Fstoppers Original Articles

You might not know who Candide Thovex is now, but trust me, by the time you finish this article, you will probably be more than a little in awe of him. His latest video is averaging 1.5 million hits a day and counting since going live last week. It could easily be the single best action spots video we’ll see all year. Today, I’ll break down why I think it’s so successful, and how we can apply the same techniques to our own work.

Recently featured on B&H's Explora blog, the well-established photo and video sales giant compiled a list of some of their favorite photographers and had them discuss what 2014 meant to them and what they plan on doing to make 2015 even better. There are a lot of very talented people on the "Inspiration For The New Year" list, which also includes a few of the writers at Fstoppers. Seeing what each of these photographers are most thankful for in their career and reading what they feel they need to work on is a great chance to put into perspective our individual daily struggle.

A group of filmmakers from Edmonton, Alberta have been working on a three-part science and nature documentary called The Great Human Odyssey. I recently spoke with some of the crew to learn more about how a production team approaches a project that involves planning and shooting in some of the most remote environments in the world. Check out their behind the scenes video, but read on for more videos and insight into their process.

Willow Creek is what Sven Dreesbach calls a “proof of concept and workflow” for an eventual surf film he’d like to make – but, as it stands, it’s a short film that achieves a lot in its own right. Shot with an iPhone 5s and color-graded using Davinci Resolve, Dreesbach produced a very moving piece of cinema that has an erie but mystical vibe to it - thanks in part to the Ry X track Shortline accompanying the film. Sven was gracious enough to talk with Fstoppers a bit about the hows and whys behind crafting this stunning short film.

Do you ever feel like a "small fry" compared to the "big names" that are established in your area? Ever wonder if you are missing out on business because you don't have the same accolades on your website? Rather than let that get you down, why not embrace being the underdog, after all it has a lot of advantages!

Trade secrets exist in every industry known to man. In most industries, trade secrets are common, expected, and understood. No one gets all bent out of shape about Coca-Cola keeping their formula a mystery. No one stops using Google because they don't share their search algorithm. Without these secrets, a vast number of companies wouldn't even exist. The whole primus of having a trade secret is having the ability to do or create something no one else can recreate. With that being said, are we as photographers allowed to have trade secrets or are we obligated to share our knowledge with everyone?

It's amazing how adding just a little bit of shadows can drastically improve the depth of your photographs. Contouring faces is a little trick that can take a few minutes to do, but ultimately increases the overall image quality. I'm going to show you how to use the adjustment brush tool in Lightroom to act similar to the dodging tool in Photoshop, and then the key areas to brush for properly contouring a face.

Last year a group of time-lapse photographers organized by Shiseido Ruiz produced a video of the New Year's Eve ball drop and other events in Times Square, New York City that made Vimeo's Staff Pick. This year, Ruiz and his crew decided to step up their game and headed back to the rooftops around Times Square to produce an even better one. In a feat of artistic and logistical achievement, The Timelapse Group managed to produce a stunning and truly unique film of the NYE festivities in Times Square that will make your jaw drop. In an interview with Fstoppers, Ruiz provides a look into what it takes to produce a time-lapse film of this magnitude.

It’s the middle of winter; everyone is looking a little pasty and pale, and you wish the subjects you are photographing had that healthy summer glow. So what do you do? Should you send them to a solarium or get a chemical spray? If you are a fan of black and white photography, this is a fantastic Lightroom technique that will give your subject a natural looking suntan.

Patrick Hall shared some opinions about what features our professional DSLRs absolutely should have, but don’t, going into 2015. And he was right. But as happy as having those features would make us, not one or even all of them would allow any single company to become the next Apple or Google of the photography world. However, there’s something bigger that no one is thinking about — or at least there aren’t any signs of it. Canon, Nikon, Sony, Fujifilm, Phase One, Hasselblad; no one seems to be doing what it would really take.

If you aren't applying any color grading to either your photographs or motion work, you are potentially missing a vital part of the process of finalizing your image. Color grading can be one of the most impactful tweaks you can make to your work once it’s been shot. It has the potential to elevate a good image to great, or a great image to outstanding. This short video and article highlights why it's so important and the powerful impact it can have on your work.

Heath Bennett, half of the Chattanooga, Tenn.-based wedding photography duo Jac and Heath Photography, is an absolutely avid film shooter. Recently he shared some work he shot while visiting friends and family in Alaska, much of which was photographed while flying high above the landscape in a helicopter. He was kind enough to sit down for a brief interview and supply the images to us before jetting off to Australia for his and Jac's next adventure.

