I get it. You can’t pay the bills by photographing clients for free, or in most cases for exposure. There are definitely ways of turning exposure into monetary compensation however, that most creatives gloss over. Here are three ways of turning exposure into dollars, just by asking some simple questions to your client.
President Franklin D. Roosevelt once said, "Happiness lies in the joy of achievement and the thrill of creative effort." It's no secret that many of my clients belong to the LGBTQ community. I've worked hard to build a following in a demographic that should consider me an outsider; there is a real fear of being judged by anyone who doesn't routinely walk in their shoes. However, my client base hasn't always looked like this, and the road to building trust has been interesting to say the least. Why go through trouble? The simple answer is, “Because I love doing it!”
With the recent flooding of the market with battery-powered monolights, it might seem as if the humble speedlight will only ever be found on top of the photojournalist's camera from now on. The Profoto B1 and B2, the Broncolor Siros, and offerings from various small brands have given us options for high-powered flashes in much smaller packages than before. But sometimes, it is still more convenient to use speedlights than to lug around heavier and bulkier offerings.
Matterport is a new 3D camera that is designed to scan the interior of homes. The software stitches all of the still images together and creates a virtual tour of the home. Not a virtual tour as in a slideshow that realtors love, but one where you can actually walk through the home yourself. You can look up and down, left and right, move forward, backward, and so on. The technology, even in the state it’s in, is actually pretty incredible and really helps show off the home in a way we haven’t really been able to experience before.
From the majestic remote landscape of the Lofoten Islands comes this impressive aerial video created by Theo Gove-Humphries. Having just purchased a brand new DJI Phantom 4, he didn’t waste any time putting it to good use in a week-long outdoor excursion across the Islands in June 2016. There were several challenges that were faced in the filming of this project, and after you enjoy the video, Gove-Humphries shares with Fstoppers what he learned through it all.
Even though technology has come a long way, you have to have some kind of lighting in order to film. Generally, cinematographers bring in giant ARRI lights to help make a scene look realistic, but for the BBC TV series "Wolf Hall," they opted for a more natural approach. Cooke Optics TV sat down with cinematographer Gavin Finney to talk about how he used candlelight as the only source of light during nighttime scenes.
Over the past few weeks I have been touting the Sony a6300's video performance. This past week I decided to take the camera to the Mid Ohio Sports Car Course to film a track day. Oddly I ended up not using the auto focus, as the fences were proving to be a challenge with adapted EF mount Sigma lenses. On native lenses like the 70-200mm f/4 or the 70-300 f/4-5.6, this likely wouldn't have been an issue. Aside from that, the camera continued to impress me and exceeded my expectations.
Last week's article touched on a minimal approach to editing. While I am quite the control freak in my own work, sometimes, I am overwhelmed by the amount of tasks being thrown my way. I look to professional retouchers and virtual assistants to help me through the busy seasons.
The Internet and mass proliferation of capable devices has allowed almost anyone to broadcast live video. Many have taken advantage of it in the form of things like Periscope and Facebook Live, using it to broadcast behind the scenes footage and discuss trending topics, but Explore has used it for a rather neat purpose.
Now, I'll be the first to say I'm not an avid snapper. I don't broadcast a lot on my channel, but I do enjoy when I have a few minutes to kill to see what a few of my crazy friends are up to that do post daily or in some cases hourly, and I do very enjoy the fact that other than the random filters and stickers, the videos and photos are generally unaltered, and it seemed to almost be an honest window. However, Snapchat is now offering "Memories," or the ability to post or save photos to the app in order to post or repost them later.
Let’s be honest, it is very rare we come across photographers who shake us instantly, make us believe in the magic of photography at its very rawest again; photographers who get engraved in our hearts from the first sight to their work. Fan Ho was that kind of artist for me. At 84, he passed away from pneumonia on June 19, 2016 at a hospital in San Jose, California leaving us a remarkably unique body of work. I came across his magical photos this winter and since then I am hypnotized by the imagery he used to create.
Nearly every day I am hearing about some pseudo-horror story from a model or client about a shoot that went missing because of some technical problem after the photos had been created. Nothing is more frustrating than working hard to create the images that your client wanted only to be unable to deliver on time (or at all) because of some unforeseen technological problem that derails your entire process. As a professional you need to be prepared for these sorts of surprises before they happen so that you can always be ready to pivot and still deliver on your promise.
Photography changes year after year, but it's a gradual evolution. However, one area of photography that has been accelerating faster than the others has to be time-lapses. The videos have been getting longer, the shots more dynamic where a dolly is more common, and the quality is getting to the point of staggering. It seems that every frame could be pulled and used in a landscape portfolio. Adding to this trend is photographer Joe Capra with his 12K-resolution time-lapse of Los Angeles.