Fstoppers Original Articles

Most photographers who are just starting off have a difficult time discerning what depth of field is and an even more difficult time trying to envision it. In this short tutorial, I'll show how to envision depth of field, and three easy way to manipulate it.

Take a peak into any photographer's bag and you will find a tightly crammed mass of odds and ends designed to help during virtually any shoot. Most of these extra pieces of gear are directly photography related, but sometimes we encounter a few non-photography gems that are certainly worth making space for.

Landscape photographers know that there’s only so much you can plan. Today I want to introduce to you a fellow Dutch landscape photographer who recently came back from the volcanically active Kamchatka Peninsula in Russia. What Tomas van der Weijden captured there is truly extraordinary and he told me everything about the creation of this photo.

It did not dawn on me until I was watching the first episode of "Top Photographer with Niger Barker" that some photographers do not actually take time to talk to their clients in order to get to know them better. It may seem insignificant, but let me tell you why it matters.

A few months from now, Donald J. Trump will be sworn in as the 45th President of the United States of America. Who saw that coming? A year ago almost nobody on the planet (whose last name wasn’t Trump) could have imagined it to be even a remote possibility. It goes to show, you can never assume anything, and if this historic event has taught us anything, it is that we are living in a brand new age where the old rules simply no longer apply. And that got me thinking, if all this is possible, what else could come true in these topsy-turvy times we are living in? And so, here are my five predictions of things which might have previously been thought ridiculous, but could now actually come true, if we only dare to dream?

A couple of years ago I was tasked with getting a shot of grape stomping for a local food magazine, Edible Ozarkansas, who were doing a story on the history of local wine production in Arkansas. Right away, images of Lucy and Ethel of "I Love Lucy" stomping grapes in the giant barrel came scrolling through my mind. Challenge accepted.

Some of you might not consider what you do as art, but as a photographer, you're an artist. A lot of small pieces and parts come together to make your images what they are, and that process of deciding everything from the model, to the clothing, the lens choice, to the lighting, is an artistic one. Many genres of photography are heavily dependent on other artists; portrait photographers need models and more than likely a makeup artist and stylist to bring their vision to life. Networking is key to our work in order to meet people that we trust to help us craft our images.

You may not realize it, but by now you could have financed your very own all inclusive one week stay in the Caribbean, BBQ'd for over 500 friends, and still had money to spare. Maybe you already have all of the equipment you need, but can't avoid the hype surrounding all of the latest photo-gear. Set your G.A.S. aside for a moment and take a minute to think about how you could spend your hard earned cash on this, or that.

I wanted to share two things specifically with everyone in respect to my personal experiences with the highly regarded Sigma 50mm Art lens, after using it now extensively over the past two years. I want to address how it has held up for me, as far as a durability stand point, which was one of my biggest concerns. And I would like to let you know if I have any regrets ditching my Canon 50mm f/1.2 L lens for the Sigma glass.

Have you ever wondered how to create portraits with those dreamy watercolor backgrounds? In the following tips, I’ll give you a few tricks on how I achieve this whimsical, ethereal look in my work.

There's a question I've been getting in my inbox every couple of days since the release of the Fujifilm X-T2: Is it ready for professional use? There have been several articles floating about and a lot of opinions in forums, but the honest answer to this is the same as it is for absolutely every camera body and system on the market. It really depends on the type of work you do.

The photography industry has made one error over and over again. It is expressed in the assumption that since the march of technology makes it possible to achieve something with less effort, photographers will be happy to accept the current standard and pay extra for more convenient ways of achieving it. Instead, photographers have consistently chosen lower quality in exchange for convenience or asked for higher quality while keeping the process much the same.

The logo. That simple stylized image that is supposed to help people to recognize you. It's one of the first marketing moves you do when you see yourself as a not-just-a-camera-owner-anymore. But why do you do it?

