As a huge movie car buff and lover of the original "Mad Max" films, it goes without saying that I am more than excited for the release of the latest iteration of the series. I'm going to assume statistically that you are too because it is rating incredibly well among most of the movie reviewers. One of their biggest compliments toward the film? The stunning energetic visuals, and I would agree. What's even more stunning? Most of the stunts were done with practical effects! Check out 18 minutes of pure stunt-making glory.

As the years roll by, one constant remains in all forms of tech: consumers (and in particular, prosumers) demand more and more from equipment. One area videographers will always cast a critical eye, is low light performance.

In the professional world, achieving exceptional image quality is paramount. While budget-friendly cinema cameras boast impressive specifications, Hollywood consistently opts for high-end options like the ARRI Alexa 35. This raises the question: why is there such a significant investment in these top-tier cameras?

Stabilizing a video camera used to be a heavy, cumbersome, and expensive task. Today, with the help of smaller cameras and electronic gimbals, stable 4K footage has becoming increasingly affordable and compact. DJI has taken this idea to the max and created a handheld stabilized camera that can shoot 4K raw footage.

Video content is more in demand than ever before, both in terms of social media and commercial applications. However, post-processing can be time-consuming and expensive, which puts many photographers off. In this video, Jan Wegener walks you through how to speed up your workflow and use a free editing suite.

When I first saw this video, my jaw was hanging open. This new dynamic target tracking camera is absolutely outstanding, capable of following extremely fast moving objects as well as able to project images on fast moving objects. It's something out of science fiction, and I love it.

When it comes to filmmaking, a really popular look is the cinematic look. This is something that can be really difficult to perfect especially when you're first starting out in the industry. Fortunately, Armando Ferreira, a YouTuber and filmmaker has provided some techniques that are relatively easy to implement. The great thing about the techniques outlined in this video is that they're either completely free to do or may only cost a small amount, making them very viable. Personally, what I love about the techniques Ferreira discusses is that they're so simple to do and even a complete beginner shouldn't find them too difficult.

Aside from some people getting theirs early and others being in time zones where "today" was "yesterday," the iPhone comes out today in the U.S. And of course, those who have theirs have already spent plenty of time comparing various features. This new video by Giga Tech highlights the differences between the iPhone 6S' and 6S Plus' respective video qualities when it comes to video stabilization. The larger Plus model features optical stabilization as its predecessor did while the smaller size of the smaller 6S only leaves room for digital stabilization — and the difference is quite dramatic.

Last week, in a gloriously nerdy video, DPReview tested the preamps of various hybrid cameras to see how they performed alongside one another. One of the big surprises was how poorly the Sony a7 III fared, giving a notable hiss. In response, Gerald Undone then conducted his own tests, finding completely different results. So, where does the truth lie?

Mastering how to control and manage light is essential to becoming a proficient photographer or videographer. If you are new to using off-camera lighting, this short video by Film Riot provides an excellent demonstration of how a single light can be used to produce a variety of effects.

Time-lapse Photographer Rufus Blackwell put together an interesting video for DJI, featuring their Osmo stabilizer/camera system, but using it in a way that might not be the most obvious: for hyperlapses. Check out the video, then read on to see what improvements DJI has made in their latest firmware update to the Osmo.

You may already be familiar with Dustin Farrell. If you're not, you should be. His time-lapses are incredible. Dustin's shoots all over the world, but some of his most epic are from the American West. In this video, we get to follow Dustin on location in Utah and the step-by-step process that follows.

Video is booming. Facebook is apparently in talks with several partners for it’s “Anthology” project – higher quality video produced by dedicated market-leading media companies. Adobe found unique visitors to video sites grew 146% in June 2014 year to date, and advertisers shelled out 28.5% more on video ads than they did in the same period. But what does this all mean to those in the photography business and (more importantly) how can you take advantage of it?

When you're shooting video, you're typically working with sensor sizes that are smaller or comparable to the average stills camera. What happens when you shoot with a sensor 2.5 times bigger than a full-frame 35mm sensor? Check out this review to see.

Shooting speeding boats at dusk from a chase boat with a camera on a stabilizer is the norm for Richard Steinberger, a maritime photographer based out of Denver, Colorado. For a recent advertising campaign with Boston Whaler boats, Steinberger worked in tandem with a video production unit and shared the challenges of working on location, keeping the cameras dry and coming away with compelling advertising imagery.

This short film is a great piece of satire, aimed at some of the stereotypical characters and views found on an indie film set. Couple that with a concept that is ridiculous, yet believable enough to be true, and you've got gold. This humorous short takes you behind the scenes of a film shot using only the Toyota Prius backup camera.

One of the members of performance artist YouTube channel RV Wonderspunk is claiming that fast food chain Burger King not only used her photo in an unintended and sexually charged way, but also did so without asking permission or paying for the image. Aside from the fact the photo is allegedly stolen, this is an example of how far from original intent some can take an image.

I have spent the last four months working on a YouTube channel. Despite two-step authentication, I had my channel stolen. Here is what has happened and how it has been dealt with by Google.

Have you struggled with a few of the Sony A7 III video challenges in the past or some of the video shortcomings are stopping you from switching to Sony from another camera system? In this article, you will discover a simple workaround that makes the Sony A7 III a much more versatile video camera.

London-based Director Oscar Hudson recently released a mind-boggling music video for Bonobo’s “No Reason,” and it's incredible. The music video, which is an homage to Hikikomori, a growing problem in Japan of adolescents and adults who withdraw from society and become increasingly isolated, was filmed using one continuous shot and only in-camera effects and no CGI.

There is often talk about how great smartphone cameras are now — and I'm one of the people saying it — but with modern apps, they are so much more than their camera for photographers. Here are 10 apps that can improve and aid your videography.

There isn't a lot of information about this Adobe App and whether this technology will be added to the desktop software yet, just that it's called Sensei and they have this video to show its potential. It uses artificial intelligence and machine learning to make your selfie or basic smartphone photo look like it was taken by someone who knew what they were doing.

It’s amazing how photos and video have become ingrained in events, especially when fashion and arts come together. Art and Commerce, an agency representing Photographers, Hair Stylists, Makeup Artists, Illustrators, Creative Director, Set Designers, and Directors have documented the small ‘studio’ space at the Met Gala. Art and Commerce represents Gordon von Steiner, who directed and brilliantly executed these images and video.

There are some styles of photography which have been beaten into the ground. Take, for example, the trip to an old asylum; it seems like we've all seen a thousand HDR images of the local loony bin. Graffiti-covered walls, derelict operating rooms and spooky wheelchairs ad-nauseum. But every once in awhile, something comes along which makes my jaw drop and revisits what is possible in an ages-old subject. Drew Geraci's Asylum is exactly what I'm talking about.