Our behind the scenes series during the filming of Where Art Meets Architecture 2 continues today with Episode 7. In this episode we continue shooting an incredible modern home in the middle of a lava field and we attempt to entertain ourselves in a few different ways while we are out in the middle of nowhere.
In this informative video from Jay P. Morgan of The Slanted Lens, Jay goes back to the basics to show off the principles of light, and how they affect a sphere. Whenever a light is added to a subject, five things happen, and this video explores what is created, and how to control it, which ultimately will help you to craft your final image in a photo or video.
Tabletop product images, especially those shot top down, are very popular in recent years. They can give a clean and minimal design esthetic while still clearly showcasing all components of a product. It's no wonder these types of images flood many company social media pages. This video from Cinematography Database offers a good look at how to achieve a pleasing light setup for such work that mixes both hard and soft light.
Our behind the scenes series during the filming of Where Art Meets Architecture II continues today with episode six. In this episode we fly to Hawaii, get ripped off by Delta, lose one of our bags and our drone, and film our first lesson at a house built in the middle of a lava field.
Even though she doesn't have a professional portfolio website, her name is widely known. Annie Leibovitz has done yet another nice shoot. This time it is for a Lincoln Continental campaign. Her style is very distinctive — both working with the subjects, lighting, and post processing. Although her lighting is simple, many photographers find it hard to achieve such a look. There are details that are not obvious if we look only from the technical side of her work.
Cars are beautiful pieces of machinery, some more so than others. Photographer Philipp Rupprecht came across a chance to shoot a Porsche 918 Spyder as soon as it was delivered, which almost took a year to begin. With a chance to shoot an amazing automobile, I probably would have waited as well. Philipp and his team where able to take the Porsche to a 100 year-old locomotive hall that's usually available for large events; I'm very envious of a location like that.
Whenever I am working with models on a shoot, I always have their best interests at heart. You may say I care too much about my models, but I am alright with that. No one badmouths a caring photographer. I have seen firsthand how some models are treated badly on set and it saddens me to see how bad attitude from photographers can ruin the photographer-model relationship and also lead to bad photos. Knowing how to build a relationship upon meeting your model and engaging in a photoshoot with the latter is a must and I asked a couple of models for advice to write this article.
When you think of photographing jets above rising cityscapes, some of you may think initially of a "Mission Impossible" type of situation: a daring photographer in a flight suit and goggles strapped to the back of a military-looking plane with the cargo ramp down, snapping off shots as they fly through the air. Sure, it's been done, maybe not to that extreme, but you get the gist. However, Dallas-based Automotive Photographer Pepper Yandell shows you his trick to getting those picture-perfect photos, and it's much less dangerous and extreme than what you may have first thought.
Mike Kelley's Where Art Meets Architecture 2 Behind The Scenes continues today with Episode 5. In this episode we continue shooting the "tree house" from last week, and Patrick breaks Mike's rib in a go-cart.
In this thoughtful video from Dedo Weigert, "catch lights" (or "eye lights") are analyzed in-depth, with many examples and explanations as to what different effects are created by their use. Placement, intensity, shape, and direction can all play a subtle but very important role in when it comes to a catch light, and what a director or cinematographer wants to communicate from their character can drive that decision.
Audi took advantage of Monday night's presidential debates with its "Duel" ad spot. Nearly the entire clip plays in reverse, allowing the chronology of the true story and how the action unfolded to the point at which you began to unravel itself in an action-packed scene. The rewound clip -- fit for a 007 film -- features quite the production, complete with excellent, blockbuster-born sound effects to sell every punch and shattering glass shard. But it doesn't take much studying to see this was hardly as easy as rewinding an otherwise-normal action sequence: it took great audio to create this spectacle.
Where Art Meets Architecture 2 Behind the Scenes continues today with episode four. In this episode, we rent an incredible home in Beverly Hills to live in and photograph for four days.
Parabolic softboxes are all the rage in the lighting world. It seems like you can't check out lighting videos on Youtube without coming across one. But with price points all over the place, I was reluctant to pick one up for fear of spending too much money on a modifier I wouldn't like or use. Then, I came across the budget-priced Selens Parabolic Softbox. With a price of about $100 and good reviews, I was ready to pull the trigger. Here are my thoughts and video review.
Once you start doing a lot of video editing, watching your favorite movie or TV show is never quite the same. The way dialogue scenes are cut together, the framing of characters in a shot, and of course scene transitions. In this supercut from the popular TV Show "Stranger Things," see how the editor used a variety of cuts to create compelling transitions.
Recently I found myself going through Facebook when I came across one of Benjamin Von Wong's videos. After watching the video by Empty Duck Digital, I felt like he hit the nail right on the head with his response to people's common questions of “What preset do you use? What equipment do you use to make that happen?” Like he states, people are always searching for the fastest and easiest steps to speed up their workflow. I understand why, but at the same time, most of it can’t be done. “Time and hard work” are his answers, and I completely agree.
Where Art Meets Architecture 2 Behind the Scenes continues today with Episode 3. Normally, our BTS episodes include some educational content, but this episode is for entertainment only. In this episode, we leave all of our gear behind, and Pye Jirsa from SLR Lounge takes us all out in his race car.
