CES, the Consumer Electronics Show, held each January in Las Vegas, is usually a place where new technologies compete for eyes and wallets, where, in a way, the world of the future is presented to us. We can experience this future first hand on the show floor. We can turn on a TV, or click on news links and YouTube videos. We can also read the glossy, picture-laden pages of electronics magazines, and the somewhat less glossy ones of newspapers. These analog news sources are where one of this year's most talked about photography and film-related invention should feel most at home: Super 8 is back.

Not too long ago, shooting at a thousand frames per second meant a huge rig and a massive bill. Now you can buy a camera that shoots 1,057 fps at around 720p, going up to an insane 38,565 fps albeit at a resolution of 335 x 96. All of this now arrives in a package that costs a mere $3,500.

A huge part of shooting video is audio. No one wants to look at footage with poor sound with distracting background noise. But thanks to Steven Oakley from MiesnerMedia, if you are reading this article, poor audio will be a story of the past in your videos. Oakley gives us a handy trick to eliminate almost any background noise using only Adobe Audition and Premiere Pro.

The guys over at DigitalRev wanted to test how durable the Canon 7D is, so they put it through some extreme tests to see if the shutter would still work and record images to the CF card. Ice, fire, airsoft guns, flights of stairs, and more. Check out the video to see if the 7D holds up to the beating. You definitely do not want to try this at home! Leave a comment and let me know the worst thing you've done to your DSLR.

When I first started in filmmaking, I didn't want anyone in the world to know how I made my first video because I knew filmmakers usually have expensive tools and expensive software. At that time I didn't have either but I made that video anyway. Today I'm going to share the details with you.

Adobe has finally let iPad 2 users in on Photoshop Touch (Android tablet users have had this for some time now). Having impulse buy issues I just dropped the $9.99 that it costs for the app but being so excited to share the news, I've yet to review it. Some of the highlights Adobe is boasting are: being able to work with core Photoshop tools designed for tablets, using your tablet camera to fill area on layers, select parts of an image to extract by scribbling, and being able to sync files to Adobe Creative Cloud and open in Photoshop.

For many photographers, videographers, and creatives, the dream career is something along the lines of being paid to fly around the world and create content while maintaining an active and successful Internet presence. This landscape photographer seems to have achieved that, and in this video, he talks about the process, his daily life, and his sources of income.

Have you ever been interested in creating professional looking videos but haven’t been able to justify the cost of dedicated professional video gear? You’re in luck considering the remarkable video quality that is achievable using the most current smartphones. Combine the latest smartphone video recording capabilities with stabilization technology developed by the originators of the Steadicam and you’re now able to capture professional looking video easier than ever.

The Canon EOS R5 has been almost all of what the photography industry has been talking about. But how does it perform in a cinematic production environment?

Today, I’ll share a quick look at my simple solution to a sometimes convoluted process.

There's something about Wes Anderson's style that I respond to with joy. It's the symmetry, the mid-century modern fashion style and coloring, and the strong characters he creates from using all these tools at his disposal. This time, his unique style is used for H&M's latest Christmas ad, and it's got the magic you will expect from him.

Our lives as photographers and videographers can be tough, but let's be honest - it's fun to be creative! We get to work with amazing gear and produce compelling visual content for the world to enjoy. However hard we work in our creative fields, I feel it's best to never really take ourselves too seriously. If we do, let's hope that one of our peers will put together a parody response like the one Adam Khamis created above to help check our egos and bring us back down to Earth.

As photographers, many of us work on a freelance type basis. Though this is geared toward other freelance artists, 'Don't Get Screwed Over' came up with a social experiment where people could experience what it would feel like to be a freelancer. People who passed by the table had an opportunity to make $5 based on drawing something simple that what was requested of them.

Whether it's a style or a genre, film noir has that signature high contrast look we've seen in many old black and white films. Modern filmmakers also adopted that style of lighting and post-processing in their drama and thriller movies. In this video you'll go behind the scenes of how to achieve that film noir look in camera.

When it comes to creating great advertising campaigns, photographers should take a page out of the sports apparel company Bogner's book: capture something never seen before in the most beautiful way possible. Bogner teamed up with elite downhill snow skier Chuck Patterson for an idea that simply seems impossible yet breathtaking.

If you’re a fan of both the “Game of Thrones” series and filmmaking, then today’s your lucky day as HBO has uploaded to the Internet behind-the-scenes footage from the Season 4 finale, “The Children.” This featurette from the Blu-ray boxset shows how the visual effects team came up with the wight’s design for the ambush scene and how they implemented a blend of CGI and live-action to get everything looking right for showtime.

If you have not heard of Casey Neitstat yet, go check him out and come back when your done, it might take awhile but it will be well worth it. The guy is a serious talent in the film and social media world, with his own unique style and technique to movie making. This short film by Tom Bryan is an outstanding example of what each of us should be doing with our creative work. Bryan has plans to create a short film each month for the next 12 and has started it off with a bang.

A few days ago, I published a copycat video on my Vimeo account. After the video was first shared by DPReview, the file became viral and got shared hundreds of thousands of times all over Internet. How did I produce this little funny video? How does having 250,000 views per day affect your visibility and social network accounts? And finally, what does this video really mean?

Constant lighting has dropped dramatically in price, with companies like SmallRig making excellent products — along with accessories — that are refreshingly accessible. How good is the SmallRig RC120B, a bicolor packing a decent amount of power and coming in at just $259?

Over the last two months we have been releasing one episode a week of our Behind the Scenes series of our world tour with Elia Locardi. In this first season (Season 2 is currently being edited), we visit both Iceland and New Zealand to film our latest tutorial on all things landscape photography.

Stanislas Giroux gets it. All of his videos have a common thread of featuring fantastic soundtracks. This video, "Curves of Iran," celebrates modern Iran's rich visual textures and — you guessed it — curves. Fitted to great music, fun (but fitting) sound effects to every cut, and a great overall tempo, this video makes use of hyperlapse-like cuts, but spares your brain from the monotony of yet another time-lapse by letting the actual shots play in real time once you've "arrived" at your new destination. Truly imaginative. And at the Giroux's request, I'll remind you to listen with headphones.

A lot of writers and experts in the photography world have been joining the chorus of “photographers should add video to their skill basket.” But, as far as business models are concerned, photography and video can be as different as sushi and gelato. So, before you jump head-on into video, consider my words of caution.

Corey Rich's work spans both photography and video, often using Nikon DSLRs to capture both. His projects take him to hard to reach places, and being able to manage his gear in both modes quickly, enables him to come away with great images. In this video, Corey explains his choices for gear and shooting style on a climbing trip in Pakistan.

Have you experienced watching 30-second clips that felt long and boring, while some 10-minute videos seemed engaging and interesting? It's not always about the length of the footage. It's about how you tell the story.

If you ever tried to extract a good still frame from a video, you probably know there are few different methods of doing this, but none of them are really great. The most popular way of getting a still frame is playing the video on full screen, pausing on the right frame, and using Print Screen to capture that frame - it's a very limited method and the results are average at best. In this video, Photoshop product manager Bryan O'Neil Hughes shows two new methods available on Photoshop CC in which you can extract specific frames from any video file and save them in hi-res.

Idaho photographer Jim Harmer over at ImprovePhotography.com takes the time to give you the low down on shooting the night's Milky Way. All you trolls out there be nice cause Jim froze his butt off on this one and he is just so damn likable.

One of the things that I personally struggle with when it comes to producing video content is color grading. This is especially true when it comes to log profiles and for that reason, I generally just rely on using LUTs that I've bought or downloaded for free.