I was in Bilbao earlier this year, and a photographer appeared from around a narrow backstreet with a massive backpack and a huge full frame camera and zoom lens hanging from his neck. He carefully took the obviously heavy pack off and placed it on a chair outside a cafe. The relief on his face, to take a break from lugging all that weight around, was telling.
I know I've talked about my renewed interest in old film cameras before. Therefore I won't go over old ground in detail. I'll just say the main reason was the desire for a pure photography experience once again, without technology getting in my way. The only new digital camera that has given me that so far is a Leica Q2 Monochrome I purchased three years ago. I've enjoyed the experience so much, in fact, I craved more. Well, really I should say, I craved less!
When it comes to focal length choice, my photography goes in cycles. For a few years now I've been shooting 28mm and 35mm, but recently decided it was time to move back to the 50mm focal range.
Macro and close-up photography is something we can all do, anywhere. We can find objects at home to photograph, or head outside into a local field or forest. It's a very enjoyable genre of photography. One of the more popular subjects to photograph is wildflowers.
If you find your photos flat, two-dimensional, maybe lacking impact and interest—there's one technique I use that can change that. It will guarantee to get you much more interesting and pleasing results. And that's sub-framing: creating a frame within a frame. Why is this so good? Well, it creates depth and interest. For those of you who are frustrated with your travel photography and feel it's boring and same-ol'-same-ol', this technique will take photos from tourist snaps to strong images.
There was a moment recently when I realized the digital noise became too loud. Influencers and brands constantly talking about the latest technology and how it can improve your image quality. Menus became complicated. Firmware upgrades necessary. Increasingly faster eye-tracking and endless focus modes you never asked for. At some point, you start to miss something simpler—something quieter. Something that feels like photography again.
Most photographers put the camera away when it rains, but I believe this is a huge mistake. I've found that some of my best photos are made when it's raining, and I make the effort to embrace it. Let's talk about why.
APS-C cameras are quickly becoming the main choice for everyday photography. I've owned a Nikon Z50 for seven years now, and it's still my favorite everyday camera, especially for travel, street, and urban photography. But finding lenses for it has always been a problem.
My first impression when pulling Freewell's latest filter kit offering out of its packaging was how small and light it was. Filter kits tend to be bulky and take up lots of space, often housed in boxes that take up valuable space in camera bags too. They can be a nuisance to lug around. Not this kit. I immediately liked it.
Buying a Leica M camera, be it a film or digital model, has become a dream for many. There is immense pleasure in holding a little M rangefinder—it just oozes quality, and using it is one of photography's greatest pleasures. And let's be honest, that red dot gives you some serious street cred.
Travel and street photographers need a bag—but something too big draws attention and can become a burden if it's on your shoulder and you're on your feet all day. The other option is a backpack, but they tend to be too big and bulky, and can become a nuisance when you're in a crowd. I can't tell you the number of times I've turned to take a shot and ended up knocking into someone with a pack on my back. The answer, then, is a very small shoulder bag or sling—so small and well-shaped you barely notice you have it.
Manfrotto's ONE range is a premium, hybrid support system designed to bridge the gap between photography and videography for modern content creators. The original ONE Hybrid features a quick-release system for swapping heads in seconds, a versatile column that can shift between vertical and horizontal positions (Q90), and a built-in leveling base, making it a robust solution for both photo stills and cinematic video.
Much of the time, we take photographs because of how something looks. We’re drawn to pretty views with nice light or color; views that look visually appealing. Let’s be clear: there’s nothing wrong with this approach to photography.
If you’re shooting fast-moving sports or wildlife, or you’re a videographer shooting long takes in a raw format and high resolution, the most essential piece of gear you need is a fast reliable memory card. Choosing one, however, can be a nightmare. So what do you do? I would guess you buy one from a reputable brand, right?
When PolarPro sent me their new Arctic circular polarizer, I was quite excited. This new polarizer has been designed specifically for winter photography in cold, harsh conditions.
There are so many fabulous prime lenses that have been launched these past 12 months—and continue to be launched—it’s hard to know which direction to go if you’re looking to buy a new one. The choice can be overwhelming and confusing.
I like to carry minimal gear and travel light when on vacation or a travel photography adventure, and my favorite camera hasn’t changed after 7 years of ownership—it’s the Nikon Z50. Finding the right lens has always been a struggle, though, until I got my hands on Viltrox’s AF 27mm f/1.2 Pro.
Every year, I make it a ritual to look back at the photographs I’ve taken—not just to see if I ended up with a set of images I’m actually happy with, but to understand what they say about me. Reviewing a year’s worth of images can reveal patterns you didn’t know were there: the subjects you’re drawn to, the way you use light, the emotions you chase. It’s an honest reflection of who you are as a photographer—and who you’re becoming.
