Hi, I'll be travelling to Thailand and Vietnam and plan on...
Shooting on the train was definitely a challenge but I like...
I have a Canon Digital Rebel 300D (DS6041) and my Sony Vaio...
I'm a part time photographer and love to shoot portraits...
Once upon a dark and stormy night, the chills ran up my spine as I clicked the mouse, seconds seemed more like minutes while I nervously awaited for the page to load. Ok well it wasn't that dramatic, however I'd be lying if I didn't say Horror Photographer Joshua Hoffine's work didn't give me the heebie-jeebies. A VFX friend of mine shared some of this photographer's work on Facebook and I immediately had to find out who this guy behind the scary photos was. I got a hold of Joshua after asking him if I could interview him and his process for Fstoppers. Then I almost peed my pants, being an old school horror film buff I was pretty excited to share some of his work! This guy puts some serious work into his scenes and it's not only something to be truly admired, however also pretty unique in the rat race of photographers now a days.
In the history of modern portraiture, few images have stuck in the collective consciousness of the photography world as firmly as the "Afghan Girl" portrait by Steve McCurry. The photo, taken in 1984 in the Nasir Bagh refugee camp, has become a lasting portrayal of innocence in a heartbreaking circumstance, as relevant today as it was over 30 years ago.
Photokina is a juggernaut. Held every two years since 1966 (intermittently before that beginning in 1950), it has long become one of the largest, and arguably the single most important trade fair in the photo industry. Two years is a short enough interval to not miss larger trends, yet long enough to skip over fads, so the biannual trade show offers valuable snapshots that help us understand where the industry at large is moving. Photokina 2016 closed almost four weeks ago. Enough time has passed for things to sink in, so let's look back and contemplate what the most notable trends from this year's show were.
I don't care much for Halloween; as a miserable Brit, it's all a bit odd to me. However, if Canon is going to offer a 15 percent off coupon code, I'll dress up in costume (read I'll wear a hat or non-matching socks) and celebrate with the best of you. The code is at the bottom of the page; please pretend to read my words while en route to it. I'll know if you don't.
Boudoir photography is not a modern concept nor is the evolution of its ever changing look. Throughout history there has been a desire to paint or photograph the human form. As the genre moves forward from early Renaissance painters, the works of Aurther Allen in the 1920s, to today with the modern day version of bodyscaping, there has been and will always be a fine line of the differences of how people view the boudoir art form.
Since 2012, when the Apple Retina MacBook Pro’s introduction set a new standard for laptop displays and did away with the DVD drive, not much has changed in the way of your standard laptop — especially for Apple. Four years before that, Apple simply moved to the now-ubiquitous unibody design. But after well over a year since the last refresh, Apple is back with a generational update that millions have not-so-patiently awaited. It’s about time. Let’s jump right in with the newest features of the latest Apple MacBook Pro range.
While there are many insurance companies that are out there for photographers and drone pilots, Verifly is the first drone liability insurance company that protects pilots and allows them to pay on demand. I recently interviewed Verifly CEO Jay Bregman to find out more about his new company and what they are doing to help drone pilots all around the country. One of the first things you will see about Verifly is that they cover up to $1,000,000 in liability within a flight radius of a quarter of a mile with any drone under 15 pounds. All operators have to do is select their area, after which they are instantly approved and provided with on-the-spot insurance to fly and proof of coverage to show to anyone who needs to see it.
With the advancement and affordability of video technology available to consumers now, the number of budding and aspiring film and video makers has seemingly raised exponentially. One of those advancements has most definitely been in regards to how the color correction process is handled. There's certainly no one path to success sort of idea with this either, but there are some things that you can do to help simplify and organize your process in order to work quicker and more efficiently.
Photographers love gear, so we tend to get somewhat upset when gear goes missing. Not only is gear quite expensive, but it often worms its way into our hearts. Our gear often becomes a pride and joy. As a result we want to avoid losing gear as much as humanly possible. Here are some of my favorite strategies for making sure that all my gear comes home with me after every shoot.
For anyone who appreciates the use of flash, there comes a point in photography work when you want more power than a standard speedlite can offer. Many strobe options provide more power, but require you to be tied up to power outlets. Few strobes offer a simple portable lighting option. Many would contend the Profoto B1 is currently the best self contained portable strobe on the market. That may be changing with Impact's newly released strobe, the Venture TTL 600.
Stumbling upon a recent article reminded me that this is a question I wanted to ask here on Fstoppers. In my expertise and knowledge there is an absolute need for filters in certain industries of photography and if you're attempting a certain look. For instance a few friends of mine that also work for my wedding photography company do some off road coverage, for them I'd say it's pretty crucial to have a filter on their lenses to protect as much as possible as high speed off road vehicles and dirtbikes fly past them with the potential of tossing a few hundred rocks their way daily.
If what we read on the internet is to be believed (and who doesn’t believe everything they read on the Internet?) film is definitely not dead. But for a debate which has been raging for well over a decade, I can’t help but wonder whether the wrong question is being posed. Is it not photography itself, rather than film, which has been dying a slow death in front of our very eyes?