It’s one of those iconic images that makes your camping trip look like an epic experience of a lifetime. In this segment of AdoramaTV’s “Getting the Shot,” Corey Rich takes the mystery out of how to capture your own glowing tent photo. From gear to technique, this video goes over all the basics to have you prepared for your next adventure.
Can you imagine having the unlimited golden hour for a photo shoot? In this incredible video project created by photographer Simon Roberts and NATO pilot Jonathan Nicol they were able to exactly that. By exact calculation and plenty of research they made the sunset last as long as possible, here is how they did it.
Mercedes-Benz – yes, the automobile manufacturer -- has shared a nice video featuring The Impossible Project and their quest to bring instant film back to the marketplace.
As the video explains, six years ago IMPOSSIBLE started with a factory and little else. The company was able to redevelop the necessary processes and materials to produce instant film. They now offer 600-type film, SX-70-type film, and even 8x10 black and white instant sheets.
Having just started in photography two years ago I have a strong passion for creatives willing to share their passion and tips with the community. Fstoppers included, its one of the reasons I found all the information I needed with little to no cost starting out. Skillshare is launching an exciting series of classes highlighting how some of the best photographers in the world do what they do best, take incredible photos and share them with the world.
I get asked day in an day out; "What is that big black box on the front of your lens?" Well, it's a matte box that mounts glass filters in front of your lens... the LEE Filters System. In attempt to cover the question I recieve so often, I wanted to address it all and explain the system, but my friend and fantastic photographer Dave Kai Piper beat me to the punch! So, instead of writing my own article on the matter, I thought it best to simply share his article...
The Maze Runner, a new film by Fox and Dayday Films, is a new film in what seems to be a trending list of young adult dystopian movies to be released recently. In these behind the scenes featurettes we can see a small glimpse at how they filmed the movie and how the special effects were created.
We've shown you how the USAF Thunderbirds get their amazing imagery, but how do others do it? Go behind the scenes with aerial photographer Liz Kaszynski in this incredible video highlighting what goes into the process for the most epic military jet photos in the world. Liz explains where she travels along with the strenuous training that goes into shooting such an interesting subject matter.
Mountaineering photographer Robert Böesch stood at the ready, next to several cameras as he waited for the right conditions and timing, to capture an unbelievable exposure of the Matterhorn Peak, one of the most notable mountains in the Alps, if not the world. What made the image so special was the team of mountaineers already in place, each with red lights to illuminate the first route ascended on it 150 years ago. This video shows how it was done.
Austin Mann recently got hold of the new iPhone 6 Plus after Apple’s Keynote at the Flint Center in Cupertino, California. In partnership with The Verge, he set out on an amazing adventure through Iceland with the phone in tow. His reason? He wanted to put the iPhone 6 Plus camera through the test to see how much has improved since the iPhone 5s. His results? From focus pixels, focus control, time-lapse and slo-mo, Apple has made all the right improvements and innovations with their iSight camera. The new features are “enabling iPhone users to better capture and share life” says Mann.
The old photographers’ saying, “It’s not the camera, it’s the photographer” sounds like a self-serving flattery when it comes out of the mouth of a photographer, yet has never been more accurate than today. Its ironic how, as a professional photographer, I posses the knowledge of manipulating the most sophisticated gear and cameras available, yet when I shoot an image on the iPhone the resulting image is an embarrassment. Rushing to my defense I’ll utter each time, “I’m a terrible iPhone photographer…” So when I see amazing images, shot with the iPhone, I’m impressed with what can be achieved.
Ever since Benjamin Von Wong took a leap of faith and left his successful career as a engineer to persue his artistic passions, he has kept a legion of die hard fans enchanted by his ability to turn the ordinary into epic. Whether it be organizing complicated pyrotechnics, photographing surreal scenes of ultraviolet models, or chaining models to a shipwreck 25 meters below the surface in Bali, Benjamin has never been interested in being ordinary. In his insanely creative mind, his thought process of "If it's not epic, than what's the point?" has led to some of the most memorable photoshoots in the last several years.
The Austrailian based production company, Graetzmedia, may have just created one of the most inspiring, insightful, and incredibly entertaining behind-the-scenes videos ever! Have a look at how you can pull together a Hollywood level shot on a small-hometown level budget.
Incredible behind-the-scenes photoshoot with the one and only Simeon Quarrie as he takes us through his process and passion for a shoot involving over $100,000 in gear and a couple willing to gamble on his vision. With a shoot of this magnitude challenges are abundant including finding just the right couple that is open to a shoot of this magnitude and style.
Last year, Fstoppers interviewed photographer, and possibly one of the nicest people on the planet, Coty Tarr. Last week, Coty got not only his first cover ever, but THE cover for anyone that photographs anything remotely athletic - Sports Illustrated. What makes this story so great isn't just that it's the cover of SI, it's that Coty grew up just south of Pittsburgh. He's a diehard Pittsburgh sports fan. It wasn't just a cover for him... it was home.
This is one of those phone calls you always hope to receive from a photo editor, but you can never envision happening. Well, it finally happened to me - "One of the biggest pop bands in the world right now needs to be photographed for the cover of a music magazine, Alternative Press, and you have to fly from New York City to Amsterdam to do it." This is the story of my adventure and how I made my photoshoot happen.
