Like I've said before, being creative or simply having to create, is one of the biggest assets you can have in this era. Being creative doesn't mean you always have the juices flowing in your body. Sometimes, we get into a rut. I know some of you have fallen into that black hole where it feels like you can't seem to get out. Trust me, we can all use a jump-start from time to time. Creatives can always use a new method to refresh their minds.
It might be tricky to be your own stylist, costumer, or scene creator on your own set, especially when you have never been into it. I have some good news! Imagination, some research, and dedication can solve this issue and bring bright results. Here are five handy materials and tips to use on your upcoming shoots to add a special touch when you need something more than a regular shot. The process is challenging, fun, and brain-training. You will have good practice for upcoming shoots and better coordination with different materials on set.
If you don't listen to podcasts, you should. The guys over at Visual Revolutionary, a great photography podcast, interviewed our very own Lee Morris recently about how he got his start in the photography business, and also how he and Patrick Hall started Fstoppers. Let's all gather around the digital radio and take a listen.
Drones continue to explode in popularity. The small flying cameras have suddenly enabled thousands to get shots that only a few years back would have required a very expensive helicopter rental. If you're one of many photographers who now own one, there's a market you should look into.
The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2016, we'll be featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.
If you've ever been told by a professional photographer to create series or personal projects, then this is the perfect reminder to do just that. Countless times have I started a series of images for a paid gig and wished I had more time, or less restriction to make it my own. Finn Beales is a commercial and travel photographer based in Wales creating the perfect side project to his commercial work called "72 Hours In...," showing a few days in each exotic location he shoots.
The graduate program in photography at the University of New Mexico's College of Fine Arts has been recognized as one of the top five programs in the nation for more than 20 years. Once again, for 2016, U.S. News & World Report's annual ranking of Best Grad Schools, puts UNM's program tied for fifth place with New York's School for Visual Arts. One of the driving forces behind the program is Professor Jim Stone, recognized recently with a lifetime achievement award by the Society for Photographic Education as the recipient of the 2016 Honored Educator Award.
Eye-Plug is a new, tiny external camera device that plugs into your Android phone's reversible USB-C port to produce 3D video and photo content in conjunction with your phone's built-in camera. Previewed by Engadget at Computex 2016, which kicked off today in Taipei, the Eye-Plug promises to be useful for a variety of applications and will supposedly cost only $35, which Engadget is unsure about.
I'm always drawn to behind the scenes videos. I can't decide whether it's seeing how other photographers work or gazing at the equipment I now want to buy. It's probably a little from column A and a little from column B. This behind the scenes video is by Studio NEXT-IMAGE and shows photographer Sails Chong creating world-class shot after world-class shot in Japan using the Hasselblad H5D and Broncolor Siros L.
I’m going to be traveling soon. I’m going to Paris for a project documenting the city, its people and exploring its intangible nuances that emit emotion. Travel photography. I enjoy traveling, and I love photography. Can we put these two together? Yes. There is no other reason but the enjoyment of moving though the city that's got me excited.
It’s easy to be astounded by statistics such as 14 fps and ISO 3,000,000. But when you put everything that Nikon’s latest flagship body offers together, you get a machine that is the first of its kind, and that's really thanks to the combination of two features Nikon obviously pushed to new heights: autofocus, and — yes — ISO sensitivity (which has itself been a point of controversy for the Nikon D5).