A photo series to me was always just another project in school; whether it was for my digital photography class or film photography class, there was always something that had to be done in a series. Being done with school and not having any projects assigned eliminated the need to think about creating a series of work, but now I realize that a series of photos can be a pretty cool personal project. So one year out of college, I challenged myself to start working on a personal aerial series. This time there was no project that needed to be done, no deadline, no rules, I was free to do whatever I wanted to do. The only hard part was actually doing it, but I do believe that this is something that can help any photographer out.

Shooting someone's portrait can be a very personal experience. Even in a controlled environment such as a studio, the success of an image often depends on a photographer's ability to establish a rapport with their subject. That is difficult enough at the best of times, but what about those occasions when you don’t control the environment, such as photographing total strangers in the street?

Camera resolutions are soaring in recent years, with Canon unleashing a 50-megapixel DSLR and Phase One showing off the new XF 100MP back. The unending argument of why manufacturers bother with such resolution swirls around one thing: printing. Photographers argue that a higher resolution camera will produce a better print with more detail. Technically, that is absolutely true, but most photographers aren't printing much these days.

Music photography is a heavily saturated industry. With many emerging photographers happy to shoot for free to have their name associated with musicians, it has become very difficult to make a living by specializing in music. But there are a few pioneers who have risen amongst this heightened competition; this is the story of renowned music photographer Kana Waiwaiku.

After changing careers from 12 years in the scientific field into the photography industry, I often wondered about merging the two together; science and art. I started shooting underwater photography a few years back in hopes of bringing a new light on the waters with my background. So when I came across the work of Christine Beggs and Brett Stanley I was intrigued to learn about their collaborations. They have created a way to bring critical issues of the oceans to light with their underwater art work.

In preparation for my most recent flight, the airline sent me an update on their new baggage regulations in regards to batteries. Going forward, some airlines will be imposing new rules when it comes to flying with batteries. These new regulations are especially annoying to photographers as we not only tend to often fly with batteries, but we also like to bring along several sets of backup batteries as well.

Andreas H. Bitesnich is one of the world's most renowned fine art nude photographers, with work published and exhibited internationally for the last 25 years. His images carry a signature style and a simple aesthetic that combines beauty and form. Recently, Bitesnich created a photography tutorial that delves into how he achieves his incredible looks. That wealth of knowledge is now available to the Fstoppers community.

It's finally time to wrap up our behind the scenes series of Mike Kelley's Where Art Meets Architecture 2 photography tutorial. In this episode Mike photographs a 12 million dollar house on a cliff in Hawaii, and we wrap up our trip with an incredible swim with wild dolphin.

When they are out at night, wanting to shoot some astrophotography, the trickiest thing photographers usually worry about is getting enough light to highlight the nightscape for it come out well-exposed in a shot. Some make use of the available light, some wait for the full moon, and some get creative with torch or car lights. But Paul Heran and Ryland West came up with yet another ingenious method to light up their landscapes: drone lighting.

Like many photographers, I decided to stop shooting weddings as soon as I was able to. They were sometimes fun, and they could pay well, but they just weren’t for me. In 2013, I finally booked my last one: a destination wedding in early 2014 in Bolivia. Going out with style, for sure.

One of a photographer's least talked about yet most important tools is the horse he rides in on. Okay, so I doubt many photographers are still riding horses, but the concept is the same: a trusty companion that will take you from point A to point B safely and in many cases with style. After all, it's not like you're going to hoof it into the middle of the Baja Desert, camera equipment in hand.

One could say that it’s taken the last thirty years to gain a type of access to a sovereign nation that I’ve been privileged and honored to obtain. I say it’s taken that long for me to prove myself to a people that don’t take lightly to disrespect, and recall vivid memories of a time that people with my colored skin acted in unfathomable ways - and access is limited.

Encoding video files can become a crazy technical feat. I don’t blame people for using the preset options, even if they’re usually rubbish. Here’s how to fix three common problems, in unusually clever ways.

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2016, we'll be featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

Last weekend was PDN’s Photo Plus Expo, and like a lot of east coast photographers I was in attendance. It seems like every year photo conferences get bigger and better drawing in massive crowds and yet there are still photographers who don't see any value in them. It makes me wonder if people understand and are taking full advantage of these events.

