When you’re running your own photography or videography business we all know that going out and shooting is only a small portion of the job. You have to make the connections to get the job. You have to go through the process of meeting with the client and assessing the needs to get the desired finished product. Then you have to find out the client’s budget and figure out how to accommodate them while charging properly for the shoot. After all that is said and done, and the project is finally coming to fruition the final thing left to do is send out the invoice for the job.

If you’re like me, you have little to no experience with time-lapses. It’s just something I haven't done much of. I’ve never had a client request it, and I’ve never really tried to do them for fun. I’m a stills guy, mostly, so time-lapses seem kind of like encroaching on video. But I thought this video was pretty interesting and had no idea that new versions of Photoshop have time lapse capabilities built in. Maybe I’ll give it a shot soon and get my feet wet with moving images with the help of this awesome tutorial on how to do time-lapses in Photoshop.

Making composites look seamless and realistic is the ultimate goal of a digital artist. In this tutorial, you will learn a simple and very effective technique for matching the degree of saturation of your background and subject.

I’ve written before about the elements of a good image for the sake of the image, and just recently about how pouring yourself into your own development will result in stronger photography. There’s one element that both of these fail to touch on. There is one element that strongly separates those who produce lasting images that their clients love and those who produce a one-off hit that gets forgotten days hence. That element is a deeper connection to the subject, a knowledge of it, an ability to express it that nobody else has. This is a connection between yourself and that subject, a mutual understanding that results in unique and beautiful images.

Half the fun of shooting portraits is the veritable multitude of ways you can use photographic techniques and creative ideas to represent a person. This fun video will show you three such techniques that only require bare-minimum equipment and a subject.

Don't worry, this video isn't about all about math. Rather, it aims to give you an intuitive understanding of one of the most fundamental laws of physics related to photography and shows you why it's so crucial to have a solid understanding of how it works.

Whether you are just starting out or you have been shooting for years, pricing is always top of your mind. For a long time, I just plucked figures out of the air, which made for very awkward conversations when clients wanted to know various ways to save money on a shoot. I eventually got my arse in gear and had a long (like a week-long) sit down and I went through everything in the smallest detail. Today, I give quotes with confidence, knowing that if a client says no, I am simply not the photographer for them.

Being that I’m primarily a wedding and documentary photographer, it’s not every day that I get the chance to take a portrait of a celebrity. Add to this that I live in Northwest Arkansas, which isn't really a hub for celebrities, makes it even less likely for me — especially one as well known as William H. Macy. So I thought it would be interesting to line out how I pulled it off and got the final image.

Most of the times, wedding photography is looked at as this big ball of happiness, glam, and glitz where two hearts come together to exchange eternal vows and so many people come together to celebrate it in a grand way. Now that’s the fun part. From a wedding photographer’s eyes, there’s a lot more to it. From client communication to shooting to editing to delivery, there are so many things that a wedding photographer juggles around before signing a project off happily. One of the most important parts of it is the legal contract.

When I was first getting into photography in college (and teaching myself), I read as many “10 Ways to Improve Your Photography”-type things as I could. My reasoning was this: even if I already knew some or most of what was included in the book or the post, if I picked up just one solid piece of new knowledge, it would have been worth the effort, and it was a quicker read than a long book. To me, those types of articles are still useful. Some see them as clickbait, I see them as an easy way to either refresh what I know or learn a quick tip that may be beneficial to my career when I'm short on time.

It feels like an increasing occurrence to meet creatives — particularly photographers — who feel no obligation to have their own website. Here's why it's still imperative to have an online portfolio that is readily available for your clients to access.

We have all been guilty of watching someone’s Instagram account and wonder how the hell the pictures are edited. Sebastian from TechGenie has recently been creating videos to demonstrate how to mimic some famous Instagramers editing style. The latest one on the list is named Sam Kolder and his desatured teal and orange look.

Don't get me wrong, natural light and golden hour are gorgeous and a huge part of what we do. But, in addition to these types of photographs, we have built our name on imagery that differs from the typical wedding or couples photograph. Our studio (Lin and Jirsa Photography) has become known for unique and epic environmental portraits. While almost every client wants golden hour imagery, these stand-out epics help draw clients to our brand in the first place.

Seven years since inception, I have shot over 250 weddings across the world and it all began from that first itch to capturing someone’s special memory and putting a smile on their face. Looking back is always fun; a lot of mistakes made and lessons learned. As a wedding photographer, I sat by and thought over what I’d say to myself if I were to begin fresh now. Now, this post is not just to those who are raring to get started in photography, but also to the beginner in each one of us who loves to get started every now and then with a fresh perspective.

There are countless photographers out in the world who are producing truly exceptional work in the field of boudoir. Local to me in Utah, the field is one where most of the boudoir photographers are women. The ratio of boudoir photographers from female to male is really irrelevant, so I didn't even bother trying to figure it out. Starting to offer boudoir services as a male photographer was a fairly daunting idea to me, particularly because the community in which I live is fairly conservative and the boudoir genre itself is not as widely accepted as it might be in other communities around the globe. If you find yourself in a similar situation then here are a few ideas to hopefully help you get up and running.

When shooting fast-paced action or a scene with tons of movements, it can be interesting to add more drama by using speed ramping. The technique consists in having a scene that’s played at different speeds depending on what’s happening. It may not make sense for now, but if you want to make your videos more attractive or just add a new tool to your belt, be sure to watch this tutorial.

Photography is all relative to the creator and the viewers, so the decision of whether to underexpose, overexpose, or to expose your portraits evenly is obviously subject to personal preference. There is merit to any of the methodologies that you could apply to your own photography and it really just comes down to figuring out what works best for you and your gear.

Long before I ever picked up my first camera I was always fascinated by the subject of psychology. To understand some of the reasons why humans behave the way they do is rather useful in many areas of our lives. Once I started to get into photography more seriously I began to realize how the two subjects could be used together to make more powerful images.

I've actually had quite a few people request that I create a tutorial for my production processes wherein I add background textures into my studio shots. I know, it has taken me forever to get around to actually putting it together, but it's here now! The tools that I will go over in this tutorial are quite handy for a variety of uses. But for this tutorial, we will specifically use them to select and mask the background in a studio portrait shot.

If there is one type of photograph that you could call universally appreciated, I would say a properly executed cityscape ranks right up there at the top. While New York City often comes to mind when you think of skyscrapers and iconic views, Dubai in the United Arab Emirates now makes a very strong case for being the most amazing city to photograph in the world. Of all the photos coming out of Dubai on a regular basis, I'd say Daniel Cheong's are hands down the best of the best. He is ready to share his skills in an upcoming class on September 8 put on by 500px called "Shooting and Stitching Vertical Panoramas." Best of all, the class is free for 500px premium members.

There are many paths in professional photography. I have gone down the route of commercial photography, and whilst I am nowhere near where I want to be in professionally, I thought I’d share a few points that can go a long way to making it as a professional commercial photographer.

Traditionally, more involved edits such as dodging and burning are done in Photoshop, but it's often desirable to stay in Lightroom if you can. This helpful tutorial shows you how to dodge and burn a portrait all in Lightroom.

Understanding light is at the heart of photography. The topic of light is a vast one but there are some fundamental concepts which should be mastered before all others. One of those is the difference between hard and soft light.

Lindsay Adler is best known for creative fashion and beauty work, but aside from her stunning and unique photography, she’s a great speaker and educator. She recently gave a two-hour master class at B&H on how to create a portrait that is a work of art. Listen to her and learn how to elevate your imagery and improve your workflow from pre- to post-production if you wish to build a portfolio that stands out.