaign for the Biotar 75. The 58 Biotar 58s will be pre-production models with serial numbers between 1 and 58. A pledge of $1,999 USD would allow someone to get both lenses at $2,500 less than the combined projected retail price for the lenses. The Biotar 75 is expected to go on the market next summer at a projected retail price of $2,499, with the Biotar 58 following by the end of 2018 at a projected retail price of $1,999.

I still remember the first time I heard the word. Senior year of high school. Sitting lazily squeezed into a metallic desk-chair combination unwillingly decorated with the carvings of amateur graffiti artists from years past. The boisterous post-recess classroom went quiet as my favorite teacher, and apparently everyone’s favorite teacher, Mrs. Wallace entered the room. With an ever-present sense of flair, she strode to the chalkboard and wrote out eight letters in big bold type. P-A-R-A-D-I-G-M. I didn’t know what it meant. Heck, I didn’t even know how to pronounce it. But, in that moment, I was introduced to not only a new piece of vocabulary, but given a dynamic tool to develop as an artist, and as a person.

CrashPlan is a popular cloud-based backup solution that many (myself included) use to backup their computers and external drives. But the company's announcement this morning to focus on business-to-business services leaves consumer customers hanging, despite their promise not to do so. Those of us with particularly large backups on CrashPlan's consumer service have a problem that raises a greater question about cloud-based backups in general.