About a year ago, I took new portraits of my production company's crew for our company biographies. One of my video camera operators, Mike Nelson, decided to Photoshop the portrait of one of my producers Shawn Lucas. It started with dropping his face into one comedic situation, and well, it just started spiraling out of control after that. Now, the dozens of photos are trending on the front page of Reddit. Learn how the retouched series came to be and see all of the images below.

In many modern cultures, we view white teeth as a sign of health, virility, and attractiveness. A large reason as to why there are a million toothbrush, toothpaste, and teeth whitening products on the shelf today. So what do you do when your overworked, over-caffeinated, and/or over-smoking portrait subject has teeth stained yellow? Our buddy Glyn Dewis shows you a quick way to whiten those teeth effectively and realistically.

Remember that first time you've looked at those dream portfolios? How did they happen? You've probably compared your portfolio against those and thought, "How would clients put their trust in me for something as big as that?" The hard truth is, those dream-portfolio photographers had a great website issued by the hospital they were given birth at. Face it, if you don't have your portfolio website printed on your birth certificate, you won't ever have one. Of course that's not true.

When creating imagery of any night landscape, you are taking your camera and the other equipment you own and pushing them to their limits. With that in mind, should photographers be upset when their favorite imagery is put together in post?

Matching the tones is the most challenging part of creating composite images. You may find numerous tutorials on the Internet about matching tones and smooth blending of the composite elements, however this technique by Antti Karppinen is the best I’ve seen so far as it even helps with blending images that are shot under different lights.

This is what it looks like when day and night meet in a single image. Including the prep time, it took photographer Chris Kotsiopoloulos thirty hours to capture the hundreds photos needed to stitch this together. The shot was taken in Sounio, Greece. It got so cold at times that he had to use a hairdryer to keep the lens from fogging up. See the full post for more details!

When it comes to compositing, more often than not it's the little things that take an image from good to great. In this tutorial I show you how to pull off a simple yet very effective way to create those small embers and sparks that are all the rage in Hollywood action movie posters. Adding details like sparks, debris, fog, dust, etc. to your composites can change the overall mood of your composites and give them that epic feel you are looking for!

My passion for photography stemmed from a series of trips I had taken overseas and a desire to capture the beauty of those places with more finesse. Landscapes were a natural draw for me and it didn’t take long to come across the concept of exposure blending.

If you haven't seen this guys work before and you're a fan of ridiculously convincing composites then you're in for a real treat!

It's been said that Prague-based Photographer and Retoucher Erik Johansson doesn't capture moments, he captures ideas. To him, photography is a way to actualize complex, surreal concepts that are in his head. So, when you think about it, it wouldn't be a stretch to say that Johansson is kind of like our generation's Ansel Adams, as they both heavily employed previsualization techniques while pioneering unique solutions to achieve their visions. The end results are images that match the exact ideas they had in their minds' eyes.

Featured last year for his "Wedding Day Zombie Apocalypse" composite, Photographer Josiah Moore is up to his old tricks again. This past fall he shot a wedding where both the Bride and Groom were car enthusiasts. He decided to make a fun chase scene out of a photo from the reception, and this video shows his process in Photoshop.

Compositing frames in your interior photographs can be extremely time-consuming. With this simple technique developed by Mike Kelley, you can quickly and easily lighten doorways in post-processing while freeing up your editing time.

When photographing interiors, flash is your friend, but a friend who needs some management. While flash brightens rooms, reduces glare, and brings out true colors, it can also produce the frustrating issue of ugly shadows.

Capturing a great landscape photograph is extremely rewarding because a lot of things have to come together in order to nail it. But sometimes no matter how hard you try there's just a little something missing. In this walkthrough, I'll show you how to enhance your landscape images with a composite in Photoshop CC.

In this video tutorial, watch as Dean Samed shows you his top five tips on how to use the pen tool in Photoshop. It is the sharpest and most precise way to cut out anything.

When shooting the night sky, we are looking at points of light that don’t always resolve well with the lenses we have in our bag. Whether the lens is a top-of-the-line “L” from Canon or a third-party lens that cost 1/10th the price, they may both have issues with coma and astigmatism. Here's what you can do to fix these issues and not be stuck with an underperforming piece of glass.

What happens when one of the world’s foremost portrait photographers decides to turn to photograph still life paintings instead of people? There are no two ways about it - Jill Greenberg is fascinating. Her new work is beautiful, but there is also a clear artistic statement behind it. In this exclusive, we get to understand her direction and motivations behind "Paintings", her latest body of work.

Sometimes our creations behind the camera simply cannot be taken with just one frame, or perhaps you cannot travel to the destinations that would work perfectly with your concept. This is why some photographers choose to composite their images. Antti Karppinen shows off his most used composite image technique from his latest project "Kuopio Inspiration is a Force of Nature."

Wired's Design FX has given us a great behind the scenes video of everything that was involved in the updated Helicarrier crash scene for Captain America: The Winter Soldier. The sheer scale of the project is astounding as FXGuide.com's Mike Seymour and ILM's Digital Models Supervisor Bruce Holcomb take us through the design of the crash and its scale to the actors on the green screen.

Do you have an image that is more popular with people than any of your others? One that stands out head and shoulders above all your work?

