In the often collaborative world of fashion and commercial photography, there are many who contribute to the final product. From the styling of the model and the brands involved, to your crew and retoucher. No fashion image is a solo act, yet there are many who will never credit those that were a part of the production. This phenomenon is not exclusive to photographers, but to models and other creative professionals. Before you post up your next photograph without credits, give the following reasons some consideration.

Shutterstock was founded in 2003 by entrepreneur (and photographer) Jon Oringer who wanted to create a 2-sided marketplace for stock photos (and later also video). Since then the company grew and became one of the biggest photography-related companies in the world. As of today they sell over 30 million stock images, and add 20,000 new images a day. This week the company's HQ relocated and moved to the iconic Empire State Building, and the offices look amazing.

A few weeks ago, Fstoppers caught up with celebrity photographer Brian Smith. If you didn't take the time to read the article, don't worry because ReDefine just published a video interview with Brian from Tamara Lackey's recent interview out in Vegas. What I love about people like Brian is he's quick to point out the real defining element of his work: his relationship to his subject. Male photographers often get caught up in

I caught up with Matt Lever, one of the top photographer’s you’d expect to see backstage at Fashion Week. He explained how he’s shooting for Elle Magazine, and the hoops you’ll need to jump through to break onto the scene.

As an entertainment and tour photographer, Susannah Brittany primarily shoot stills and video shots for some of the world’s top pop and country music artists. This basically involves shooting all day long: while they are doing media interviews or meet and greets, of/during travel on the bus, behind the scenes content of the artists getting ready or in-between shows, and then of course, while they are performing. Her work ends up being used used for new media distribution, including YouTube, social media, and sizzle reels.

Behind the Scenes: Unique Bridal Portraits w/ Michael Corsentino and Photoflex from Photoflex on Vimeo.

Albert Watson. Legend. Period, end. With a career spanning five decades and multiple iconic images, his career in fashion and portraiture would be the aspiration of any budding photographer. Alongside Irving Penn and Richard Avedon, PDN recognized him as one of the twenty most influential photographers of all time. And in a new video by Profoto, the man whose subjects have ranged from Alfred Hitchcock to Kate Moss, discusses his approach to lighting, photography, and life.

I know that we've experienced a pretty big spate of aviation-related posts over the past few weeks. Anyone else getting sick of them? No? Good. Me neither. Here's another one that is just too cool, and makes me way too jealous.

A while back, while on a shoot for Crystal Bridges Museum of American Art here in Northwest Arkansas, I was asked to get a shot of the museum’s executive chef and the Director of Culinary for their members magazine. Time was short, the kitchen was starting to prep for dinner service, and every second I was there I was inconveniencing someone. I had to get in and out quickly and create a dynamic image in the process. Here’s how it happened.

When it comes to Olympic venues no other event goes so far to create such a theatrical experience for the attendees while also making for some of the most dynamic Olympic photographs as fencing.

This striking image (pun intended) was shot by Blair Bunting for a Deadliest Catch ad for Discovery Channel. Curious to know how he did it? Well, luckily for us, his assistant Paul Morton filmed the whole thing, and Mike Maez was kind enough to edit it down into a digestible and inspiring video. Do not worry, it did not take any knocked out teeth or injured sailors to get the job done, but rather a couple of Pro-7a units and 3 high powered leaf blowers. Have a look and see for yourself!

A little over a year ago I had the opportunity to do my very first celebrity photo shoot with Grammy Award-winner Fatman Scoop at my studio in New Jersey. He had posted on Instagram that he was looking for photographers and videographers to collaborate with. Thinking I had nothing to lose I submitted a brief email expressing my interest and directing him to my website to review my work and to reply back if he liked my work. To my surprise, I received a response a couple of days later asking to schedule a date to shoot!

In a recent article entitled "Why You Shouldn't Submit Your Photographs to Magazines," I discussed Vanity Magazines and how, in my opinion, they often fail to deliver enough value to justify the photographer's effort. As a result of that article, I've had the opportunity to talk with the editors of two of the more well-known and better-curated vanity, or submission, magazines, Lucy's and Jute, to find out how their work benefits photographers.

San Francisco based commercial and sports photographer, Alexis Cuarezma, has just announced he is launching a YouTube channel with 100 videos on photography. He'll be discussing topics such as lighting, working with models, and taking full advantages of your locations.

Adobe was very clear that the 2014 updates were mainly focused on what they have seen to be a rapidly evolving market: Mobile. Adobe is seeing a rapid pace of change, explosion of mobile, and a world that is continually and incredibly connected. But their software, for real-work at least, is still tethered to a desk. Adobe thinks this is a problem, and sought to solve it.

As a professional photographer, money is never too far outside of the frame. But even as the budgets and day rates continue to rise, it is important that an artist never forget why it all started in the first place.

Outdoor on-the-go DIY style editorials are really picking up in the fashion world. It is a good skill to have in your toolkit as a budding photographer. In this article, I want to break down how a small team of talented artists and myself went about producing and shooting two full on-location, outdoor editorials for Bullett Magazine in less than two weeks in NYC.

In honor of Black History Month, Time Magazine has decided to honor 12 up-and-coming African-American artists. Hailing from across the country and across the creative spectrum, these artists put the word "diversity" into focus.

There are many ways we can find new inspirations and ideas. From researching new work, doing workshops or experimenting with new techniques, most of us have these regular go to methods of getting ourselves out of a photographic funk. Psychologist Mihaly Csikszentmihalyi proposes that thinking more like the opposite gender can expand our creativity and essentially give us more scope in the ways we express ourselves in our work.

The one thing we as photographers and videographers do is tell stories. That's the main reason we do it. Whether it's a story of fantasy or a shot documenting a moment in the real world, it's done to make the viewer tell themselves the story they see in the picture. In this video, Mango Street break down how they tell their stories. Instead of focusing on the moments as they organically happen, like shooting a wedding, they took a conceptual idea that inspired them and directed a shoot to execute their interpretation thereof. They used song lyrics as a concept and took it from there. I must say, inspiration can be found anywhere, but this was a very well executed idea that will certainly play part in my next shoot.

I mostly shoot non-ball type of sports like surfing, sailing, skate, motocross, and of course, my favorite the Monster Energy Supercross series.