From 3 megapixels to 10 megapixels to 50 megapixels, the world of photography has changed significantly over the last 10 years. With the changes in technology, we're always in battle to keep our work and data on the most current iteration. With the rumors of the next Apple MacBook Air, it seems that the USB port is under attack, making photographers everywhere questions how they can keep their work on the most recent format.

Argentina-based food stylist and illustrator Anna Keville Joyce has managed to take the art of food styling to a whole new level, for her recent creations are true culinary masterpieces (so what if they’re not made to eat?). While food photographer Agustín Nieto had quite the task of doing justice to these mouthwatering works, he managed to capture them perfectly, but as he readily admits, it didn’t come easy.

If you are no stranger to photography or other visual arts, then it is likely that you are no stranger to the “rules” of composition. There have been some excellent writings familiarizing one to the different forms of good composition, such as “The Ultimate Guide to Composition” by Chris Knight, but it’s much harder to find anything about its in-the-moment application. We all strive to find strong compositions that can drive the narratives in our photography. The next time you’re looking for the hidden story of your surroundings, recall the following simple tips.

VSCO, Mastin Lab Presets, Florabella, and Pretty Presets. If you've looked for advice on retouching in the last few years, you've probably been recommended one of these preset and action systems at least once. They're designed to give you beautiful film simulation and color tones to make your images look great using a single click of the mouse - and I hate them all.

As a family photographer, I often find myself pushing the limits with how fast I'm moving. Sometimes I'm trying to get a shot before the 2-year-old child decides he hates what is happening, and other times I'm rushing to make sure I accomplish everything the family wanted to get. It doesn't matter what situation I'm in. Anytime I'm rushing, my images suffer. Last year at WPPI while attending one of Jerry Ghionis' classes, he said something that really stuck with me, and helped improve my photography. Ghionis said to slow down.

What if God was one of us? What would that look like? Dina Goldstein's "Gods of Suburbia" is a series comprised of visually arresting images of everyday situations, only with gods as the main subjects. Gods of Suburbia offers an iconoclastic interpretation of how ancient belief systems fit with technology, science and secularism, the three main pillars of modernity. She spent two years creating her third large-scale series with a tiny budget, and every obstacle you can think of. But through creativity and tenacity, she was able to bring the project to fruition.

As photographers, it’s important to use all social media platforms as a marketing tool. Instagram is a personal favorite, but the upload process is by far the most annoying. There aren’t many options to upload images, but here is the most efficient workflow from resizing to uploading.

For a bit over a year now, I have been taking regular flights over the city of Los Angeles, photographing the city from a helicopter. I get a lot of questions about how I'm editing the images to get the look and feel that I am, and the answer is actually quite simple. Using only carefully considered exposures and Lightroom adjustments, I've come up with a consistent and somewhat unique look for the project.

Having your own muse, a person on call who is willing and able to bring your creative ideas to life, is a gift. Traditionally female, muses have been the source of many artistic inspirations and great works of art, due to their beauty, character, or some other mysterious quality. Problem is, these collaborations can become murky as conflicting goals, crossed boundaries, and trust issues seep into what was “a good thing.” How can working with a muse revolutionize your work? Are the benefits of finding one worth the trouble?

With every passing year, we see many professional photographers go out of business and twice as many aspiring professionals try to pick up their mantle. If you want to stay in business, it's as easy as investing in your clients.

When people walk through my living room studio, they are puzzled that I do not own or rent a permanent studio space. What many do not know is that when I’m contracted for a commercial assignment, about 80% of the time I must travel to a location or shot at the client’s home base. And, in many cases that requires transporting several 9 foot seamless backdrops and a whole lot of equipment. I don’t have a giant bus to haul all of my studio gear, so it’s been a trying experience to find the right tools to efficiently pack and tote my mobile studio.

During a shoot with Tony Roslund and Gary Martin for PRO EDU this past December, I was lucky enough to operate a Movi M5 for lots of behind the scenes and "color" footage. The motion rendered from the Movi, even while running, was most impressive. Just recently though I learned of the Nebula4000 Lite, and at a fraction of the price, I think this might be the next big compact video camera accessory to have.

Getting your clients comfortable in front of a camera is always a challenge. I still get a little nervous before a shoot so I can imagine what my clients must feel like. In part one of this series, we talked about the importance of the pre-shoot consultation and how it can start you off on a good path toward a successful headshot or portrait session. In this article, I want to talk about ways we can address skin issues with our clients, how to deal with makeup, when to use a makeup artist, and discuss the basics of getting clients comfortable and focused in front of the camera.