On one hand, it’s understandable to be territorial over the features in our technology and sensitive to change. But technology inherently demands change — and that change is demanded at the fastest rate possible. We can complain about it all day long, but if we stop complaining at the whims of our feelings and start thinking logically, we can and should start to feel better as we realize the true nature of our so-called upgrade-cycle and innovation-searching frustrations. In reality, the only thing lacking innovation is our expectation.

When I last spoke to photographer and former America's Next Top Model judge Nigel Barker a couple of months ago, he was preparing to begin filming the debut season of his new Adorama series. Entitled "Top Photographer," the show aims to find the next emerging talent of the photo industry, with prizes including $50,000 worth of equipment and an exhibition in N.Y.C. Before the first of five episodes goes live via YouTube tomorrow, November 1, I caught up with Barker to gain further insight into what we can expect from the series.

I recently earned my Remote Pilot Certification, which allows me to fly a small UAS (drone) for paid photo and video work in the USA, under the FAA’s Part 107 rule. With no background in aviation, passing the test was no easy feat for me. If you’re considering taking the test yourself, read about my experiences to make sure you’re well prepared.

As a full time roadtripper, I am constantly in search of amazing landscapes with the hopes of adding a unique take on what is most likely an over-photographed scene already. There are several ways to do this, but I am going to suggest one which is rarely discussed but hard to overlook in today’s social media outlets: the human element.

Photographers are often perplexed by the variety of clients they encounter each day. Even with a target market identified, it seems that no two patrons are the same. Though with time and patience, photographers can begin to categorize clients. By understanding different client types, photographers can not only reflect upon their current marketing strategies, but can understand how to market to a wider range of consumers.

Photography is a craft almost everyone indulges in at one time or another. For some, it’s a weekend hobby. For others, it’s a full-time affair. Either way, photographers are forever debating amongst themselves whether or not it’s a wise career choice. Should we attempt to forge a career from something we enjoy so much or save it for our own pleasure? When finances become a factor, it can alter the way we think about our photography. Here’s why it’s so important to allocate time for personal projects and the ways in which I keep myself just as passionate about photography as I was when I first started out.

As a photographer who has spent the last couple of years around plenty of other sponsored photographers and one who has a couple of sponsors of his own, I’m going to share the one thing that no one is actually saying aloud, the one decision you should consider before you ever press the buy button on any photography equipment.

Probably the most difficult challenge in photographing children is garnering genuine and happy expressions from them. If you routinely photograph children, chances are you’ve found yourself on a few occasions in the company of a bored or uncooperative little one, with a parent just out of frame screaming: “Smile! Smile! No, not like that!” Every fall, my favorite tactic to virtually guarantee happy expressions is to make use of all those leaves that have fallen to the ground.

If you spend any time on the Internet, then you’ve probably seen by now that Apple announced their long-awaited updates to the MacBook Pro during an event at their campus in Cupertino. Spend a little more time on the Internet and you’re sure to see the plethora of articles pointing out how Apple seems to become less and less innovative as years go by, many even pointing to Microsoft as a great example of innovation with their really fantastic Surface Pro line of portable computers and the newly announced Surface Studio. Microsoft more innovative and creative than Apple? Let’s dig in and figure out what happened.

According to my extensive research (Back to the Future Part One, Two, and Three), we should be in an age of flying cars, sneakers with power-laces, and hoverboards by now. We all know that life often imitates art, but let’s expand on that for a moment and take a stab at how photography may advance in the future.

Once upon a dark and stormy night, the chills ran up my spine as I clicked the mouse, seconds seemed more like minutes while I nervously awaited for the page to load. Ok well it wasn't that dramatic, however I'd be lying if I didn't say Horror Photographer Joshua Hoffine's work didn't give me the heebie-jeebies. A VFX friend of mine shared some of this photographer's work on Facebook and I immediately had to find out who this guy behind the scary photos was. I got a hold of Joshua after asking him if I could interview him and his process for Fstoppers. Then I almost peed my pants, being an old school horror film buff I was pretty excited to share some of his work! This guy puts some serious work into his scenes and it's not only something to be truly admired, however also pretty unique in the rat race of photographers now a days.