I haven't been writing very much lately, but when Swedish Commercial Photographer Erik Johansson hit me with an email about his recent creation, I had to stop and take notice. And I'm not the only one. For the third chapter of their miniseries, "Human Made Stories," Volvo (in partnership with Sky Atlantic) spent three days this summer documenting Erik's process as he breathed life into his latest piece, "Wake Up." Volvo's miniseries features defiant pioneers who inspire, do things differently, challenge conventions, and blaze their own trail. Yup, that sounds like Erik to me.
Often, I get asked how a shot was done underwater due to the objects that are with the client. Recently, I started using GoPros to obtain behind the scenes footage to help better explain positioning and lighting on various sessions. "The Archer" was one image that caused most people to ask: "Did she really shoot the arrow at you?"
Where Art Meets Architecture 2 Behind The Scenes continues today with Episode 2. In this episode we photograph a $15 million home in Venice Beach.
If you’ve ever felt the need to take on a crazy project despite consequences, photographer Blair Bunting knows exactly how you feel. In an effort to recreate a scene from the classic movie “Top Gun,” Bunting put his guts where his mouth is and attempted to photograph a jet flying 500 feet off the ground while his own jet flew upside down above it only a short distance away. This video captures that remarkable feat, along with the preparation that came beforehand, and you have to check it out.
It all started last year when Patrick and I flew around the world twice to create Photographing The World with Elia Locardi. We documented our entire three months of travel and edited it all down into 16 behind the scenes episodes. Earlier this year we created a behind the scenes series with Joey Wright covering our Swimwear Photography tutorial. These series have been so popular that we've decided to continue them.
Developing an idea for a memorable photoshoot is not an easy task. It involves concentration, creativity, discipline, managing skills, and much more depending on the type of photoshoot. Often, we start with a barely visible image in our head. But having a strong sense what we want, will help us develop it into a final, achievable visual. An inspiration is a crucial part of this algorithm. Everything can serve as an inspiration: from a dress to a hair color you saw on someone; from music to a movie you watched last night; from a color at the shop counter to a tree in your backyard. When you have something realistic to build your theme upon, things get easy. But what do you do when you have no idea where to shoot it? Your mobile phone can be your savior here.
High-end beauty photography requires images to be as close to perfection as humanly possible both in camera and in retouching. There's often a myth circulated that beauty editorials are so heavily Photoshopped that they are in essence all Photoshop. This is simply not the case.
Photographer Clay Cook recently collaborated with Tether Tools and produced a fantastic photo that is not only inspiring because of the actual final image, but also because of Clay's concept and process that he has explained and laid out for everyone.
It isn’t every day that a massive commercial client gives the freedom to artistically design a product launch. But freedom and a great amount of trust is exactly what Infiniti Motors Middle East gave Patrick Rochon for their new Q30 reveal. Rochon’s previous success with Infiniti’s Inspired Light campaign led to a second contract that allowed him to produce one of the most artistic automotive reveals to date.
Back in July of 2016, Adobe released a major update to Lightroom Mobile for iOS that allows it to work directly with any and all raw files supported by the desktop version and to also sync them seamlessly with the desktop. But what does this actually mean for real-world use? What problem are we actually solving? Let's go on a trip with epic travel photographer Elia Locardi and find out.
Stop motion animation is by far one of the most forgotten mediums for filmmaking, yet it holds high respect for what it is and how it's done in large motion pictures today. Those pushing the envelope in 2016 are the geniuses behind Laika Studios where they blended hand crafted puppets, CGI, and 3D printing to build a world filled with imagination and story.
It’s the moments between our accomplishments that define us. Particularly in an age of social media, with its carefully curated posts, profiles, and portfolios, it can be hard to appreciate the part of your persona that nobody was ever meant to see. That is until you realize that little bit of you just might be the most real. This certainly seems like the case for Iowa-based Videographer and Producer Tyce Hoskins, whose GoPro outtake reel, “GoPro & I,” is generating buzz for being, well, sort of unprofessional.
For me, food photography has to be one of the most complex and technical types of photography in the industry. The ability to bring life and attraction to something you need to convince other to eat is pretty impressive. Steve Giralt has done the impossible by creating one of the most outstanding examples of a deconstructed burger I have ever seen.
In this video from Aputure, Director of Photography Julia Swain is invited to share her techniques for lighting a dinner table scene, which are common to film productions, but also have applications in the corporate and documentary video world. After the video, check out some of my own personal examples from lighting a similar setup, but instead for a corporate roundtable with an all black background.
You can’t have a car feature without some amazing details shots of the car, right? Recently, Ben Hosking from Hosking Industries shot a VH SS Holden Commodore for Street Commodores magazine. Some behind the scenes video was taken of his process.
Most of us are familiar with Drew Geraci’s work even if we don't recognize his name. Geraci is the owner of District 7 Media and is the man behind the time-lapse material seen in the opening sequences of Netflix’s House of Cards, PBS's Frontline, and three NFL's Superbowls. As one of the most talented and influential time-lapse producers in the industry, Geraci again pushes boundaries with “China: A Prisma Tale,” a motion time-lapse processed within the Prisma App.
Photographers Kristina Sherk and Chris Crumley have been a dynamic pair for years with their underwater photography. Crumley's shots of Sherk's mermaid modeling have gone viral around the world. However, Sherk decided to take on a new endeavor and create her own underwater art.
When the top of the line car manufacturers look for people to call on in order to craft their new marketing materials for the newest and most technologically advanced cars off their assembly floor, they reach out to people like Richard Thompson, and that's exactly what Pagani Automobili did, for their newest and most advanced automobile yet.
