Articles from Jason Vinson

The Wacom MovinkPad 11 represents an interesting pivot for a company known primarily for professional-grade tethered displays. By moving into the standalone Android space, Wacom is targeting the "on-the-go" artist who wants the legendary Wacom pen feel without being chained to a desk. However, after spending time with the device, it becomes clear that while it excels in certain professional niches, it faces stiff competition from more versatile hardware.

The DJI RS 5 isn’t just a minor iteration; it is a thoughtful evolution of what a mirrorless gimbal should be. While it maintains the familiar silhouette of the RS series, the quality-of-life upgrades—particularly regarding balance and automation—make it one of the most frictionless tools I’ve used in the field.

There is a specific feeling you get when you pick up a piece of technology that truly feels like a "masterpiece." It is dense, tactile, and seemingly crafted without compromise. In the world of digital photography, few devices evoke this feeling quite like the Sony RX1R series.

The Sony a7 series is designed for the user who wants to do it all. Thanks to a brand-new 33 MP partially stacked sensor boasting 16 stops of dynamic range, the new Sony a7 V is capable of even more than its predecessors.

When you’re just dipping your toes into video, the last thing you want is gear that holds you back or drains your wallet. I needed a monitor that was powerful enough to handle bright outdoor shoots but still stayed firmly in the affordable range (since professional video isn't my main gig). That’s why the Viltrox DC-A1, a 7-inch on-camera unit, caught my eye. At $278 with a truly stacked accessory kit, it looked like a steal. But does this budget-friendly monitor live up to the hype?

After spending a week with the Sony RX1R III and capturing nearly 10,000 frames, I feel like I’ve truly gotten to know what this little full frame compact can do. From photographing my family to shooting three portrait sessions and a full documentary project, I pushed this camera in real-world scenarios. But the question remains: Is it really worth $5,000?

This is the story of an impossible photograph—an image that demanded an absurd amount of luck, unwavering perseverance, and a few very specific pieces of gear to pull off.

For photographers seeking the perfect balance between in-camera creativity and personal style, the quest often leads to a crossroads. On one hand, you have the instant gratification of in-camera film simulations offered by brands like Fujifilm, which deliver stunning, ready-to-share images straight out of the camera. On the other hand, there's the professional's need for a consistent, personalized aesthetic, often achieved through meticulous post-processing and custom presets.

Nothing really puts a camera to the test like photographing a full wedding day. There is documentary photography, product photography, portraits, landscapes, and even low-light photography all rolled up into one event. So can the Fujifilm GFX100RF keep up?

Let's answer some of the questions I get the most about my unique lighting setup.

The whispers have turned into reality: Sony has officially announced the RX1R Mark III, and for enthusiasts of high-end compact cameras, the excitement is palpable.

In this video, you'll get a behind-the-scenes look at a real session and a real wedding day. But as the photographer being followed, I wanted to expand on a few things.

It’s been a while since I’ve used a lens that felt like a must-have. That's because most lenses have simply been upgraded versions of past offerings. But this lens is different.

In this review, we’re diving into the Viltrox 35mm f/1.2, a lens that surprised me in the best ways. I’ve had this thing in my hands for more than a month and have used it on multiple sessions now, and—spoiler alert—this is one of the best and most affordable 35mm lenses for Sony.

When it comes to creative portraits, sometimes the simplest things can make or break your vision. Likewise, there are times when small details in a scene can give your portraits that little something special.

The Sony a7R V was launched more than two years ago. And in terms of technology, that’s a very long time ago. But I don't think this camera should be overlooked.

The Sony World Photography Awards has unveiled the 10 category winners and shortlisted photographers for its 2025 Open competition, celebrating the most striking single images captured in 2024. Recognizing the power of a single photograph to tell a compelling story, the competition attracted an astounding 419,000 submissions from over 200 countries and territories.

I’ve always been curious about what the "Q" in the Leica Q stands for. After some use, I’ve come to a conclusion: it stands for "Questionable."

As Super Bowl LIX approaches, Sony is set to play a major role in capturing the spectacle with an extensive array of cameras and technology.

No camera is perfect, but for me, the Sony a9 III is pretty close. Unfortunately, there is one problem that's holding this camera back.

When it comes to digital photography, I think editing is as important as the darkroom was for film photography. But now, we have a lot more tools at our disposal.

For me, there are two heavy hitters in the AI retouching market: Evoto and Retouch4me. But is one better than the other?

In the current world of virtual meetings and online content, having a "good enough" webcam is no longer good enough.

It's been more than six years since the release of the original Sony 85mm G Master lens. Does the update live up to the hype?

I normally only record BTS footage from one or two setups during a session, so I thought I’d try to show a look at a full session.

it's one thing to have your camera bag stolen. But what if you could track it down?

Thypoch recently released the Simera 28mm f/1.4 lens in native Sony E-mount. Let’s see if it's worth buying.

It's been more than five years since the release of the original Godox AD600 Pro, and we finally have version two. Let’s see what’s new.

Cameras these days are so customizable that sometimes it's hard to even know where to start. So, after a lot of time and effort, here is how I have my camera set up to photograph weddings.

Making a living as a photojournalist isn't what it used to be. But making a living is still possible.