There are somewhere in the neighborhood of 8,000 ways to convert an image to black and white, but of course, not all methods are equally effective or offer the same level of control over the final product. This method takes a bit more time than most, but will give you the exact results you desire.

When we think of landscape photography, the default image our mind imagines is probably some sweeping view with gorgeous golden light and epic scenery. Nonetheless, that's not the only look you can get in landscape work, and as this helpful video shows, you can pull impressive images even out of the worst conditions.

As wedding photographers, we always find ourselves walking the high wire between art and popular demand. But then, is the balance hard to achieve? In my opinion, I’d say it is wise to just put the thought, sincere effort, and presence of mind into your photos. What you capture will be loved equally by the artist in you as well as the couple you shoot - who seek nothing less than spectacular. The picture we are going to dissect is a product of this belief.

Michael Shainblum, Fstoppers' Photographer of the Month for August, has been creating epic time-lapses for years now and he’s just released a new YouTube video tutorial. In this new video, Shainblum goes through his editing process detailing an Adobe-centric workflow for time-lapses.

This may be appalling to some, or realistic to others, but I think if we don't discuss the state of the profession of photography we will eventually regret it. When it is more than a hobby, how has the industry changed? Is it a good change? Has technology helped or hurt the professional?

Photography, as with any creative pursuit, requires the creator to have their hand in the process for the results to shine. Countless Facebook ads, online workshops, and even our camera companies would have you believe that they if you just buy that next magic bullet, everything will change for you. If they are to be believed, swiping your credit card just one more time is the key to making great images. Rubbish. It’s time to break away from that thought.

Lighting: it's the beginning and end of photography. The way we think about light shapes our style, our techniques, and the way we feel about our art. Unfortunately, lighting, whether by natural or artificial means, can be intimidating. When we're learning about lighting, all too often we get so wrapped up in technique that we don't think about what we are doing before we execute. However, sometimes the best tips we can get have more to do with mentality than technique.

Love them or hate them, Lightroom presets have become a staple in the world of editing. A lot of users use them to emulate their favorite photographers or in an effort to recreate certain film looks. The problem with these presets is that everyone that uses them ends up releasing work that looks the same as everyone else who has the same preset. This was apparent with the very popular VSCO presets. What DVLOP aims to do is give you the ability to not only emulate your favorite photographers, but also the tools to create your own style.

Photographers and digital artists alike have been using image editing software like Photoshop to enhance their work for years. There are several ways to add creative enhancements and filters to your work within Photoshop, but there are ways to add them without using the program or even in conjunction via other software and plugins. Auto FX Software has been around for more than 20 years with their customized creative photo software solutions which work as a stand-alone program or as a plugin for Photoshop or Lightroom. Right now you can get two of their modules for FREE along with support from Auto FX Software.

Normally, you get what you pay for. If you try to buy something that is less than half the price of its competitors, it's going to be bad. This is certainly what we expected when we compared four of the most popular carbon fiber tripods, but I'm shocked and excited to tell you we actually liked the most affordable model we tried the best.

Color has always been an Achilles' heel for me. When I first started in this industry, I was always looking for the magic answer: a specific Photoshop action, or a Lightroom preset, or a plug-in that did some kind of magic that created the color that I had wanted. Boy was I barking up the wrong tree.

What's the first rule of any working professional photographer? Backups. What's the second rule of any working professional photographer? Backups for the backups.

Photographers who are active on social media often get a lot of questions about the technicalities of photography. Especially about nightscape photography – the subgenre of landscape imaging where you basically have a dark landscape set to some celestial backdrop featuring twinkly stars. Either through commenting on a shared image, a direct message, or an email, people ask about the type of gear that was used to capture a specific shot or any of the numerous variables that make up a given photo. Variables that range from the time of day to how many degrees of rotation on the polarizing filter. But this time I got an email that announced the inevitable demise of the subgenre of nightscape photography. But there’s a strong, intrinsic motivation for nightscape photography that I want to share with you here.

If you are interested in the commercial side of the photography industry, working with models and agencies is a must. Approaching a modeling agency and asking to work with models can be intimidating, particularly when you aren't sure how to get started. Fortunately, Dublin based fashion photographer Anita Sadowska recently shared a video on her Youtube channel that provides helpful hints any photographer can use to get their foot in the door.

If you record audio separately from your video, which most likely you do, then part of your postproduction process will include synchronizing. This process doesn’t have to take a lot of time or require plugins or software. Premiere Pro has built-in tools that allow you to quickly and easily get your video and audio in sync. Let’s have a closer look at how to accomplish this.

Modern digital cameras have some pretty impressive dynamic range, but the world at large still has many scenes that are simply too much to capture at peak quality in one exposure. This helpful tutorial will show you a powerful and effective technique for blending multiple exposures using Photoshop.

When shooting assignments in the past, whether portraits, weddings, or journalism, I’ve always been one to carry two bodies to give myself options. I like to be able to access two different focal lengths at a moment’s notice. In the past, it would not be uncommon that those bodies would be two DSLRs of the same brand, usually Nikon or Canon. But now it’s something that is uncommon for me. You see, I now roll with a DSLR and a mirrorless body to allow myself maximum flexibility. And perhaps it’s something you should try, too. Here are a couple of reasons why.

With its increasing popularity, photographers and videographers alike have begun to entertain LED lighting as a possible option for their shoots. Spiffy Gear believes they now have that solution, and it's called Spekular. Touted as the "Swiss army knife" to a creative's needs, they introduced their new product as the solution to make videographer and photographer's lives easier.

So much of post-processing revolves around editing to bring more attention to your subject, whether that be a person, a waterfall, or whatever you please. One versatile and effective way to do this is through the use of radial gradients. This helpful tutorial will show you just how to use them.

If I asked you what comes to mind when I say painterly photography, what would your answer be? Do you think of technical art school concepts that define the two mediums like abstract versus figurative? Or maybe you think of stylistic photography choices, whether in shooting or post-processing, that give the finished image a timeless quality. Whatever your reaction to the concept is, here's a cool mini-series to check out that is delving much deeper into the topic.

You've got that fancy new lens and a great concept for a shoot, and now, all you need is a model. Finding models to collaborate with is an art in itself, and making sure you're going about it the right way can be the difference between a successful shoot and a concept that is never brought to fruition. Here are 10 useful tips to get you off and running.

After seeing the hundredth time-lapse, it can become a little difficult to appreciate the incredible sight of an aurora creeping over hills in Iceland. Do many of us suffer from "art fatigue" where seeing so much great work online can make us a little numb to incredible sights? I admit this was the case for me until I saw this time-lapse from JeffHK.

There are tons of different ways and several products on the market that people buy to reduce the appearance of bags under their eyes. So it shouldn't be a shock when a client asks you to help them out and reduce or remove the bags under their eyes in the photo. Just as there are many ways to reduce the appearance in real life, there are many ways to do it in Photoshop as well.

When what seemed like half the photographers in the United States posted a photo to the #SolarEclipse2017 hashtag, it gave me an idea. Instagram, Twitter, and Facebook all allow for fairly organic public searching of hashtags and a lot of our Fstoppers readers are active on one, if not all of these sites. Our article featuring an Instagram hashtag guide was one of the most popular of the year. Now on a regular basis, Fstoppers readers have a chance to get their work featured based on what is produced instead of likes on a photo, or how many followers they might have. Let's do this.