Xtra is an innovative U.S.-registered startup founded by an experienced team dedicated to advancing imaging technology. Having established a strong foundation with products such as the Xtra Muse, Xtra Sphra360, Xtra Edge and Xtra Edge Pro.Xtra’s latest product is aimed at those needing a lightweight, highly versatile solution to film BTS and POV content on the move. They call it Atto. And looking at the specs, it’s rather impressive!
I’ve owned a Viltrox AF 85mm f/1.8 for a few years now, and it’s been one of two lenses I take everywhere with me, the other being a 35mm f/1.8. I’ve found f/1.8 to be a very handy aperture for low light shooting, but I still encounter a few situations where I need to crank up my ISO, as it’s not quite fast enough. Therefore, I was very curious when Viltrox announced a new f/1.4 85mm in their Pro line.
In a world oversaturated with colorful images showcasing the latest trends in color editing effects and presets, I’m seeing a quiet and growing resurgence of black and white photography. Why is that? I believe it’s a mix of nostalgic, emotional, and creative reasons. Some of us are seeking to create images with more meaning and purpose. Let’s dive in and discuss.
I should say "My Essential Lens Filters." I get a lot of people asking what I use, so I thought I’d share what they are. I have a few filters that go everywhere with me. Sometimes they reside in a backpack when on an outdoor adventure, or in a small shoulder bag when exploring urban environments. Because they all come in individual cases of varying shapes and sizes, I’ve recently become frustrated carrying them all—but we’ll get to the solutions that address this in a moment.
One of the most enjoyable genres of photography is travel photography. Who doesn’t love to travel to interesting and exotic foreign destinations and wander around with a camera? It’s great to return home with a collection of images that capture your adventure—images you can show people that give them an idea of where you visited and what you experienced.
Three years after the success of Henri Cartier-Bresson’s "The Decisive Moment", "The Europeans" was published in 1955. Cartier-Bresson traveled around Europe between 1950 and 1955—often working on assignments for publications such as Harper’s Bazaar, Life, or Paris Match—and curated 114 of these images.
Here are five things we might not think we need, but could turn out to be very useful to have. I curated them because I use them all myself. They also happen to be small items that make the perfect stocking stuffers—so pass this article on to friends and family if they’re short on ideas for what to get the photographer in their life!
If you buy a luxurious German-made Leica, it makes sense to want a luxurious German-made bag to keep it in, right? A bag that oozes understated elegance and quality, just like your camera. That’s exactly what a hand-made Oberwerth Leica Q Bag® delivers.
When I am out and about doing street and urban photography—and even a lot of travel photography—my preference is to have minimal gear with me. So the ideal bag to hold what little I carry is a small shoulder bag. But there are plenty of times when I need something a little larger to carry a second camera or action camera and audio equipment for vlogging.
Not so long ago, a 40mm prime lens was an uncommon sight. When selecting a standard focal length prime lens, the choice was 35mm or 50mm. So why are we seeing so many 40mm primes now? And more importantly, why would we need one?
I’ve been testing the new Lowepro ProTactic BP 450 AW III and I like it—a lot.
Owning a Leica is merely a dream for many. Their gorgeously designed and incredibly well-made cameras and lenses are expensive. Like a Rolex watch, they’re an indulgent luxury item, and many of us simply cannot justify the cost. If you’ve perused a Leica Store, you’ve probably discovered a new Leica M11 paired with a little APO-Summicron-M 35mm f/2 ASPH will cost you just shy of $20,000.
Inspiration and influence—these are things I’ve been thinking about lately. Why? Because it’s clear to me that so many new photographers are getting their influence from other photographers on social media. This isn’t always a good thing.
Leica launches the first M with an integrated electronic viewfinder, the Leica M EV1. But what will the M purists say?
For photographers and vloggers who travel and shoot on location, continuous lighting has always been a challenge, particularly when working outside in inclement weather. Harlowe has addressed this with its new Max Air 40W LED light, engineered for outdoor shooting.
If you’ve purchased a lovely camera, shouldn’t you buy a lovely, luxurious camera strap for it? That’s a rhetorical question—of course you should! If your camera is your pride and joy—something you’ve aspired to own for a while—and you finally bit the bullet and treated yourself, it’s fitting to give it a beautiful handcrafted shoulder strap. I’ve done this for a couple of my indulgent camera purchases recently, after discovering a surprising number of options when it comes to skillfully crafted leather straps.
I believe great photography is a result of great lighting. As someone who has spent a lot of time traveling and shooting in a variety of conditions, light has always been a top priority. Small portable LED lights started to become popular around 5–6 years ago, when dozens of brands began making a variety of lights in different shapes and sizes. I’ve bought many, keen to try different options out and find the best solutions for when I travel to shoot on location. Recently, I came across a brand that, in a relatively short amount of time, has carved out its own niche and positioned itself at a whole new level in the world of portable lighting for photography and video. They’re called Harlowe.
