As a photographer, I'm always looking to capture something in a unique way. This is the craziest landscape photoshoot I have ever done. By taping a tiny Nikon Flash to my DJI Phantom II Drone, I was able to fly my remote helicopter up the side of a lighthouse and light the entire thing with flash. Creating this photograph was one of the trickest shoots I've ever done, and this is how I made it happen.

Current cameras' sensors are getting better year after year. Unfortunately, they cannot create noise-free images at high ISO just yet. I am sure the day will come soon, but in the meantime, there is a very simple technique using Adobe Photoshop or Affinity Photo to create the illusion of a clean file.

When I first found out a full solar eclipse was passing through Charleston, South Carolina, I marked my calendar hoping I would be able to photograph it. Today the eclipse passed through the final stretch of America, and even with a full year of forewarning, I was not prepared to photograph it at all. With only two hours before totality, I decided to take a huge gamble and aim for two unique photographs that would be done 100 percent straight out of camera. The results are pretty interesting.

Last year we teamed up with Mike Kelley to produce the 7+ hour tutorial: How To Photograph Real Estate, Architecture and Interiors. We were fearful that Mike's fancy equipment would be discouraging to new photographers so we asked Mike if he could create a signature image with much cheaper gear. Mike shot an incredible, world class image with the original Canon Rebel and kit lens and only a few accessories.

If you want to learn how to quickly create realistic-looking shadows for your subjects in Photoshop, you need to check this out.

If you ever do any sort of composite work, chances are that you'll need to add shadows. They're one of the biggest aspects of making a composite image convincing, and yet, they're also very subtle and tricky to pull off. Phlearn is here with a great tutorial to get you started.

Product photography is a great way to experiment with lighting and editing techniques. For me, it’s a chance to shoot in a relaxed environment where I have complete control over the subject, lighting, and camera. I can set up something small in the living room and find solutions that can be applied to my portrait work or professional product photography. It also requires a lot of creativity. Homemade items or DIY solutions are abundant on sets. From light-shaping tools to methods of creating parts of a composite, a lot can be created simply and at a low cost. You may be surprised to see how minimal of a setup can create some stunning photos.

Having options is always a good thing, especially when it can save you from a costly mistake. In this quick tutorial, Jay P. Morgan from The Slanted Lens shows us the importance of shooting background plates to give yourself options in post production and help speed up your workflow.

Last summer, Conceptual Photographer Erik Johansson spent a calm, pleasant evening shooting his charming photo project “Full Moon Service.” Almost instantly going viral as soon as it touched the Internet today, here’s a behind-the-scenes look of how it all came together from hand drawn sketch to fine art print.

In this video, I show you you to use complementary colors to create a cinematic color grading feel for your photos. This technique is quick and easy and can usually be done in less than five minutes!

Last week I made a list of 10 of my favorite photographers to follow on Fstoppers and a few people complained that too many of them were "portrait" photographers. I've scoured the community again and today I've created a new list with 10 incredible, additional photographers who shoot much more than your average portrait.

It doesn't matter what kind of photography you do, shooting photo backplates each and every time you go out and take pictures is one of the best habits you can get yourself into. Not only does it save many hours in postproduction, it will also help open up a world of creative possibilities to you as a photographer.

Fstoppers.com has featured some great behind the scenes videos over the years and showcased amazingly talented professional photographers in our Fstoppers Originals series. Recently Patrick and I were invited to Scottsdale, Arizona to expose the secrets of commercial photographer Blair Bunting. When Blair invited us down to Loft 19 Studios, his idea was to shoot something big, expensive, and one of a kind.

Have you ever needed to use a logo or image that just isn't high enough resolution or doesn't have clean enough edges to use? Here's how to quickly and easily convert a low-resolution image to a more useable high-resolution image in Photoshop.

This week I wrote an article pointing out that Canon Italy (among other Canon EU pages and Instagram accounts) had posted a composite landscape that had a large amount of the image stolen from Elia Locardi. There was an enormous response to this and so I decided to dig for more information and between my research, the community, and Locardi himself, there's rather a lot more to unpack.

UPDATE: WE'RE SOLD OUT - 6 years ago I built a collapsible softbox that could easily fit in my pocket while I was shooting weddings. I built this product for myself and never dreamed that it would become a real product one day. 2 years ago Patrick and I set out to have the "Flash Disc" mass produced and patented. We just received our patent and first batch. Order now and get 3 before Christmas.

The Academy Awards nominations were recently released and it's no surprise that "The Wolf of Wall Street" received nominations in the "Best Picture" and "Best Actor" categories, but what about visual effects? The visual effects for the movie while extremely subtle are outstanding to say the least. The company behind the special effects for the movie is Brainstorm Digital. They released the VFX breakdown of "The Wolf on Wall Street", and proves just how much special effects can have an impact on modern storytelling.

In his latest photography tutorial, noted French photographer (and prolific video tutorial maker) Serge Ramelli demonstrates how to quickly and effectively replace a sky in Photoshop.

Last year we teamed up with Elia Locardi, one of the most followed landscape photographers in the world, to film "Photographing The World: Landscape Photography and Post-Processing." This is a 12-hour video tutorial on landscape photography, and today, we are releasing the first lesson for free.

I’m a bit of a dreamer. I’m also a huge aviation geek, and I often catch myself browsing the web at 2am looking up articles on aviation and aviation history. So when I found Anthony Toth and learned more about his life’s work, I knew that I had my next personal photography project in mind. As I'm mostly an architectural photographer, I got bored of waiting around for an airline to hire me to photograph their next ad campaign, so I decided to hire myself into my dream gig.

Whether you’re a photographer or you focus on video, this article highlights the high octane visual set piece created by Slaughterhouse Pictures, who successfully combined principles of both stills and motion work to create high impact visual media with zero budget and very limited resources. Read the exclusive FStoppers article and watch the BTS video to get some simple and highly effective little tips that you will be able to apply to all aspects of your own work.

Many people have asked me over time why most of my headshots are taken in portrait orientation and so tight? I used to joke around, saying I shot that way because I am a Virgo and my style of shooting is very much “in the box”. I then realized I could simply sum up three main reasons for why I shoot in portrait.

Last year Fstoppers threw its very first live photography workshop in the Bahamas and world class food and drink photographer Rob Grimm was one of the instructors. I was able to sit in on a bit of Rob's class and I learned a ton about photographing drinks. We just got our new order of FlashDiscs in and I decided to try a shot of my own using the new modifiers.

Recently I was thinking about the year so far and noticed that my output for the year was down compared to other years. Why was this?

I recently visited the Atlantis Resort in the Bahamas with Lee and Patrick to scout out locations for my upcoming architectural photography workshop and we were pretty much given unfettered access by the Atlantis marketing department to shoot whatever we wanted. First on the list? The $15,000 per night penthouse suite. I only brought a minimal amount of gear