This May, Rob Grimm from PRO EDU will be teaching two multi-day workshops perfect for still life photographers. The classes are interactive, hands on, and full of opportunities to take your studio photography & lighting to the next level. All workshop attendees that join will receive a $1000 gift certificate to PRO EDU.

The last time I talked with Alexis, he was just trying out a technique of shooting two different lighting setups with the press of a button (be sure to check that article out for details on how the SpeedCycler feature of the Pocket Wizard MultiMax works).This time around, he managed to pull off five different looks (three at one time) – nabbing himself six pages and the cover of the World Cup preview issue of Sports Illustrated. His behind the-scenes-video gives a ton of insight into how he pulled this off, but I asked him to go even further than the video or what he already explained at his blog and explain the "whys" of it all.

Snowy region shooters rejoice, there exists a way to completely get rid of all blue snow in your photographs! I know what you’re thinking: just adjust the white balance in any ol' image processor. Unfortunately, you will find that using this method is only winning half the battle for many images. In a few easy steps, you’ll learn how to make any winter photo much more pleasing to the eye.

Fred Mortagne, or French Fred, is a skateboarder, photographer, and filmmaker living in France. His images have taken skateboard photography to a place where the line between fine art, portraiture and action sports have beautifully dissolved into amazing works of art. As someone who shares a lot of the same passion for actions sports and black and white photography, I decided to get in touch with Fred to ask him a few questions about his work.

A new year and a clean state; last year’s resolution was to take wedding photography "back to basics" and capture images that truly matter to couples and their families. At the end of this year, I had the opportunity to look back on the moments of 2014; a new emotional set of images that are imperfect perfection.

It's that time of year! Lots of wedding proposals took place over Christmas and New Year's so couples are now on the hunt for a great venue and team of vendors for their special day. There are many websites and Pinterest boards that like to give advice to brides on what to look for when hiring their wedding photographer. But your decision can be really be based on one question that I wish more clients would ask but often do not.

In three years of working in photography, I've shot roughly 1,500 family sessions. I've dedicated all my time to growing my photography skills whether it be watching online tutorials, going to WPPI, reading articles, and reaching out to fellow photographers. In my time spent doing this, I've come to one major realization; photographers seem very guarded, opinionated, and close-minded. I've tried to understand what it is that stops us from helping one another? Is it the fear that we are training our competitors, are we bitter that we may have had to learn the hard way, or is it the fact that we are too proud to admit when someone is better than us?

Recently while filming video for our next educational tutorial with landscape photographer Elia Locardi I found myself asking, "Why in the world do our $4000 cameras still not do this?" Today I have laid out 12 simple features I believe would make all of our lives a lot easier, and most of them could probably be implemented right now! Give me your opinion in the full post poll.

Last week saw the release of ‘Anomaly’, a film that is redefining the approach and model for independent, narrative film making. Co-Director Salomon Ligthelm outlines how he managed the project as it grew from “a 2 minute art film” into the astonishing 38 minute-long final masterpiece, and provides key takeaways for all of us that we can apply to our own stills or motion projects. If you have any interest in what's coming over the horizon for cutting edge, independent, visual media production, this is for you.

When you offer a service, the amount of people who come out of the woodwork to claim their "family and friends" discount is incredible. You can save friendships and avoid family drama simply by setting boundaries that separate friend time from business time. Here are a few helpful pointers on how to prepare yourself and never feel taken advantage of again.

With the year drawing to a close, and the new one just around the corner, it is at this time many of us reflect on what has happened and what we plan to achieve. Year after year it is the same story. We make a couple resolutions, we give it a good go for a few weeks, and then we fall back into some old routines that keep us from making progress. Here’s how I like to tackle my resolutions and keep myself on track each and every year!

We all have those pivotal moments in our lives where a single decision changes everything. When I picked up a camera about five years ago I quickly became obsessed with composites. In the beginning, I honestly had no idea where to even begin learning how to create these marvelous hybrids of photography and digital art. I had to learn how to create composite images! I knew if I could get to a point where I could create what I saw in my head, I could change the path of my career. Little did I know composite photography would change my life forever.

Benjamin Von Wong has always been known for his elaborate, fantasy-like photo shoots. However, recreating the fairy tales that he had grown up watching took time, patience, luck, and most of all, a lot of help. These jaw-dropping photographs are bound to generate the customary "Is this Photoshopped?" question. Yet as usual, Von Wong's incredible scenes are all created in-camera, and he goes on to tell us how he pulled off a photo shoot 20 years in the making.

