Every well-rounded photographer needs to be able to tell a story in three images or less. This is particularly important when shooting editorial content for online publications and in print magazines. On today's assignment, I explore three different focal lengths to capture a well-rounded story of a local musician.

There never seems to be anything new or exciting to shoot around our hometowns. For me, it seems like I’ve photographed everything at least once if not twice by now. So what should we do? Perhaps taking some advice from a self-proclaimed advance selfie artist might help.

When each of us picks up our camera, whether it be for the first time or the ten-thousandth time, our finished work is a product of everything which has inspired us. Everything we've seen, everything we've done, everything we've learned and grown from can be seen in our work in at least some small part. That's why, I believe, it's important to not only look back at our work on a regular basis with an eye critical to how technically proficient we've become, but to look back at our work from an influence-based standpoint to see how much of ourselves we can find into our work.

Photographing a couple from up close can drastically change the way your image feels. Getting up close with a wide angle lens creates a sense of action and aliveness that draws the viewer in.

As a full time roadtripper, I am constantly in search of amazing landscapes with the hopes of adding a unique take on what is most likely an over-photographed scene already. There are several ways to do this, but I am going to suggest one which is rarely discussed but hard to overlook in today’s social media outlets: the human element.

A gimbal is an important piece of technology that makes for some smooth video. It's the device that stabilizes the camera so you can get that cinematic look in your shot. It removes the vibration and shake. The gimbal's motors keep the camera level as the camera operator moves it. Drones use them, the DJI Ronin is basically a large gimbal, and the DJI Osmo is the latest handheld gimbal that DJI brought to market.

Legendary photographer Douglas Kirkland has worked with some of the most influencial celebrities in the world since 1961. Starting his career at the age of twenty-four, he was hired that same year by Look Magazine to photograph Marilyn Monroe for their 25th anniversary issue. His process and gear were simple but what he talks about to capture perfect seductive moments with Marilyn is brilliant.

A world impacted by the deadly coronavirus is undoubtedly an eerie one. With everyone confined to their homes and only allowed limited trips to "essential businesses," photographers all over the world are venturing out and capturing their neighborhoods at their emptiest, from the busy streets of Times Square to desolate airports and makeshift temporary hospitals.

Anyone who pursues photography professionally knows all too well how absolutely time consuming the business side of the industry truly is. Between managing clients, keeping your inbox at zero, and still trying to find time to pursue personal projects or just have a life outside of photography, you can sometimes lose yourself to the rat race. That’s why when I saw Evan5ps' newest video it really struck a chord in me.

His client list reads like a who's-who in iconic businesses: Pearl Vision, American Standard, Shell Oil, Virgin Galactic, AOL, Wells Fargo, Salesforce, Red Bull, Minute Maid, Costco, and Allstate. He has even photographed celebrities like Kevin Spacey, Richard Branson, and Al Gore. No doubt you've seen the remarkable work of Chris Crisman in the past, but photographers want to know how does he do it? What does his studio look like? What equipment does he use?

I enjoy environmental portraits more than anything else because it’s something you can do anywhere, indoors or outdoors, across many genres of photography. The obvious opportunities arise with travel and street photography. So what exactly is an environmental portrait compared to a normal portrait? And where do you start?

Think back to the first time you experienced the world through a viewfinder. The moment you found focus on whatever it was that caught your eye, and the excitement that followed hearing the mechanical slap of the shutter, there to verify that you’ve captured that specific moment in time forever. For me, that excitement was experienced at a young age, and as I watch my oldest child near the same age that my memories of photography begin, I feel a responsibility to share the same opportunities with him that I was afforded early on.

Do you spend more time researching photography gear than shooting? Do you believe that you can’t achieve a particular look without buying the latest shiny product? Then you might be suffering from G.A.S., also known as Gear Acquisition Syndrome. Step into my office and let me share some prescriptions that can help you cure this debilitating disease!

Viral sensation, Jordi Koalitic, is back with some more unique photography concepts for you to try, and as always, they're pretty damn good.

What do you get when you combine over 800 horsepower housed within the loins of a world-class trick-truck, one fearless driver, and the scenic streets and culture of Havana, Cuba? If the always creative Sweatpants Media is involved, you end up with an intensely high-octaine adrenaline rush of a short film, respectfully referred to as Recoil #4.

What happens when two filmmakers get together, fill a suitcase with camera gear and hop on a plane? In the case of Preston Kanak and Brent Foster, a great work of digital cinema. With only a rough idea of what they wanted, much was left to chance as these two spent 8 days in Havana, Cuba. Read on for the final film and some insight from the creators.

Have you ever gone to the see a romantic comedy and absolutely fallen in love? Have you ever gone to a romantic comedy and spent the majority of the film’s running time politely sneaking peeks at your watch? Have you ever realized that both movies were essentially the same story and wondered why you couldn’t get enough of the first, and got way too much of the second?

Food and lifestyle photographer Annabelle Breakey has an envy-inducing portfolio that features sun-drenched tables crowded with elegantly displayed dishes and bright arrangements of produce against pristine backdrops. I had the chance to speak with Breakey about her work, managing creativity and business and staying creatively inspired.

Embarking on the journey of crafting a portrait as a non-portrait photographer can be daunting, often accompanied by feelings of anxiety and low confidence. However, creating a photograph need not be an overwhelming task. With a few simple pointers, you can step into the realm of portrait photography with a newfound sense of capability and confidence.

We live in a world constantly fascinated by technology. We want the TV with the greatest definition. We want the tablet with the shiniest screen. And, as photographers, we always want the most expensive gear and the most elaborate new toys. But the more you grow as an artist, you'll quickly realize it's the man that makes the equipment, not the equipment that makes the man (or woman).

Are you catching up on your editing backlog? Before you start doing any work on your next gallery, take a look at these tips for creating the best possible result in your post-processing.

Rob Hammer knows all about stories, adventure, and experience. He is a San Diego-based commercial shooter. He has worked for many clients such as Nike, Adidas, Foot Locker, and Under Armour. If you have a chance to follow his Instagram feed, you'll probably find images of him backpacking in a foreign country, photographing old barbershops in the Midwest, or hiking up a mountain with his friends enjoying a cold beer. He lives the life that he photographs. I believe that shooting what you love will ensure you to always have a steady stream of good clients. But when you are photographing your own lifestyle, the possibilities are endless.

Whether you are an avid skier, filmmaker, or just love the outdoors, you need to check out the latest project from skier Candide Thovex. In this two minute video, Thovex absolutely shreds the slopes of Megève, France. He flies through open fields, tight tree lines, through tunnels, and absolutely sends it off a cliff over a road gap, the only catch is there is no snow.

The Internet is loaded with articles on new gear or popular techniques. Everywhere you look, you will find some new unboxing video or review piece. Everyone promising that they will make you the photographer you have always wanted to be. Don’t get me wrong, I enjoy looking at fancy new equipment as much as the next guy -- and I have written a few of those articles myself -- but do all the toys and tricks help my career in the long run?

Just the other day I was thinking about the great footage and images I have that might do well in a stock library. I just didn't know where to go and which site was best. so I closed the folder and let it go. But, here at Fstoppers we get the best news first. Perfect timing for sure. We got a heads-up from Dissolve that they are launching a rights-managed stock library with 50,000 images on June 1st. They also want to open it up to individual photographers to contribute and form part of their premium stock offering.