In this video tutorial watch, as I show you how to change a bright saturated color to black in minutes.

Sometimes those obligatory travel photos snapped on location are great on their own, but (at least for me) a lot of them aren't visually dazzling. Luckily, that can be rectified. Jonas De Ro recently published an absolutely breathtaking composite image psd.tutsplus that is jaw-droppingly amazing. Best part is, he shows you how to make it so all you Photoshop fans can try a similar project yourself. Turn ordinary into fantasy!

I am a fan of good music. We all are. What I like even more is when a music video is directed to the music I like in a creative way that leaves me questioning how it was done, and how I can use the same tricks in my editing if at all possible.

The weather. Of the many things I wish I could control, this is certainly one of them. Recently, my home of Seoul has had some of the clearest skies and nicest puffy clouds that I’ve seen in my 11 years of living here, but typically this is not so. On the few days of the year we get nice clouds, fisty-cuffs determine your tripod’s resting place at the popular photo spots, and the Internet is afire with the chatter of excited shutterbugs. However, there are so many days of the year where the haze is too thick or a monotone blanket of clouds covers the sky. I have come up with a quick and dirty method of dropping in skies from my library that I use when the job calls for it. I’d like to share that with you today.

As Adobe’s Creative Cloud continues to grow, so does its most loved software, Photoshop. Over the years, Photoshop has single-handedly expanded its offering of creative tools to thousands of people across the globe, serving all types of industries from photography and design to forensics and astronomy.

Time-lapses are an easy way to add spice to your video productions, but sometimes parts of your scene look awful when displayed over long periods of time. In this tutorial, I'll show you how you can use real-time video to improve objects with oscillating movements.

In this video tutorial, watch as Abbey Esparza shows you all about Smart Objects in Photoshop and why you need to use them. This is definitely a good tutorial for those who still work destructively.

Have you ever dreamed of using photography to recreate your favorite superhero scenes?

Adobe has been ramping up its AI features in the last couple of years, including its sky replacement functions. With the latest update to Photoshop, Adobe offers you 55 free skies to download. Here's how to get them.

Super Bowl XLIX is just two days away and most of us are looking forward to the commercials as much - if not more - than the actual game. This year will feature a Snickers’ commercial that is bound to be the talk of the work place come Monday.

The commercial follows the familiar “You’re Not You When You’re Hungry” campaign – only this time, it takes place within an episode of The Brady Bunch.

It's always impressive to see a subject that's shot so often used in a new and creative way. This conceptual shoot of the Milky Way by George Malamidis was beautifully conceived and executed. George picked two possible names for the image, both of which perfectly describe the outcome, "The Iris of God" or "The Peacock Milkyway." Want to know how he got the shot?

Landscape photographer Thomas Heaton has been releasing one hit after another on his Youtube channel lately and his newest video is one of my favorites. Focus stacking is a great and relatively simple trick any photographer can use to add a unique look to your images.

There’s nothing quite like a sunburst to add that last punch to a fantastic landscape. Last week we covered the composition, settings, and environmental factors needed to snap a crisp sunburst. Today, we will finish up in Lightroom and Photoshop.

If you're a photographer who also does digital art or compositing, I promise you're going to want to watch this quick tutorial.

Our second tutorial with Elia Locardi: Photographing the World: Cityscape, Astrophotography, and Advanced Post-Processing was all about different types of cities. We started in Cinque Terre, a region of Italy where cities are basically built into the side of a natural landscape. We then moved on to Rome to shoot ancient architecture. Next we moved on to Singapore and Hong Kong for something a little bit more modern.

The concept of doing a Robocop photoshoot has always been on my wish list, but have not been able to find someone with the proper original costume... until now. You see, my friends and I have always obsessed over the original Robocop film since it first came out (don't mention the sequels). I am just thankful that my photography career has allowed me to recreate the daydreams I had as a kid. Read below about how I put this ultimate personal shoot together and see the final results.

Maternity photos can be difficult. Shooting them isn’t different than an engagement shoot or senior portrait session, but the challenge is avoiding clichés. The typical husband’s hand on his wife’s stomach shot or the husband’s beer-belly imitating his pregnant wife’s are far too overused. Along those same lines, it’s easy to fall into the same category of clichés in other areas of photography. For example, with landscapes, Antelope Canyon is unlikely to gain you praise. Unless you’re Peter Lik, your photo isn't going to turn heads. With maternity photos, a new perspective is much needed.

So a few weeks ago I found sometime to shoot a personal project, a summer inspired beauty shoot. The idea behind the shoot was to focus on summer and to play with bright and vibrant colors. Prior to the shoot a spent days experimenting with new techniques and different ways of introducing color into my shoot. In this article I want to share a couple of techniques I used to create colorful effects in camera and also how I recreated one of those effects in Photoshop.

Learn how to make stunning double exposure composites like this in Adobe Photoshop CC with only two photos in just a few simple steps.

Creating selections in Photoshop can be a painstaking process, oftentimes with mixed results. I learned about luminosity masking by way of exposure blending for landscapes, but its applications are varied.