Martin Melnick is a Portland-based director and colorist. His studio, Tree House Post, specializes in color, VFX, editing, and motion graphics. Recently he along with his team put together an amazing music video for the band Adventure Galley based on classic 50s and 60s scifi shows such as Men into Space, Destination Moon, and Dr. Strangelove. The video has already received quite a bit of attention from various film and music video festivals and Martin was kind enough to share a behind-the-scenes look at the creation of the video in a brief interview.
Throughout my career so far I have failed over and over again. Although it’s the successes that I'm remembered and known for, it’s the failures that are always the catalyst. At the end of the day, the key to success lies in failure. This improvisational beauty shoot was only a success because I set myself up to fail.
Figuring out a fair rate for providing photography or video services can be a slippery slope, filled with pitfalls if you happen to price yourself incorrectly. But what's more complicated than setting a rate for services is how to approach setting a rate for someone who wants to license a piece of work you've already created. In this post I'll share my insight on the factors I look at, and my rationale for determining a fair fee for video and photo licensing.
The state of California is simply unmatched when it comes to beautiful, picturesque imagery in the United States. As the birthplace and home of timelapse photographer Hal Bergman, it was his goal to compile as much of the visual wonders California has to offer in to a tight four-minutes time. His newest video, aptly titled “California,” combines four years of filming in to a marvelous treat for the eyes that any citizen of the world can appreciate. Beyond the video, Hal also speaks to Fstoppers about the behind-the-scenes work and equipment used in the making.
In the last few years, advances in technology have allowed for filmmakers to do some pretty amazing things. With the accessibility of cameras like the Go-Pro, the gap between amateur and pro is narrowing. Enter award-winning wildlife filmmaker John Downer and his quest to push the remarkable. Filmmakers are putting these high-resolution spy cameras in everything from fake rocks to swimming ducks and to motorized piles of snow... and the resulting footage is remarkable.
Christiaan Welzel and his wife Kseniya have trekked across the world adventuring for the majority of the last eight years. They decided to start exploring places that were extremely hard to get to like Antarctica or various ghost towns, but they finally decided on traveling to Ukraine where Kseniya is from. It was in April of last year, days before the 27th anniversary of the nuclear disaster, when months of preparations finally came to fruition and they headed off to Chernobyl.
Legendary photographer Douglas Kirkland has worked with some of the most influencial celebrities in the world since 1961. Starting his career at the age of twenty-four, he was hired that same year by Look Magazine to photograph Marilyn Monroe for their 25th anniversary issue. His process and gear were simple but what he talks about to capture perfect seductive moments with Marilyn is brilliant.
Turning the work you do on a personal project into something that makes you money isn't a new idea (just ask stock shooters.) However, the forethought required to concept a personally fulfilling shoot or production that will also have the chance to generate some income can be tricky to figure out. This past weekend I had three shoots, and they were all because of one personal project I created a month ago. And I actually planned for this to happen.
Mathieu Maury and Antoine Pai are two photography and filmmaking enthusiast who decided to launch a production and advertising company called Maison Carnot. They are passionate about finding new subjects and ways to explore what surrounds them. Based on this philosophy, they came up with the short film "Paris through Pentax".
Have you ever snuck into a concert before? How about a huge festival? Well, in 2010 James Marcus Haney really wanted to attend Coachella... the only problem was he didn't have the money to get a ticket. So what's the next best thing? He figured out a way to bypass security and get in for free and got to see some of the bands he had admired for years. He continued sneaking into festivals around the world for the next few years, and filmed every minute of it.
My friend and RIDES Magazine's head photographer Andrew Link is no stranger to Fstoppers. He also happens to be one of the kings of shooting cars with the Westcott Ice Light, which is essentially a handheld LED rod (looks like a flourescent tube) used as a constant daylight temperature light source. After about 6 months of me begging Andrew for him to make one, he has finally created a fantastic and to-the-point tutorial on how to create an epic car portrait with nothing but a camera, tripod, and the Ice Light.
In this making of video, outdoor brand Mammut is shown working with Dani Arnold and Stephan Siegrist, two alpinists, to plan a climb up the north face of the Eiger. What makes this ascent unique though, is the inclusion of a 360-degree GoPro setup which is used to capture panoramic shots from the mountainside. The result of their efforts is a unique look into the views, terrain, and conditions that the climbers faced. Mammut recently unveiled an interactive web portal to give anyone who wants to ascend the Eiger, the chance to do so from the comfort of their office chair.
When it comes to portrait photography, your camera, your light, your years of photographic know-how counts for little if you don't have a subject with substance. The power of a portrait is in the people. Do you reveal their essence? Do you tell their story?
Choosing a subject with substance was not a problem for Wired Magazine but for journalist James Bamford and photographer Platon finding him was.
It took almost a year to arrange to interview and photograph Edward Snowden in Moscow, where he has sought asylum.
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Ever since I started diving into studio photography the term “V-Flat” has been a big mystery to me. Google and YouTube have been the quintessential resource for photography knowledge and for whatever reason there isn't much detailed information on how to construct a V-Flat or what purpose they actually serve. It took time to sift through the noise of nonsensical DIY fabrication and even more time to unfold the enigma of this studio essential.
It’s always nice to work with a client that has as much invested in making a great image as you do. I recently had the opportunity to work with poet and academic Katie Schmid for some portraits. Outside of her own poetry, Katie writes for a few blogs and online magazines. Katie knew she needed a fairly standard image to use with those publications, but expressed interest in creating a second image that better captured her personality.