Photokina is a juggernaut. Held every two years since 1966 (intermittently before that beginning in 1950), it has long become one of the largest, and arguably the single most important trade fair in the photo industry. Two years is a short enough interval to not miss larger trends, yet long enough to skip over fads, so the biannual trade show offers valuable snapshots that help us understand where the industry at large is moving. Photokina 2016 closed almost four weeks ago. Enough time has passed for things to sink in, so let's look back and contemplate what the most notable trends from this year's show were.

I've never owned a Mac computer, I've always been a Windows guy. I do keep up with Apple because I love technology and I couldn't live without my iPhone and iPad. Everyone tells me I should switch to a Mac but once again I'm glad that I haven't.

Boudoir photography is not a modern concept nor is the evolution of its ever changing look. Throughout history there has been a desire to paint or photograph the human form. As the genre moves forward from early Renaissance painters, the works of Aurther Allen in the 1920s, to today with the modern day version of bodyscaping, there has been and will always be a fine line of the differences of how people view the boudoir art form.

With the advancement and affordability of video technology available to consumers now, the number of budding and aspiring film and video makers has seemingly raised exponentially. One of those advancements has most definitely been in regards to how the color correction process is handled. There's certainly no one path to success sort of idea with this either, but there are some things that you can do to help simplify and organize your process in order to work quicker and more efficiently.

Photographers love gear, so we tend to get somewhat upset when gear goes missing. Not only is gear quite expensive, but it often worms its way into our hearts. Our gear often becomes a pride and joy. As a result we want to avoid losing gear as much as humanly possible. Here are some of my favorite strategies for making sure that all my gear comes home with me after every shoot.

For anyone who appreciates the use of flash, there comes a point in photography work when you want more power than a standard speedlite can offer. Many strobe options provide more power, but require you to be tied up to power outlets. Few strobes offer a simple portable lighting option. Many would contend the Profoto B1 is currently the best self contained portable strobe on the market. That may be changing with Impact's newly released strobe, the Venture TTL 600.

Stumbling upon a recent article reminded me that this is a question I wanted to ask here on Fstoppers. In my expertise and knowledge there is an absolute need for filters in certain industries of photography and if you're attempting a certain look. For instance a few friends of mine that also work for my wedding photography company do some off road coverage, for them I'd say it's pretty crucial to have a filter on their lenses to protect as much as possible as high speed off road vehicles and dirtbikes fly past them with the potential of tossing a few hundred rocks their way daily.

If what we read on the internet is to be believed (and who doesn’t believe everything they read on the Internet?) film is definitely not dead. But for a debate which has been raging for well over a decade, I can’t help but wonder whether the wrong question is being posed. Is it not photography itself, rather than film, which has been dying a slow death in front of our very eyes?

Here's the truth. Until recently, I thought professionals using mirrorless cameras were a joke. I grew up in the days of film. Got my hands dirty in the darkroom. Had a Canon A1 and F1 in my camera collection, plus learned on others like a Pentax 35mm as well. Feeling the weight of the camera in my hands and hearing the sound of the mirror slap was part of the joy of photography for me. Pun entirely intended.

Capture One doesn’t need to be introduced anymore. It’s Phase One's professional raw converter, and it has grown into a very compelling Lightroom alternative over the past few years. The software is meant to develop raw files, but it can do much more. Its usage doesn’t have to stop at simple exposure and contrast tweaks. Let’s see how we can unleash its full potential and, as Phase One likes to phrase it, experience the ultimate image quality.

With the holiday season gradually approaching, most of us are beginning to think about our holiday wish lists. For one California-based photographer, a kidney is at the top of that list. Fstoppers recently had the opportunity to interview Michael Anthony Hermogeno and ask him a few questions about his photography career and unique medical condition that leaves him seeking an organ donor.