Making a film takes many talented people working in varied areas, a fact I've recently come to fully appreciate as they film "Fast and Furious 8" here in Cleveland. The Foley artist is one of the unsung heroes, for if their work is done well, we don't notice it at all. This film is a lovely look inside the world of Foley.
If you haven’t been living under a rock, you’ve probably seen a cinemagraph or two floating around the Internet. You know the ones, those cool animated stills that you see on people’s Facebook profiles and online ads. You may have even seen people making animated portraits for weddings or that one time a guy took a selfie. They can be quite challenging to do well, but can be a lot of fun to make and become a great marketing tool.
Capturing dance in a way that shows fidelity to the energy and intricacy of the art form is difficult, but "WHAT I’M DANCING ABOUT: Ian Eastwood" is a dynamic look at the work and philosophies of Choreographer Ian Eastwood that certainly succeeds in that endeavor with its unique filming style.
Tripod plates. If you're like us at Fstoppers, you have a ton of tripods and a ton of tripod plates, and it's sometimes a struggle finding the correct plate to match the tripod. Give the boys a break; I'm trying to teach them how to organize. Not only is "where's that tripod plate!?" a common outburst in the office, but so is "does anyone have their keys?" Thinguma is a tool made for photographers so we don't have to ruin our car keys to change plates.
The media has done a great job of scaring the public of personal drones. Everyone believes that these flying toys are either spying on them while they shower or falling from the sky onto children's heads. Certainly remote control drones, like anything, have some level of danger, but things seem to be getting out of hand.
Have you ever been in a situation where you needed to send an invoice to a client, but you were not home? Maybe you are out on another job, shopping, hanging with family, at a friends, or in the other room watching TV. Hopefully you aren’t doing that last one, but Alto is here to help us out. If you don’t have QuickBooks or any other invoicing software, this is the tool for you.
I think it’s probably a fair assumption to make, that at some point during your photographic journey, you’re going to purchase a piece of photographic equipment. With today's World Wide Web, that can be as easy as a few clicks and a wistful look at your decreasing bank account, but I’m here to make the case for your local, “brick and mortar,” camera store. Well maybe not all of them.
I have known Suren Manvelyan for more than 10 years. When I first met him, I was a graphic designer who was fascinated by photography and he was a physics teacher at school who was looking for opportunities to grow as a photographer. We used to gather with our small Armenian photographer’s community each Friday to share experiences, discuss photography, and develop our skills. Years passed, a lot of the enthusiasts gave up and only a few stayed faithful to their art. Suren, on his behalf, not only grew to a professional photographer, but also didn’t give up on his other interests.
I've always heard that Adobe Photoshop will not allow you to import pictures of U.S. currency because you could potentially be using the software to "copy money." Today I ran across a video that also claims that all current copy machines will not copy currency due to a hidden pattern on the bills. I decided to put this to the test.
South Africa's racial segregation laws and policies of the apartheid era may have ended 22 years ago, but the lingering effects of the forced separation of whites and blacks is getting another look through a photography project called "Unequal Scenes." It is the brainchild of American Photographer Johnny Miller, who now lives in Cape Town. What started as a post on his Facebook page, has morphed into a national and international dialog.
Time-lapse videos are everywhere nowadays. You can see them in everything from Hollywood blockbusters, to educational documentaries, to that one weird guy's YouTube channel showing the most random things in a time-lapse format. Well done time-lapses should definitely be appreciated as, make no mistake, they are works of art in their own right.
Without composition there is just visual chaos with no beginning or end, no direction or cycle, no shape or difference between dark and light. This series is the go-to resource for compelling visual storytelling in landscape photography as it provides a condensed overview of all the elements that make up a stunning image. This week: Advanced tools that will nick the attention of the viewer and guide them carefully through your photograph.
When starting out in photography, one of the first things we hear about is the rule of thirds. We then venture out into the world, lining up our subjects onto imaginary intersecting lines. When we get home, we open our images into Lightroom and find that the crop tool is already set up to help us maintain this rule. But as we advance in our photography careers, we start to find that there are a lot more ways to compose an image. Luckily for us, there is a somewhat hidden option to change the overlay of the crop tool within Lightroom.