For me, food photography has to be one of the most complex and technical types of photography in the industry. The ability to bring life and attraction to something you need to convince other to eat is pretty impressive. Steve Giralt has done the impossible by creating one of the most outstanding examples of a deconstructed burger I have ever seen.

In this video tutorial, watch as I show you how to create depth in your photo manipulations in Photoshop. I see lots of composites and photo manipulations that fail at creating depth, so I hope this helps.

Nemanja Sekulic has amassed a huge following on YouTube with his fantastic photo-manipulations and tutorials.

By now, you’ve probably seen the wildly impressive short film “You Can’t Stop Us” by Nike. The video has already received about 42 million views on YouTube since its release on July 30th. While the narration and source content are both as solid and empowering as we’ve come to expect from Nike’s ads, the inventive editing is the true star of the piece with its revolutionary visual concept.

This week we continue our Puerto Rican Photo Challenge. In our second challenge, two photographers explore the elaborate cave systems hidden deep within the central hills of Puerto Rico. In the full article, you can vote which image was the best and later this week we will reveal the winning image.

In today's post, I'm going to walk you through how I build an architectural photograph from square one. We'll discuss composition, lighting, staging, styling, and posing models in an architectural interior in order to create the image that the client has in mind. Despite appearing as a rather simple image, this shot took over an hour to finish on location with multiple steps and a lot of pre-visualization.

Multimedia Artist Josiah Moore had always wanted to do a fun wedding picture when he and his wife got married. Well that opportunity came, and his wife agreed to go along with it! Armed with only a couple of props, he told the photographer his idea, and after the wedding Josiah got to work in photoshop to turn his wedding day into something out of a horror movie. This video shows a sped up look at his process.

Having completed what proved to be one of the most challenging shoots of my career, I was then faced with the task of editing and compositing the images. Due to my inexperience, getting the results that I wanted using Photoshop proved to be a steep learning curve. Here’s how I went about it.

From Star Wars to Rogue One, we just can't get enough of this series as it continues on to the new generation. I know that I myself can't get enough of the Star Wars saga, let alone the numerous examples of fan art out there, including photography concepts. Photographer Steve Brown has created an amazing Last Supper with The Emperor, Darth Vader, and Imperial Stormtroopers. The final image just blew my mind. From sketching, planning, and retouching the final product, we bring to you the step by step tutorial on how he created this masterpiece.

I first came across the work of Colorado-based photographer Drew Lundquist in 2013 when he was working for the powerhouse advertising agency Elevendy. Lundquist is a composite photographer who specializes in what he labels "theatrical special effects photography." His composite work is extremely clean with an immaculate attention to detail. Everything from his compositions to his color work leaves you wanting to see more and more. Lundquist's work has been featured numerous issues of Advanced Photoshop Magazine, and his work is the cover image for the current edition of The Professional Photoshop Book. Lundquist is well on his way to becoming one of the big names in the compositing game. I highly recommend taking a few minutes to check out his work.

You might have heard of Stu Maschwitz before, possibly from his work on these Red Giant video projects, or perhaps the Plastic Bullet app he made a few years ago. His latest creation is a custom set of presets that integrate with Lightroom, and gives the user a set of vintage photo looks to choose from.

As a digital artist, being able to easily get your hands on overlays and effects for your images can sometimes be a costly experience and, at times, not provide you with enough scope of selections for your edits. One of the plugins I have in my collection is Infinite Texture, which provides a whole host of editing possibilities, from simple sky replacement to more complex edits.

Over the past few days, you may have noticed an influx of 3D photos in your Facebook feed. That's because this feature was previously limited to dual-camera iPhone devices, but on April 16, Oculus introduced new features allow users to create 3D photos and upload them into their feed from a computer. Here's how you can create your own.

The previous article about the processed image ended with similar arguments both for and against digital manipulation, and the artist’s disclosure of such actions. But how does the motivation for creating art through both photography and creative editing arise? I’ve gathered a panel of fellow international landscape photographers to expatiate on the power of the processed image. Professional landscape photographers Ryan Dyar, Felipe Gómez, and Simon Roppel are here to help us understand why certain decisions in editing process are made, as well as in the field.

Mike Kelley is an amazing architectural photographer and guest contributor at Fstoppers. Recently, Mike published an article on B&H's Explora blog about the science and magic that went into the featured image above. In his article, Mike takes you behind the scenes in a rare look at the process behind his photographs.

Creating realistic composites in Photoshop can sometimes be tricky. It is imperative that your selection process is spot on, and that your subject so perfectly matches the new background that you’ve placed it in, that not even the trained eye will be able to tell that it’s a composite.

My buddy and talented retoucher and photographer Glyn Dewis has done it again. He's created another awesome post production tutorial for those of you interested in improving your composite skills. He shows easy and effective tools to create dents and damage effects in your images. In this case, he adds battle damage to an otherwise pristine Iron Man character he photographed.

Few months back we featured a great video showing how Joe Fellows creates his stunning parallax videos. After posting the article, many of you had follow-up questions on his techniques and methods, so he decided to release a 'part 2' video explaining some of the cool tricks he uses to transform a 2D photo into a 2.5D video.

Take a few minutes and look up Photographer Joel Grimes. His portraits infuse a unique and identifiable lighting style that is edgy, dramatic, and often shot in studio with fairly simple lighting setups. Even more interesting is the fact that most of his shots are taken with the intent of compositing them into different backgrounds.