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Cleaning skin is one of the most tedious tasks there is when it comes to portrait retouching. It takes quite a bit of time, and when done improperly, the texture can quickly become mushy. To keep the final image as natural looking as possible, there are a couple of techniques that can be used to limit the number of pixels we alter. In this tutorial, Zoë Noble demonstrates how she uses the clone stamp tool to clean the skin.

For some of us, growing our social media isn’t where we excel and we need some help or advice on how we can improve our following. Over the years, social media platforms have grown and changed. Many photographers have left Facebook or are in the process of ditching it for their photo-sharing application Instagram and putting all their efforts into this platform instead. So how do you grow your following on Instagram?

Lightroom is likely where you spend a lot of (if not the majority) of your time working on images, so any tips that increase your efficiency or control over your images can add up to big time and quality gains over the long run. This helpful video contains 10 lesser known Lightroom tips and features that should be of use to most any photographer.

Making sure your images are sharp is a necessity for every photographer. Getting your focus right in camera is of course key but there is always room for improvement in post. Like most things in Photoshop, there are multiple ways to sharpen an image, but my absolute favorite is the High Pass filter. Colin Smith of photoshopCAFE explains exactly how it works and why it's the best way to sharpen your images.

Multi-light setups can seem complex and intimidating for several reasons, not the least of these are all the variables involved. Where do you put the lights? What power settings do you use? How do you balance everything? What if there is ambient light from other sources? Then there’s the cost aspect. How can I afford enough lights for these complex set-ups? Luckily, I’ve made things complicated for myself so I can make them as easy as possible for you. Let’s break down these three shots and find out how you can light a complex scene without making your wallet cry and, hopefully, without too much hassle.

Ever wonder what happens during a boudoir photography retreat that is aimed to educate those to be the best in the business? The top photographers are the best for the fact that they never stop developing themselves on their craft. Attending workshops, retreats, and conferences are part of how you started out so why stop now?

The eyes are one of the most crucial parts of a person when it comes to portraiture and retouching, as they are the first thing a viewer looks at and generally the establishment point of human interaction. This helpful tutorial will give you a complete guide to retouching eyes to give them a natural, vibrant look that instantly draws the viewer in.

At this point I have lost track how many times I have been given inaccurate counsel from other well-meaning people, such as, "Make sure you copyright that so nobody can steal it," or "If you put it online then you give up your rights and it becomes public property." Such advice will only ever come from people who don't actually understand copyright laws. When it comes to copyright issues and navigating them, the only advice worth following is advice that can be backed up by law. If you receive advice that can't be backed up by legitimate copyright law then the advice is simply someone's opinion.

Everyone has a different feeling on collaboration. I feel that it's a very good thing for a new photographer, but I also feel it can be greatly misused or misrepresented. I used a model/photographer finding website to gain skills and experience via collaboration, and I feel it was a shortcut to what would otherwise have been years of work.

Wedding and bridal expos are a great place to find potential clients for your boudoir business. Brides typically come in with their mothers, girlfriends, and sometimes part of the wedding party giving you the opportunity to speak with many leads at one time. One photographer has had over 50 percent of her clients just from bridal booths alone.

I love strip lights; they're probably my favorite when it comes to lighting. However, like everything that has to do with lighting, they're expensive — often much more so than their design and realization seem to command. Luckily, there are clever photographers out there with DIY projects like this one to save the day (and your wallet).

I found Irene Rudnyk a few months back when I was looking more into portrait photography. I found that her work stood out amongst a lot of other work because of how clean and straightforward her style was. In this video, Rudnyk goes over how she shoots in a small bedroom inside her house using only natural light and a reflector. This video goes to show that a good photo really can be created anywhere if you know exactly what you want and how to do it.

As a photographer, at some point a friend, relative, co-worker, or a follower will ask you to photograph their wedding. Regardless of whether you are a product photographer, pet photographer, or any other kind of photographer that has nothing to do with weddings, they will ask you. And at some point, you will say yes, which is probably how you have found this article.

Learning to make selections both precisely and efficiently is a skill all its own, and no method is perfect for every situation. This technique is a great alternative for extremely intricate selections and is both precise and quick in the right situations. Check it out!

It was my first wedding to shoot and I had never shot one before. I get stressed out really easily, so doing this was a bad idea for me all the way around. I missed shots, I missed a set of groups, and my lighting for the reception was terrible. On top of not having a clue on how to get a proper exposure for a wedding and what images were important to the couple, I delivered full-resolution files on a plethora of disks that caused more confusion than good. Today, I'm using online galleries provided by Pixieset and flash drives for file delivery. 

Primarily, I'm a NYC Wedding Photographer. However, I also photograph business headshots in my NJ Studio as well. I love doing this as a side-gig that brings me extra money for practically no work at all. To be honest, I wasn't really all about it when D.C. Headshot Photographer Moshe Zusman told me I should start implementing it into my business. Seemed a bit boring and I didn't get how it would make me more money than the $10,000+ High-End Weddings that I photograph now. I was wrong.

Barry Harley, an editorial photographer from Northern Virginia, took whatever tools he had at hand to create an image reminiscent of nothing less than Annie Leibovitz's Vanity Fair group portraits. The difference: Harley was using two Yongnuo YN-560 II speedlites and a Canon 5D Mark II whereas Leibovitz usually uses Profoto strobes together with a Hasselblad and Phase One back or a Nikon D810.