One of the most noticeable differences between portraits taken outside using natural light as opposed to artificial light is the background. Images using artificial light tend to have darker backgrounds. This is crucial in catching the eye of the viewer and allows him or her to focus on the subject. This article is a guide in achieving this look using natural light only.

Alamby Leung may not be a household name, but among the photographic community, she has become somewhat of a celebrity. Working with Kai Wong and Lok Cheung, she was known as one of the three individuals that made DigitalRev TV one of the most popular YouTube channels in the world for camera reviews. Over 12 months ago, she made a sudden departure from DigitalRev TV and the internet has not stopped asking about her absence. I got a chance to chat with her and she graciously agreed to do a quick photo shoot for this article (It was Christmas Eve after all!). In this interview, she shares why she left, thoughts on working with some of the photography greats, and that “bloody producer."

Abe Van Dyke is a Milwaukee-based freelance photojournalist whose work is submitted to the Demtix Wire, which is owned by Corbis Images. You may recognize Abe's name from his work covering the rioting and demonstrations in Ferguson, Mo. or his photographs documenting the passing away of his mother earlier this year. On Friday, Dec. 19, 2014, Abe was photographing the protests in his hometown of Milwaukee when things went south with law enforcement officials quickly, resulting in the arrest of Abe along with the protestors. Abe was kind enough to make time for a brief interview to share the story behind the photos that took his freedom.

Pressure, fear, joy, excitement – these are not uncommon emotions on any shoot. A few weeks ago, I spent a few hours in a helicopter above New York City with Vincent Laforet where we experienced all of these emotions. This exclusive interview and BTS video highlights not only what’s involved to produce aerial stills of this nature, but provides 5 key insights we can all apply to our own shoots.

NOTE: This sale is over and was only good for 1 24 hour period. Fstoppers is having a flash 24 hour sale on some of the products in our store each day leading up to Christmas. Today's sale comes from Mike Kelley as he is offering $100 off his widely acclaimed tutorial Where Art Meets Architecture. When Lee and I approached Mike about this tutorial we had no idea it would quickly become the most popular tutorial we have ever produced. Realtors, architectural photographers, and commercial photographers have found great success with Mike's unique approach to photographing interiors. Today you can find the coupon

When I first began shooting headshots, it was a daunting task. Figuring out a rhythm for how a headshot session should go felt like an overwhelming problem. I slowly began to solve the problem through trial and error. It was when I began to realize that we have no control over almost anything in life that I began to find my own rhythm in this crazy photography business.

Readers have enjoyed my past blogs on editing from home, making a better demo reel, and other video-editing articles, so now I’m sharing with you my favorite editing tricks that I find make for better cuts and ultimately make videos easier to watch.

As announced in yesterday's sale, Fstoppers is having a 24 hour sale on our tutorials every day leading up to Christmas. For today's deal we have persuaded Peter Hurley to offer $100 off both of his acclaimed tutorials The Art Behind the Headshot and Illuminating the Face. This sale even beats our current "Buy both for $450" sale and marks the lowest price you have ever been able to buy both at one time. You can find the discount code

On Nov. 17, 2013, an EF-4 rated tornado ripped through central Illinois relentlessly damaging and destroying over 1,200 homes, and ultimately killing three people. The Journal Star’s photojournalist team sprung to action after the tornado subsided, taking to the streets and skies of the affected towns to document the ravaged community. One year later, they traced their steps of that tragic day to create this astonishing Then and Now photo series.

It is the time of the year when we look back at the past 12 months and decide what worked and what didn’t work in our businesses. This is the most common time of the year to re-vamp pricing for the upcoming season.

I recently read a survey that said the average time a person spends driving a car is 4.3 years. Let me break that down for you. Let's say you live to be 75. That is 37,688 hours spent behind the wheel of a car! Most of us listen to music while we drive, but what if we took that time and devoted it to expanding our craft and making us better photographers? Over the past year I did just that, and the results speak for themselves.

During the last few weeks, Instagram has teased in your news feeds that they were removing and deactivating spam accounts. Their message mentioned it would ultimately result in a loss in the follower count on your profiles, as shown above. This had many people running for the hills, imagining their tens of thousands of followers would turn to dust, and the loss of that clout they have built over the years will be all but nothing. The results have been widespread, but here are a few accounts to check in on as I give my thoughts on the whole thing.