Check out this behind the scenes video of Alex Koloskov shooting a very complex image of a girl holding an orb of water. In the video you'll see his lighting set up, and how he interacts with his model and if you're interested in how all of those splashes of water became an orb, check out this link to all of the images he used in the final composite HERE.

I've spent the last 2 weeks in Michigan’s Upper Peninsula, shooting stills and video in freezing winter conditions. Snow, ice, blisteringly cold wind and more. In this video I share what I found to be best for packing my kit, protecting it in the field, and keeping my eyes from freezing to my viewfinder.

One of the most exhilarating aspects of environmental portraiture, especially when out on assignment, is that you never quite know what your shooting environment is going to look like. If I had a nickel for every time I walked into an awesome location, only to be quickly shuttled off to a closet-like space to do my work... Well, I'd be able to buy a sandwich. But a really nice sandwich. Here are some tips that may save your sanity while trying to compose an interesting portrait in a postage stamp sized room.

I'm definitely NOT a studio photographer, but I respect and understand why for a urban running photoshoot like this one, it can make things a whole hell of a lot easier by doing it in the studio. Steve Brown shares some insight into his process in this behind the scenes video.

Travis Jensen is easily one of my favorite street photographers. He moved to San Francisco almost 20 years ago with a duffel, a skateboard, and a little cash, and has been beating the pavement ever since. In this video, Jensen talks about street photography, his method of shooting, what makes him tick as a photographer, and gives some advice to people trying to make a go of it themselves.

With budget options for aerial video becoming more affordable, while the quality and abilities of the cameras they host getting better, I knew it was only a matter or time until I got my hands on such a system. Even though I was a little skeptical from the onset, I’m pleased to say that the DJI Inspire is a phenomenal drone/quadcopter unit for adding dramatic footage to video or still projects, even for first time users.

There is a great abundance of Star Wars fan films and honestly I don't like most of them. Some of them have too fake fight scenes, some are too long, and some are way heavier on VFX. Most of the time it's all about showing the result from a "how to make a light saber in Premiere" tutorial. But this short film is different and I liked it.

Phlearn.com just released this behind-the-scenes video which shows how to light, shoot, and process a shot in the style of Dan Winters. By reverse-engineering the light and color that Winters uses (and using a little Photoshop magic), you'll be able to replicate one of his most well-known shots of actor Tom Hanks. I don't know about everyone else, but whenever I look through a magazine, I guess at the lighting setups

You may recall my previous automotive rig tutorial with the Green Hornet Black Beauty. My buddy, award-winning commercial photographer Nigel Harniman (www.harniman.com), recently put together another great automotive rig tutorial post using his Phase One ALPA and a Ferrari. I think the shot came out awesome and I definitely learned a few things, which you can read about below!

I had the opportunity to hear Greg Heisler speak a few months ago about his book 50 Portraits. I hadn't even thought of it at the time but once it finished I immediately regretted not filming it for our readers here. As luck would have it he repeated a similar lecture in NYC Ilford, and they recorded it! Yes, two hours is a decent chunk of time to devote to watching this, but you need to.

Being self-critical is too easy or too hard, but in both cases, it can be difficult to be effective with it. In this video, Nigel Danson takes you on a shoot and discusses some of the ways he ensures his photography is improving.

What do you do to continually push yourself and develop your work? Often it can be tricky to figure out how best to push ourselves, as well as keep the momentum up to continually do so. The best photographers I know are constantly pushing, challenging themselves a little each day and now one of them has given us the chance to up our game - welcome to the next 10 days of the 'Stay Out There' Lindsay Adler challenge.

For me, food photography has to be one of the most complex and technical types of photography in the industry. The ability to bring life and attraction to something you need to convince other to eat is pretty impressive. Steve Giralt has done the impossible by creating one of the most outstanding examples of a deconstructed burger I have ever seen.

"Here come the G's." Words that might not mean anything to you sitting at your computer, but if you're strapped into the back seat of an F-16, it means remember your breathing training and don't pass out. Blair Bunting, recent addition to the Nikon Ambassadors list, took to the skies with the United Air Force Thunderbirds in part to see if he could sustain 9 G's.

If your wedding client asked to have a customized pre wedding shoot halfway around the world, how would you treat the opportunity? Simeon Quarrie, who has developed a reputation for himself as an incredible creative and committed photographer jumped at the option to be flown to Jaipur, India to shoot in a unique setting for his wedding clients.

Jay P. Morgan of the Slanted Lens has recently created an image for Dynalite that is being used in their advertising. The concept for the image was to showcase a lot of motion, and the Dynalite Baja's motion stopping power. As part of the project Jay has created a behind the scenes instructional video that explains what it takes to properly freeze motion and action when working with studio lighting.

Each and every photographer has their own unique way of working with models, cameras, and light. It’s something that clearly shows through in the series Jessica Kobeissi has developed in which different photographers shoot the same model. In the most recent episode, she brought Dani Diamond and Brandon Woelfel back for a new shoot, but this time they added a few obstacles to make the challenge more fun.

Brooklyn-based photographer Jessica Lehrman is the subject of Format’s first video in their new documentary series, InFrame. In this debut episode, Lehrman brings us into her unique childhood experience, explains her start and development in photography, and explores the inspirations to her raw style of images that she is well known for.

Figuring out a fair rate for providing photography or video services can be a slippery slope, filled with pitfalls if you happen to price yourself incorrectly. But what's more complicated than setting a rate for services is how to approach setting a rate for someone who wants to license a piece of work you've already created. In this post I'll share my insight on the factors I look at, and my rationale for determining a fair fee for video and photo licensing.

Christiaan Welzel and his wife Kseniya have trekked across the world adventuring for the majority of the last eight years. They decided to start exploring places that were extremely hard to get to like Antarctica or various ghost towns, but they finally decided on traveling to Ukraine where Kseniya is from. It was in April of last year, days before the 27th anniversary of the nuclear disaster, when months of preparations finally came to fruition and they headed off to Chernobyl.

In this hilarious spoof on Dell Inspiron, European photographer, Clayton Sotos, begins explaining that his father bought him a camera out of the blue and he’s been taking photos ever since. From there he blabbers on about how using Dell products helps him to communicate his passion or whatever (00:001-02:00). Then… it gets weird. I won’t spoil the joke—you just have to watch the video. (And no, Dell didn’t actually produce it.) Enjoy!

Today, we’ll look at three simple questions you should ask when deciding which images make the cut for your professional portfolio.

The 1976 Oscar winner for Best Cinematography was "Barry Lyndon" (John Alcott) and deservedly so, as the sheer technical achievement and aesthetic quality of the film is astounding. This great video takes you behind the scenes of a film set that used 800-foot sliders and lenses from NASA.

Joe McNally does it again with a great video on making sure you're lighting for your overall scene. He breaks down the editorial by first discussing the message he wants to communicate, and then goes on to explain the whys and hows for lighting to achieve that vision. McNally is a great teacher and is able to convey these ideas in a way that even those new

Parabolic softboxes are all the rage in the lighting world. It seems like you can't check out lighting videos on Youtube without coming across one. But with price points all over the place, I was reluctant to pick one up for fear of spending too much money on a modifier I wouldn't like or use. Then, I came across the budget-priced Selens Parabolic Softbox. With a price of about $100 and good reviews, I was ready to pull the trigger. Here are my thoughts and video review.